Strauss’ ‘Blue Danube’ Waltz Is Launching into Space to Mark His 200th Birthday 

This undated photo released by the European Space Agency shows the 35 meter-diameter deep-space dish antenna, DSA-2, in Cebreros, Spain, receiving the first signals from Venus Express. (ESA via AP)
This undated photo released by the European Space Agency shows the 35 meter-diameter deep-space dish antenna, DSA-2, in Cebreros, Spain, receiving the first signals from Venus Express. (ESA via AP)
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Strauss’ ‘Blue Danube’ Waltz Is Launching into Space to Mark His 200th Birthday 

This undated photo released by the European Space Agency shows the 35 meter-diameter deep-space dish antenna, DSA-2, in Cebreros, Spain, receiving the first signals from Venus Express. (ESA via AP)
This undated photo released by the European Space Agency shows the 35 meter-diameter deep-space dish antenna, DSA-2, in Cebreros, Spain, receiving the first signals from Venus Express. (ESA via AP)

Strauss’ “Blue Danube” is heading into space this month to mark the 200th anniversary of the waltz king’s birth.

The classical piece will be beamed into the cosmos as it’s performed by the Vienna Symphony Orchestra. The celestial send-off on May 31, livestreamed with free public screenings in Vienna, Madrid and New York, also will celebrate the European Space Agency’s founding 50 years ago.

Although the music could be converted into radio signals in real time, according to officials, ESA will relay a pre-recorded version from the orchestra’s rehearsal the day before to avoid any technical issues. The live performance will provide the accompaniment.

The radio signals will hurtle away at the speed of light, or a mind-blowing 670 million mph (more than 1 billion kph).

That will put the music past the moon in 1 ½ seconds, past Mars in 4 ½ minutes, past Jupiter in 37 minutes and past Neptune in four hours. Within 23 hours, the signals will be as far from Earth as NASA’s Voyager 1, the world’s most distant spacecraft at more than 15 billion miles (24 billion kilometers) in interstellar space.

NASA also celebrated its 50th anniversary in 2008 by transmitting a song directly into deep space: the Beatles’ “Across the Universe.” And last year, NASA beamed up Missy Elliott’s “The Rain (Supa Dupa Fly)” toward Venus.

Music has even flowed from another planet to Earth, courtesy of a NASA Mars rover. Flight controllers at California’s Jet Propulsion Laboratory sent a recording of will.i.am’s “Reach for the Stars” to Curiosity in 2012 and the rover relayed it back.

These are all deep-space transmissions as opposed to the melodies streaming between NASA’s Mission Control and orbiting crews since the mid-1960s.

Now it’s Strauss’ turn, after getting passed over for the Voyager Golden Records nearly a half-century ago.

Launched in 1977, NASA’s twin Voyagers 1 and 2 each carry a gold-plated copper phonograph record, along with a stylus and playing instructions for anyone or anything out there.

The records contain sounds and images of Earth as well as 90 minutes of music. The late astronomer Carl Sagan led the committee that chose Bach, Beethoven, Mozart and Stravinsky pieces, along with modern and Indigenous selections.

Among those skipped was Johann Strauss II, whose “Blue Danube” graced Stanley Kubrick’s 1968 sci-fi opus “2001: A Space Odyssey.”

The tourist board in Vienna, where Strauss was born on Oct. 25, 1825, said it aims to correct this “cosmic mistake” by sending the “the most famous of all waltzes” to its destined home among the stars.

ESA’s big radio antenna in Spain, part of the space agency’s deep-space network, will do the honors. The dish will be pointed in the direction of Voyager 1 so the “Blue Danube” heads that way.

“Music connects us all through time and space in a very particular way,” ESA’s director general Josef Aschbacher said in a statement. “The European Space Agency is pleased to share the stage with Johann Strauss II and open the imaginations of future space scientists and explorers who may one day journey to the anthem of space.”



Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
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Rome to Charge Tourists to Get Close to the Famed Trevi Fountain

 A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)
A visitor takes a photo of Rome's Trevi Fountain, Friday, Dec. 19, 2025, as the city municipality announced that, starting on Feb. 1, it will impose a 2 euro fee for tourists to visit the recessed fountain edge. (AP)

Tourists who want to get close to Rome's Trevi Fountain will soon have to pay a two-euro ($2.34) fee, the city mayor said on Friday, as authorities look to profit more handsomely from Italy's many attractions.

Mayor Roberto Gualtieri told reporters the new payment system would start on February 1, adding that the measure was expected to raise 6.5 million euros a year.

"Two euros isn't very much ... and it will lead to less chaotic tourist flows," Gualtieri said, stressing that citizens of Rome will continue to have free access to the fountain.

Tourists will ‌have to ‌pay if they want to get ‌onto ⁠the stone steps ‌surrounding the fountain's basin, while the small surrounding square offering a view of the imposing monument will remain open for everyone.

The Trevi Fountain, where tradition dictates that visitors toss a coin into the water to guarantee their return to Rome, has long been a major tourist attraction, even for visiting world leaders.

Completed in 1762, the monument is ⁠a late Baroque masterpiece depicting Oceanus and symbolizing the varying ‌moods of the world's seas and ‍rivers.

It has received nine million ‍visitors so far this year, Gualtieri said, suggesting that he ‍expects many people will opt to view the fountain from afar in future, rather than pay to get near the water.

Visitors on Friday said they would be willing to pay if the money was put to good use.

"If it means that money is used to keep it maintained, then yeah, that's fine," said British ⁠tourist Yvonne Salustri.

Gualtieri said five other relatively unknown sites in Rome that are currently free will start charging five euros for access from February, continuing the recent trend aimed at squeezing profits from Italy's cultural heritage.

In 2023, a five-euro entrance fee was introduced for Rome's ancient Pantheon. As a result, the square outside is often crammed with people waiting for their turn to pay and enter.

Venice has introduced a tourist entry-fee system during the peak travel season, while Verona this month began charging for access to the balcony in ‌the northern Italian city that is associated with Shakespeare's "Romeo and Juliet".


ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
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ICAIRE Launches Data, AI Glossary to Mark World Arabic Language Day

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French
The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French

The International Center for Artificial Intelligence Research and Ethics (ICAIRE) announced the launch of an interactive edition of the Data and Artificial Intelligence Glossary, in cooperation with the Saudi Data and Artificial Intelligence Authority (SDAIA), the King Salman Global Academy for Arabic Language (KSGAAL), and the Islamic World Educational, Scientific and Cultural Organization (ICESCO).

The launch coincides with World Arabic Language Day, observed annually on December 18.

The dictionary aims to preserve the Arabic language, enrich Arabic digital content with technical terminology and concepts, raise awareness of modern concepts, and facilitate access to information for researchers and practitioners.

It seeks to unify technical terminology in support of the development of the digital economy and the building of a sustainable knowledge-based future.

The interactive edition enables users to easily browse AI- and data-related terminology in Arabic, English, and French, and allows users to interact with the dictionary by adding terms in various dialects.

These enhance knowledge exchange and help ensure the unification and integration of efforts among scientific and technical institutions both regionally and internationally. The dictionary includes more than 1,200 technical terms.


Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
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Jeddah Book Fair Highlights World Arabic Language Day with Discussion on Literature’s Global Reach

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission
The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission

As part of its World Arabic Language Day celebration, the Jeddah Book Fair 2025 has organized a panel discussion on expanding Arabic literature’s global reach.

The event was held under the cultural program overseen by the Saudi Literature, Publishing and Translation Commission. Several female academics and other literature enthusiasts took part.

The panel discussed the concept of world literature and its relationship to comparative literature, stressing that opening Arabic texts to the world’s literature requires moving beyond local geographic boundaries and engaging in wider circles of reception and circulation.

The discussion also highlighted the key role of the press and media in conveying literary texts and reaching global readers, while praising Saudi efforts to internationalize Arabic literature through clear plans and strategies as a sustainable institutional approach.

The panel is part of the commission’s efforts to mark global occasions linked to Arabic literature and culture within an integrated cultural program offered by the Jeddah Book Fair, which continues to welcome visitors until December 20, with Saudi and Arab publishing houses showcasing the latest literary releases.