Germany and Last Kaiser’s Heirs Agree to Keep Treasures on Display

German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)
German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)
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Germany and Last Kaiser’s Heirs Agree to Keep Treasures on Display

German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)
German State Culture Minister Wolfram Weimer attends a press conference following a meeting with EU Culture Ministers and cultural figures in Ministry of Culture in Paris, France, 11 June 2025. (EPA)

The heirs of the former Prussian monarchy and Germany's state-run cultural foundations on Friday announced a deal that will allow thousands of the family's treasures and artefacts to remain on public display.

The agreement ends a century-old dispute between the state and the Hohenzollern family, descendants of the last German emperor and king of Prussia, Kaiser Wilhelm II, who abdicated after World War I.

"After 100 years, we have amicably resolved a dispute dating back to the transition from the monarchy to the republic," said Culture Minister Wolfram Weimer, hailing the "historic success".

The collection reportedly covers 27,000 objects including paintings, sculptures, coins, books and furniture.

"Countless works of art that are of great importance to the history of Brandenburg, Prussia, and thus Germany will now be permanently accessible to the public and continue to form the centerpieces of our museums and palaces," said Weimer.

Prince Georg Friedrich of Prussia said in a statement that "it has always been my goal to permanently preserve our shared cultural heritage for art-loving citizens and to make it publicly accessible".

"The solution now found provides an excellent basis for a new partnership between the state cultural foundations and my family."

Under the agreement, previously disputed objects will be transferred to a non-profit Hohenzollern Art Heritage Foundation, with two thirds of the board made up of public sector representatives, and one third by the aristocratic family.

The ancient House of Hohenzollern ruled the German Empire from its establishment in 1871 until Wilhelm II was forced to abdicate in 1918, going into exile after Germany's defeat in World War I.

The Prussian royals were initially to be stripped of their properties, but a deal was later worked out under a 1926 law.

The imperial family received millions of Deutschmarks and kept dozens of castles, villas and other properties, mainly in and around Berlin but also as far away as today's Namibia.

However, after Nazi Germany's World War II defeat, Soviet occupation of eastern Germany and communist rule led to additional expropriations.

The riches lost behind the Iron Curtain only came back into reach for the Hohenzollern family with the 1989 fall of the Berlin Wall.

Under a 1994 law, people whose property was expropriated by the Soviets have a right to claim compensation, but only if they did not "lend considerable support" to the Nazi regime.

The family fought for years to recover the treasures but dropped the bid in 2023 when a family representative acknowledged that Kaiser Wilhelm II "sympathized with the Nazis at times".

The deal announced on Friday was sealed after the German Historical Museum Foundation gave its approval, following the Prussian Cultural Heritage Foundation and the Prussian Castles and Gardens Foundation in Berlin-Brandenburg.



Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.


Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
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Leading Portraiture Competition Celebrates Saudi Heritage Through Art

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA
Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives - SPA

The Dia Aziz Dia Award for Portrait, hosted by the Saudi Arabian Society for Culture and Arts in Jeddah, is a leading platform for portraiture and the only competition of its kind in the Middle East. It fosters national identity through contemporary art, connecting veteran and emerging artists.

Throughout its history, the award has emphasized themes rooted in Saudi heritage and national initiatives, including Saudi women, the Arabian horse, the Saudi Green Initiative, and King Abdulaziz.

These themes highlight art's role in reflecting social transformations and contributing to the cultural goals of Saudi Vision 2030, SPA reported.

The current ninth edition, with a theme focused on King Salman, invited artists to depict the leadership and humanity of the Custodian of the Two Holy Mosques. This edition attracted significant participation, with 787 submissions from 42 cities, including international entries.

Of these, 61 works were shortlisted for the final competition, with prizes totaling SAR170,000 awarded to three main winners and seven incentive recipients.