'Leave Our Marshes Alone': Iraqis Fear Oil Drilling Would Destroy Fabled Wetlands

A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP
A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP
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'Leave Our Marshes Alone': Iraqis Fear Oil Drilling Would Destroy Fabled Wetlands

A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP
A fisherman on Iraq's receding marshes that straddle the border with Iran. Asaad NIAZI / AFP

Plans to drill for oil in the protected Mesopotamian Marshes of southern Iraq have galvanized villagers and activists determined to save the mythical wetlands already battered by years of drought.

"We will never accept it," marshes activist Murtada al-Janubi told a meeting, seeking to reassure anxious residents gathered in a traditional hall made of woven reeds from the wetlands, to discuss the government's plans for the UNESCO-listed area that is their home.

Everyone nodded in approval.

If they fail to save the Huwaizah Marshes, "a historical era... with its heritage and southern identity will vanish for ever", Janubi, 33, told AFP during a tour of the wetlands that straddle the Iraq-Iran border.

The millennia-old history of the marshes -- the reputed home of the biblical Garden of Eden -- "would end with this oilfield", said the moustached, tanned activist.

In 2023, as China became a major player across various sectors in Iraq, the oil-rich country awarded a Chinese firm the rights to explore the Huwaizah field.

Several residents of Abu Khsaf, the village in Missan province where the meeting with activist Janubi was held, said that at the time they did not fully grasp the implications.

Only this year, when heavy machinery was brought in to conduct seismic studies and open a new road, did the residents say they recognized a "threat" to the swamplands that have sustained their traditional way of life.

The government says that the oil and environment ministries are collaborating closely to avoid endangering the wetlands, and that any activity would occur near, not inside, the marshes.

Satellite images of the area from March, which AFP obtained from Planet Labs, show tracks left by heavy vehicles.

Wim Zwijnenburg of Dutch peace organization PAX said the images point to the "rapid" construction of "a 1.3-kilometre-long dirt road in the vegetation of the marshes".

'All we want is water'

Missan province already has several oilfields, including one just kilometers (miles) from the marshes.

Its emissions fill the sky with heavy grey smoke, and its gas flares can be seen from the fishing boats that roam the depleted marshes, suffering after years of harsh drought and dwindling water supplies.

Nestled between the Tigris and Euphrates rivers, the Mesopotamian Marshes depend on rivers and tributaries originating in neighboring Türkiye and Iran.

Sparse rainfall and reduced water flows blamed on climate change, upstream dams and government rationing have created shortages with severe impacts on the marsh ecosystem.

Residents expect the marshes to dry up in summer, hoping for a long-absent good rainy season to revive them.

The current water level in many areas is less than a meter (three feet) deep. Um al-Naaj lake, once teeming with fish, is now just three meters deep, compared with at least six before the drought.

Rowing his boat on the lake, fisherman Kazem Ali, 80, said that while the new project may create some jobs, "we, the average people, will not benefit".

"All we want is water," he said.

Rasul al-Ghurabi, a 28-year-old buffalo farmer, said he would never quit "the marshes and the freedom that comes with them" even if the oil company offered him a job.

Protected core

One cool March morning, as he led his buffaloes to the marshes to graze, Ghurabi was surprised to see workers laying cables and drilling holes.

A cable caused one of his animals to stumble, he said.

The marshes contain a core area that serves as a habitat for numerous species, including migratory waterbirds, surrounded by a buffer zone for protection.

Activists have accused authorities of conducting seismic studies within the core, which the state-owned Missan Oil Company denies, saying that the vehicles spotted in the area were carrying out work for a separate field nearby and had since left.

The Huwaizah oilfield was discovered in the 1970s, and Iraq shares it with Iran, which has been extracting oil for a long time.

The Missan Oil Company says that 300 square kilometers (116 square miles) of the field's area overlap with the marshes' buffer zone, but that the oilfield does not encroach on the core.

An environmental impact assessment concluded in 2024 would provide "the baseline for work in the field", the company said, adding that exploration would take place "without harming the natural habitat".

According to environment ministry official Jassem Falahi, the protected status of the marshes does not bar development projects.

"But investment is subject to specific conditions and standards that must not disturb the core area... or affect the site and its biodiversity," he told AFP.

Balance

Iraqi activist Ahmed Saleh Neema, a vocal advocate for the protection of the marshes, expressed concerns that oil companies might not adhere to regulations and further drain the marshes.

A UNESCO spokesperson told AFP that "concerns have been raised in recent years" over the potential impact of oil-related activities on the marshes.

Across the border in Iran, local media have long warned against the environmental impact of oil projects.

In a report earlier this year, two decades into oil activities in the wetlands known in Iran as Hoor al-Azim, the Tasnim news agency said energy companies had obstructed water flows and drained areas to build infrastructure.

Tasnim also said that oilfields have polluted water resources.

Environmental activist Neema said authorities should strike "a balance between two great resources: the oil and the marshes".

Iraq is one of the world's largest oil producers, and crude sales account for 90 percent of state revenues.

But while oil is financially vital, the marshes represent the livelihood of its people and "the heritage, the folklore, and the reputation of Iraq", Neema said.

Back in the village of Abu Khsaf, Janubi said: "Our region is already teeming with oilfields. Isn't that enough?"

"Leave our marshes alone."



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.