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Japanese Artist Takashi Murakami Opens Exhibit in Ohio Museum with More than 100 Works

Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)
Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)
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Japanese Artist Takashi Murakami Opens Exhibit in Ohio Museum with More than 100 Works

Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)
Artist Takashi Murakami is pictured during an interview in front of a true-to-scale recreation of the Yumedono from the Horyuji Temple complex in Nara, at the Cleveland Museum of Art in Cleveland, Thursday, May 15, 2025. (AP)

Japanese contemporary artist Takashi Murakami has never been limited to one medium, creating paintings, sculptures, luxury goods with fashion houses like Louis Vuitton, album covers and an exclusive merchandising collection with Major League Baseball.

Now, he has filled a US museum hall with portraits in every color as part of an exhibit opening Sunday at the Cleveland Museum of Art. "Takashi Murakami: Stepping on the Tail of a Rainbow," an update of an exhibit first shown in Los Angeles, features more than 100 ranging works.

Murakami, known for his smiling rainbow-colored flower icon, intentionally layered light-hearted themes with historical events linked to trauma, he told The Associated Press.

The art explores the impact of trauma on people and culture, said Ed Schad, curator and publications manager at contemporary art museum The Broad in Los Angeles.

The portraits "have historical roots and that they could actually tell you a lot about what a society is doing, how healthy a society is, what a society is responding to," Schad said. "What society is responding to most often in this exhibition is the idea of trauma."

One sculpture depicts Murakami and his dog with half of their bodies in anatomical form, showing their bones and organs, while the other half is their outward appearances. The sculpture, Pom and Me, is described as Murakami’s interpretation of his experience in the West through the lens of his Japanese identity.

Square portraits featuring cartoonish flowers with facial expressions cover one wall of the exhibit, organized by background color to create a rainbow effect. One flower is wiping a tear from its eye, while another appears to be a zombie. One has blood dripping from its mouth. One appears to be in awe watching fireworks.

Though there are no obviously direct visual references to historical events, the museum said the art can be seen through the lens of three events in Japanese history: the atomic bombings of Hiroshima and Nagasaki by the United States during World War II, the 2011 Tōhoku earthquake and tsunami, leading to the Fukushima Daiichi nuclear accident, and the COVID-19 pandemic.

Murakami said it's a bit of a misunderstanding that his work "is very easy and very popular."

"But this is okay because this is one of my tricks," he said.

What someone might admire about his art as a child, Murakami said, would likely not be what is admired by an adult.

Before entering the exhibit on the lower floor of the museum, visitors can walk through a version of the Yumedono, the octagonal-shaped building at Horyuji Temple in Nara, Japan. Murakami said he was inspired to create the structure after viewing the 2024 television series "Shōgun."

Inside the structure are four new paintings, "Blue Dragon Kyoto,Vermillion Bird Kyoto,White Tiger Kyoto" and "Black Tortoise Kyoto", created between 2023 and 2025.

The ticketed exhibit runs until early September.

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Culture

Archaeologists Find Huge Viking Textile Production Site in Denmark

Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
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Archaeologists Find Huge Viking Textile Production Site in Denmark

Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)
Moesgaard Museum archaeologist Liv Stidsing Reher-Langberg holds a Viking Age weight loom unearthed in Aarhus, Denmark, on June 22, 2026. (AP)

Archaeologists have discovered a huge Viking Age textile production site in Denmark that dates back more than 1,000 years and underlines the sophistication of Viking society.

Experts from the Moesgaard Museum said this week that the sprawling 100,000-square-meter (more than 1 million-square-foot) site features an area for processing flax as well as more than 80 pit houses — semi-submerged huts that were used as workshops and dwellings in Viking times.

It's located in Søften, 10 kilometers (6 miles) north of Denmark’s second-largest city, Aarhus, on the Jutland peninsula. The site dates back to the late Iron Age and early Viking Age, sometime between A.D. 600 and 950.

Archaeologist Liv Stidsing Reher-Langberg, who led the 10-month dig, said that “we have a clear focus on textile production, which makes this settlement different from other kinds of settlements of this period.”

“We have spindle whorls, we have weight looms; that tells us about what has been going on in the pit houses,” said Reher-Langberg, adding that archaeologists had also discovered silver coins, glass beads and pottery.

Experts found separate areas for production and crafts, plus a single residential home, which suggests work was overseen by a powerful individual with control over resources and production.

Reher-Langberg said that, over the last three decades, people with metal detectors had unearthed several silver coins in the area. A trial excavation 1½ years ago, before the start of construction work on a new road and industrial area, then piqued archaeologists’ interest.

“We could see in the trenches that it just keeps on going, with these houses and pit houses and textile production features,” Reher-Langberg said.

Moesgaard Museum historian Kasper Andersen said that the discovery at Søften is “another piece in the puzzle” to understanding the local economic, cultural and political structure at the time.

During the Viking era, Aarhus — then known as Aros — functioned as a center for royalty and international trade. And last year, archaeologists discovered another Viking site in Lisbjerg, just 4 kilometers (2½ miles) away, that was likely home to members of the nobility.

Goods and resources were likely brought from the countryside and settlements like Søften, before entering an extensive international trade network, Andersen said.

“When you have a production site of this scale, it cannot be only because of the local area. It needs to be understood as part of a greater network, a much bigger international perspective,” Andersen said.

Reher-Langberg hopes future carbon dating and pollen analysis might answer some lingering questions, for instance about what kind of textile production went on at the site.

During the Viking Age, considered to run from A.D. 793 to 1066, Norsemen known as Vikings undertook large-scale raids, colonization, conquest and trade throughout Europe, even reaching North America.

Andersen said that the discovery at Søften shows that Vikings were “not just simple, uncivilized, barbaric hordes, rambling about Europe.”

“To have a place like Søften, you need a very well-organized society with a production line, and you also need a market to have the production,” he said. “The textiles from Søften go into a market that’s much bigger than just the local area.”

Culture

Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
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Saudi Ambassador to Lebanon Visits Ameen Rihani Museum

Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)
Saudi Ambassador to Lebanon Fahd Al-Dosari is seen during his visit to the museum. (SPA)

Saudi Ambassador to Lebanon Fahd Al-Dosari visited on Monday the Ameen Rihani Museum in the town of Freike in Matn District, reported the Saudi Press Agency.

The ambassador was received by members of the Rihani family, led by the museum's curator, Ameen Albert Rihani, who welcomed him and praised the historic relations between Saudi Arabia and Lebanon.

They recalled the historic meeting between King Abdulaziz bin Abdulrahman Al Saud and Lebanese writer and historian Ameen Rihani in 1922.

During the visit, Al-Dosari toured the museum's historical and literary sections and viewed the exhibition marking the centenary of the book “Rihaniyyat”.

Culture

On World Camel Day, Saudi Arabia’s AlUla Celebrates Camel Heritage and Reinforces Its Cultural Identity

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
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On World Camel Day, Saudi Arabia’s AlUla Celebrates Camel Heritage and Reinforces Its Cultural Identity

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)
In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. (SPA)

World Camel Day, observed annually on June 22, serves as a global occasion to reflect on the enduring relationship between humans and camels throughout history.

The day highlights camels' economic contributions, their role in supporting food security and sustainable development, and their cultural significance, which extends beyond geographical boundaries and has made them a deeply rooted symbol in the collective memory of peoples worldwide, reported the Saudi Press Agency on Monday.

In Saudi Arabia, the relationship with camels extends beyond traditional heritage to form an integral part of national identity and collective memory. This is reflected in the significant attention devoted to the sector through specialized initiatives and events, support for camel owners, and efforts to preserve and sustain this heritage as one of the Kingdom's most prominent cultural assets.

Across AlUla, rock art and inscriptions dating back thousands of years tell the story of the close relationship between humans and camels. (SPA)

Across AlUla, rock art and inscriptions dating back thousands of years tell the story of the close relationship between humans and camels. These animals contributed to the prosperity of trade routes, facilitated mobility, and supported the stability of successive communities.

Camels remain an essential part of AlUla's heritage and a testament to the deep connection between people and their environment since ancient times.

Today, camels in AlUla are more than witnesses to history. They are an integral part of the region's cultural and sporting landscape and a key element of the tourism experience offered by the land of civilizations.

Through a contemporary vision that combines the authenticity of history with the aspirations of the future, AlUla continues to showcase this rich heritage, ensuring that camels remain among the most enduring symbols in the story of people and place across generations.