Chinese Travel More during Dragon Boat Holiday but Spending Lags

Spectators watch as participants take part in a dragon boat tug-of-war competition in the waters of Xujiachong harbour to mark the Dragon Boat festival, in Yichang, Hubei province, China May 31, 2025. China Daily via REUTERS
Spectators watch as participants take part in a dragon boat tug-of-war competition in the waters of Xujiachong harbour to mark the Dragon Boat festival, in Yichang, Hubei province, China May 31, 2025. China Daily via REUTERS
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Chinese Travel More during Dragon Boat Holiday but Spending Lags

Spectators watch as participants take part in a dragon boat tug-of-war competition in the waters of Xujiachong harbour to mark the Dragon Boat festival, in Yichang, Hubei province, China May 31, 2025. China Daily via REUTERS
Spectators watch as participants take part in a dragon boat tug-of-war competition in the waters of Xujiachong harbour to mark the Dragon Boat festival, in Yichang, Hubei province, China May 31, 2025. China Daily via REUTERS

Chinese people travelled more over the three-day Dragon Boat holiday this year, but spending remained below pre-pandemic levels, government data showed on Tuesday - indicators that are closely watched as barometers of consumer confidence.

Consumption in the world's second-largest economy has suffered amid sputtering growth and a prolonged property crisis, with uncertainty from the US-China trade war also weighing on consumer confidence.

The latest data painted a mixed picture for China's consumer economy. Travelers took an estimated 119 million domestic journeys from Friday to Monday, up 5.7% from the same holiday period last year, according to the Ministry for Tourism and Culture.

Overall spending over the period rose to 42.73 billion yuan ($5.94 billion, a year-on-year increase of 5.9%, but the average amount spent per traveler was a little under 360 yuan ($50), according to Reuters calculations, remaining stubbornly below 2019 levels of around 410 yuan per trip.

The Dragon Boat Festival took place from May 31 to June 2 - and is celebrated throughout the country with local dragon boat races. Many people take the opportunity to have short holidays, crowding train stations and airports around the country.

Cross-border journeys rose 2.7% to 5.9 million, with 231,000 foreign nationals entering the country visa-free during the holiday, broadcaster CCTV said late on Monday.

China has been expanding its visa policy, with citizens of 43 countries granted visa-free access, while visa-free transit for up to 240 hours in China is available for 54 countries.

Rail lines saw the peak of return passenger flow on June 2, with authorities adding 1,279 trains to more than 11,000 passenger trains overall across the country, while road travel was up 3% year-on-year, with 600 million car journeys recorded, mostly travelling short distances.

Chinese also boosted spending on entertainment over the holiday, with cinema box office revenue reaching 460 million yuan ($63.9 million), surpassing last year’s 384 million yuan, according to data from online ticketing platform Maoyan.

Tom Cruise’s latest movie "Mission: Impossible - The Final Reckoning" topped charts, and generated 228 million yuan, half of the total revenue during the holiday period, which was seen as a positive indicator for the upcoming summer season.



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.