Australia’s Bid for Ancient Rock Art World Heritage Listing Stalls Over Pollution 

Located on the Burrup Peninsula in Western Australia state, the Murujuga rock art, which is of cultural and spiritual significance to local Indigenous Australians, was nominated for heritage listing in 2023. (Getty Images/AFP)
Located on the Burrup Peninsula in Western Australia state, the Murujuga rock art, which is of cultural and spiritual significance to local Indigenous Australians, was nominated for heritage listing in 2023. (Getty Images/AFP)
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Australia’s Bid for Ancient Rock Art World Heritage Listing Stalls Over Pollution 

Located on the Burrup Peninsula in Western Australia state, the Murujuga rock art, which is of cultural and spiritual significance to local Indigenous Australians, was nominated for heritage listing in 2023. (Getty Images/AFP)
Located on the Burrup Peninsula in Western Australia state, the Murujuga rock art, which is of cultural and spiritual significance to local Indigenous Australians, was nominated for heritage listing in 2023. (Getty Images/AFP)

Australia’s bid to secure World Heritage status for a site with Indigenous rock art estimated to be 50,000 years old has been dealt a blow after a UN advisory body warned it was at risk from nearby industrial pollution.

The International Council on Monuments and Sites advised UNESCO to refer the nomination back to the Australian government so it could “prevent any further industrial development adjacent to, and within, the Murujuga Cultural Landscape”.

Located on the Burrup Peninsula in Western Australia state, the Murujuga rock art, which is of cultural and spiritual significance to local Indigenous Australians, was nominated for heritage listing in 2023.

The Burrup Peninsula is also a key industrial hub, home to two gas plants run by Woodside, and fertilizer and explosives plants run by Norway's Yara International.

The government on Wednesday extended the lifetime of Woodside’s largest gas plant in the region, the North West Shelf, until 2070. The extension will generate up to 4.3 billion metric tons of additional carbon emissions.

Scrutiny over the impact of Australia's resources industry on Indigenous heritage sites has been magnified since Rio Tinto destroyed the 46,000-year-old Juukan Gorge rock shelters as part of a mine expansion in 2020.

Australia has said the Murujuga petroglyphs were in “good condition overall” and presented findings from a study of the site that said there were no suggestions “acid rain or deposition is contributing to damage of the rock art”.

Despite this, ICOMOS recommended preventing further industrial development near the site and called for a “decommissioning and rehabilitation plan for existing industrial activities”.

ICOMOS, citing media reports quoting rock art experts and information received about the proposed North West Shelf extension, concluded “the conservation conditions of the petroglyphs are extremely vulnerable and threatened by industrial acidic emissions”.

Luke James, a cultural heritage expert at Deakin University, said the ICOMOS draft decision was a “setback” for the Australian government.

“ICOMOS has identified some concerns around protection and management,” he said. “It is now up to the Australian government to demonstrate to the committee that these are surmountable, or it will need to wait at least a year - and do further work - for another chance at inscription.”

Woodside said in a statement it continued to support the heritage listing of the rock art and would work with the Murujuga traditional owners and government to prepare its response to ICOMOS' recommendation.

“We believe the World Heritage nomination should proceed on the strength of the evidence and stand as proof that cultural heritage and industry can responsibly coexist when collaboration, transparency and rigorous scientific monitoring are in place,” it said.

The UNESCO World Heritage Committee will meet in July.



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.