Egyptian Archaeologists Discover Three Tombs in Luxor

 In this undated photo, hieroglyphs are revealed in the three new graves of senior statesmen found in the Dra' Abu al-Naga necropolis area in Luxor, Egypt. (Egypt Ministry of Tourism and Antiquities via AP)
In this undated photo, hieroglyphs are revealed in the three new graves of senior statesmen found in the Dra' Abu al-Naga necropolis area in Luxor, Egypt. (Egypt Ministry of Tourism and Antiquities via AP)
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Egyptian Archaeologists Discover Three Tombs in Luxor

 In this undated photo, hieroglyphs are revealed in the three new graves of senior statesmen found in the Dra' Abu al-Naga necropolis area in Luxor, Egypt. (Egypt Ministry of Tourism and Antiquities via AP)
In this undated photo, hieroglyphs are revealed in the three new graves of senior statesmen found in the Dra' Abu al-Naga necropolis area in Luxor, Egypt. (Egypt Ministry of Tourism and Antiquities via AP)

Egypt unveiled three new tombs of prominent statesman in the Dra Abu al-Naga necropolis in Luxor, officials said Monday.

Egyptian archaeologists have discovered tombs dating back to the New Kingdom period (1550–1070 B.C.) and identified the names and titles of their owners through inscriptions found within, according to a statement by the tourism and antiquities ministry.

Mohamed Ismail Khaled, secretary-general of the Supreme Council of Antiquities, said in the statement that further study of other tombs’ inscriptions is needed to gain a deeper understanding of the tombs’ owners.

The ministry released pictures of items discovered in the tombs, including artifacts and statues.

The discovery comes in the lead-up to the highly anticipated full opening of the Grand Egyptian Museum, which is expected this summer, though a final official date is yet to be confirmed. The museum will showcase more than 100,000 artifacts from Egypt’s rich ancient heritage.

One of the tombs discovered in Luxor on Monday belonged to Amum-em-Ipet, from the Ramesside period, who worked in the estate of Amun. His tomb was mostly destroyed and what remained were depictions of funeral furniture carriers and a banquet.

Amum-em-Ipet’s tomb begins with a small courtyard leading to an entrance and then a square hall ending with a niche, whose western wall was destroyed.

The other tombs date back to the 18th Dynasty and include one belonging to a man named Baki, who served as a supervisor of the grain silo. Another tomb contains the burial of an individual named “S,” who held multiple roles. He was a supervisor at the Temple of Amun in the oasis, a writer and the mayor of the northern oases.

Baki’s tomb has a courtyard leading to the main entrance of the tomb as well as a long corridor-like courtyard. It also has a transverse hall leading to another longitudinal hall that leads up to an unfinished chamber that contains a burial well.

Meanwhile, the other tomb that belongs to “S” has a small courtyard with a well, the tomb’s main entrance, and a transverse hall that leads to an incomplete longitudinal hall.

Minister of Tourism and Antiquities Sherif Fathi described the discovery as a significant scientific and archaeological achievement, noting that it is one of the areas poised to greatly boost cultural tourism and attract more visitors with an interest in Egypt’s rich heritage.

In January, Egypt made several discoveries near the famed city of Luxor, including ancient rock-cut tombs and burial shafts dating back 3,600 years. They were unearthed at the causeway of Queen Hatshepsut’s funerary temple at Deir al-Bahri on the Nile’s West Bank.

Late last year, Egyptian and American archaeologists excavated an ancient tomb with 11 sealed burials near Luxor. The tomb, which dates to the Middle Kingdom, was found in the South Asasif necropolis, next to the Temple of Hatshepsut.



UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
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UK Proposal to Charge Tourists to Visit Museums Sparks Backlash

FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo
FILE PHOTO: People walk in front of the British Museum in London, Britain, September 28, 2023. REUTERS/Hollie Adams/File Photo

Britain is considering introducing entry fees for tourists visiting some of England's most renowned museums, a proposal that has drawn criticism from restitution groups and countries while disputed artefacts remain on display.

Free admission to Britain's national museums and galleries was introduced in 2001 by former Labour Prime Minister Tony Blair in a bid to make culture more accessible to all.

Last month, the UK government said it would work with the museum sector to explore the potential benefits of charging international visitors at ⁠national museums, including how ⁠this could support the arts sector. It would provide an update of the consultation before the end of the year, it said.

However, the proposal is facing backlash amid growing calls worldwide for artefacts to be sent back to their communities or countries of origin, Reuters reported.

Although some efforts have been made to confront the long-standing issue, artifacts as well as human ⁠remains taken during the colonial era are still held in various museums across Europe. Some long-standing claims for artifacts involving the British Museum include Greece's Parthenon Sculptures, known as Elgin marbles, and Nigeria's Benin Bronzes.

The British Museum has previously said that the strength of its collection lies in enabling millions of visitors to understand the world's cultures and how they are interconnected.

Ghana, which has some of its regalia and other artifacts in British institutions, said charging foreign visitors to view such objects raises issues of "fairness," particularly where restitution discussions remain ongoing, ⁠foreign minister ⁠Samuel Okudzeto Ablakwa told Reuters.

The proposal, if implemented, would be "unethica," said Eric Phillips, vice chair of the Caribbean Community's reparations commission, a bloc of 15 member states including Jamaica and Barbados.

"Why should we have to pay to see our heritage?" Phillips said.

Arley Gill, chairman of Grenada's national reparations committee, said the priority should be to return the artifacts to their "rightful owners."

Open Restitution Africa (ORA) said Africans and others already face barriers to accessing artifacts taken from their countries and held in Western museums, including visa requirements and travel costs.

"Introducing entry fees further compounds these inequalities," ORA said.

Meanwhile, the US-based non-profit Restitution Study Group said a fee exemption for such visitors would be a "meaningful gesture."

The government declined to comment on the criticism.


Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
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Riyadh Art Unveils 75 Works in Expanding Public Art Collection Across Capital

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA
The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs. SPA

The Royal Commission for Riyadh City, through its “Riyadh Art” program, has unveiled 75 new artworks as part of a growing permanent collection installed across key locations in the capital.

The initiative forms part of broader efforts to expand the presence of public art in urban spaces, with additional installations planned in the coming period.

The program aims to enrich daily life in Riyadh by integrating art into the urban fabric, contributing to a dynamic cultural environment that reflects the capital's regional and international stature.

As one of the world’s largest public art initiatives, the Riyadh Art program now features 75 installations, with plans to expand the collection by adding 115 more works. The current collection includes contributions from 35 Saudi artists and 100 international artists representing 45 countries.

Among the internationally renowned artists featured are Anish Kapoor, Giuseppe Penone, and Jeff Koons, alongside prominent Saudi artists such as Zaman Jassim, Mohammed Alsaleem, and Manal AlDowayan.

The artworks are strategically distributed across major streets, public squares, cultural centers, and key urban hubs, enabling residents and visitors to engage with them as part of their everyday environment and reinforcing the role of art in public life.

The collection comprises both commissioned and acquired works. Commissioned pieces are specifically designed to respond to their surroundings, integrating with the urban context and patterns of movement within each location.

Recent commissions were selected through an international competition that attracted 161 artists, with 72 shortlisted participants submitting 70 proposals. These contributions have helped shape a diverse and evolving collection spanning the city’s main axes and public spaces.


New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
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New Tools Rescue Old Art at Madrid’s Prado Museum

A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)
A conservator works on the restoration of gilded moldings at the Prado museum's sculpture restoration department in Madrid on October 23, 2025. (Pierre-Philippe Marcou/ AFP)

In a quiet space secluded from the throngs of daily visitors to Madrid's Prado art museum, a team of experts perpetuate an ancient tradition of restoring centuries-old European cultural treasures.

Creations by some of art's most illustrious names -- Goya, Velazquez, Rubens, Caravaggio, Bosch and El Greco -- are conserved in the vast, bright space at one of the world's most-visited museums.

The Prado has always put an emphasis on the conservation and restoration of art since it opened to the public in 1819.

Cutting-edge technology and modern tools to analyze and treat paintings and sculptures allow Almudena, Marta, Maria, Alvaro, Alicia, Elena, Sonia and Eva to maintain the tradition.

The team is capable of caring for the museum's most prized collections as well as works from other institutions.

In February, the Prado launched the restoration of "Pablo de Valladolid", an emblematic portrait that Spanish master Velazquez produced in the 17th century.

But the work will first undergo a deep technical analysis by new equipment, the museum said in a statement.

Scanning technology will allow the experts to identify and locate the materials used by the artist, while multispectral infrared reflectography will reveal details invisible to the naked eye.

Everything contributes to a deeper understanding of the artist's technique, the work's state of conservation and preparing its restoration.