Antiquities Smuggling Surges After Fall of Syria’s Assad

Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
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Antiquities Smuggling Surges After Fall of Syria’s Assad

Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)
Children play, with one raising the V sign, at the ancient city of Palmyra, Syria, Saturday, Jan. 25, 2025. (AP Photo/Khalil Hamra)

The collapse of a once-feared security apparatus, coupled with widespread poverty, has triggered a gold rush in Syria where experts say social media has emerged as a key hub for the sale of stolen antiquities.

Located in the heart of the fertile crescent where settled civilization first emerged, Syria is awash with mosaics, statues and artifacts that fetch top dollar from collectors in the west and the site of looting since 2012, The Guardian reported on Sunday.

According to the Antiquities Trafficking and Heritage Anthropology Research Project (ATHAR), which investigates antiquities black markets online, nearly a third of the 1,500 Syrian cases it has documented since 2012 have occurred since December alone.

It said that much of the looting is being carried out by individuals desperate for cash, hoping to find ancient coins or antiquities they can sell quickly.

In Damascus, shops selling metal detectors have proliferated while ads on social media show users discovering hidden treasure with models such as the XTREM Hunter, which retails for just over $2,000.

They come by night. Armed with pickaxes, shovels and jackhammers, looters disturb the dead. Under the cover of darkness, men exhume graves buried more than 2,000 years ago in Syria’s ancient city of Palmyra, searching for treasure.

“These different layers are important, when people mix them together, it will be impossible for archaeologists to understand what they’re looking at,” said Mohammed al-Fares, a resident of Palmyra and an activist with the NGO Heritage for Peace, as he stood in the remains of an ancient crypt exhumed by looters.

By day, the destruction caused by grave robbers is apparent. Three-meter-deep holes mar the landscape of Palmyra, where ancient burial crypts lure people with the promise of funerary gold and ancient artifacts that fetch thousands of dollars.

Al-Fares picked up a shattered piece of pottery that tomb raiders had left behind and placed it next to the rusted tailfin of a mortar bomb.

Palmyra, which dates back to the third century BC, suffered heavy damage during the period of ISIS control, when militants blew up parts of the ancient site in 2015, deeming its ruins apostate idols.

Palmyra is not the only ancient site under threat. Experts and officials say the looting and trafficking of Syria’s antiquities has surged to unprecedented levels since the opposition overthrew former Syrian president Bashar al-Assad in December, putting the country’s heritage further at risk.

“When the [Assad] regime fell, we saw a huge spike on the ground. It was a complete breakdown of any constraints that might have existed in the regime periods that controlled looting,” said Amr al-Azm, a professor of Middle East history and anthropology at Shawnee State University in Ohio and co-director of the ATHAR project.

For her part, Katie Paul, a co-director of the ATHAR project and the director of Tech Transparency Project, said: “The last three to four months has been the biggest flood of antiquities trafficking I have ever seen, from any country, ever.”

“This is the fastest we’ve ever seen artifacts being sold. Before for example, a mosaic being sold out of Raqqa took a year. Now, mosaics are being sold in two weeks,” said Paul.

Paul, along with Azm, tracks the route of trafficked Middle Eastern antiquities online and has created a database of more than 26,000 screenshots, videos and pictures documenting trafficked antiquities dating back to 2012.

The report said that Syria’s new government has urged looters to stop, offering finder’s fees to those who turn in antiquities rather than sell them, and threatening offenders with up to 15 years in prison.

But preoccupied with rebuilding a shattered country and struggling to assert control, Damascus has few resources to protect its archaeological heritage.

In 2020, Facebook banned the sale of historical antiquities on its platform and said it would remove any related content. However, according to Paul, the policy is rarely enforced despite continued sales on the platform being well documented.

“Trafficking of cultural property during conflict is a crime, here you have Facebook acting as a vehicle for the crime. Facebook knows this is an issue,” said Paul.

She added that she was tracking dozens of antiquities trading groups on Facebook that have more than 100,000 members, the largest of which has approximately 900,000 members.

A representative from Meta, the parent company of Facebook, declined to respond to the Guardian’s request for a comment.

The Facebook groups are used as a gateway for traffickers, connecting low-level looters in Syria to criminal networks that smuggle the artifacts out of the country into neighboring Jordan and Türkiye.

From there, the pieces are shipped around the world to create fake bills of sale and provenance so they can be laundered into the grey market of antiquities.

After 10 to 15 years they make their way into legal auction houses, where collectors and museums, primarily located in the US and Europe, snap them up.



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.