'Hidden Treasure': Rare Gandhi Portrait Up for UK Sale

Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
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'Hidden Treasure': Rare Gandhi Portrait Up for UK Sale

Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP

A rare oil painting of Indian independence leader Mahatma Gandhi, which is believed to have been damaged by a Hindu nationalist activist, is to be auctioned in London in July.

Gandhi, one of the most influential figures in India's history, led a non-violent movement against British rule and inspired similar resistance campaigns across the world.

He is the subject of tens of thousands of artworks, books and films.

But a 1931 painting by British-American artist Clare Leighton is believed to be the only oil portrait he sat for, according to the painter's family and Bonhams, where it will be auctioned online from July 7 to 15.

"Not only is this a rare work by Clare Leighton, who is mainly known for her wood engravings, it is also thought to be the only oil painting of Mahatma Gandhi which he sat for," said Rhyanon Demery, Bonhams Head of Sale for Travel and Exploration.

The painting is a "likely hidden treasure", Caspar Leighton, the artist's great-nephew, told AFP.

Going under the hammer for the first time next month, the painting is estimated to sell for between £50,000 and £70,000 ($68,000 and $95,000).

Clare Leighton met Gandhi in 1931, when he was in London for talks with the British government on India's political future.

She was part of London's left-wing artistic circles and was introduced to Gandhi by her partner, journalist Henry Noel Brailsford.

"I think there was clearly a bit of artistic intellectual courtship that went on," said Caspar, pointing out that his great-aunt and Gandhi shared a "sense of social justice".

Painting attacked

The portrait, painted at a crucial time for India's independence struggle, "shows Gandhi at the height of his power", added Caspar.

It was exhibited in London in November 1931, following which Gandhi's personal secretary, Mahadev Desai, wrote to Clare: "It was such a pleasure to have had you here for many mornings doing Mr Gandhi's portrait."

"Many of my friends who saw it in the Albany Gallery said to me that it was a good likeness," reads a copy of the letter attached to the painting's backing board.

The painting intimately captures Gandhi's likeness but it also bears reminders of his violent death.

Gandhi was shot at point-blank range in 1948 by disgruntled Hindu nationalist activist Nathuram Godse, once closely associated with the right-wing paramilitary organization RSS.

Godse and some other Hindu nationalist figures accused Gandhi of betraying Hindus by agreeing to the partition of India and the creation of Muslim-majority Pakistan.

According to Leighton's family, the painting was attacked with a knife by a "Hindu extremist" believed to be an RSS activist, in the early 1970s.

Although there is no documentation of the attack, a label on the back of the painting confirms that it was restored in the United States in 1974.

Under UV light, Demery pointed out the shadow of a deep gash running across Gandhi's face where the now-restored painting was damaged.

"It feels very deliberate," she said.

'Real home'

The repairs "add to the value of the picture in a sense... to its place in history, that Gandhi was again attacked figuratively many decades after his death", said Caspar.

The only other recorded public display of the painting was in 1978 at a Boston Public Library exhibition of Clare Leighton's work.

After Clare's death, the artwork passed down to Caspar's father and then to him.

"There's my family's story but the story in this portrait is so much greater," he said.

"It's a story for millions of people across the world," he added.

"I think it'd be great if it got seen by more people. Maybe it should go back to India -- maybe that's its real home."

Unlike countless depictions of the man known in India as the "father of the nation" -- in stamps, busts, paraphernalia and recreated artwork -- "this is actually from the time", said Caspar.

"This might be really the last truly significant picture of Gandhi to emerge from that time."



Makkah Quran Museum Displays Rare ‘Blue Quran’ Manuscript

The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)
The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)
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Makkah Quran Museum Displays Rare ‘Blue Quran’ Manuscript

The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)
The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. (SPA)

The Holy Quran Museum in the Hira Cultural District in Makkah is displaying a rare folio from the famed “Al-Muṣḥaf Al-Azraq” (Blue Quran), featuring verses from Surah Al-Baqarah, from the end of verse 37 to the beginning of verse 42, reported the Saudi Press Agency on Monday.

The exhibit highlights the richness of Islamic Quranic heritage and its ancient artistic legacy.

The Blue Quran is regarded as one of the rarest and most luxurious mushafs in Islamic civilization. It was written in pure gold ink in early Kufic script on a deep blue background, reflecting a distinctive artistic style that underscores early Muslims’ reverence for the Quranic text and their dedication to the aesthetics of its calligraphy.

Dating back to the 9th century, the manuscript holds exceptional historical and scholarly value. It stands as a testament to the development of Arabic calligraphy and illumination during the early Islamic period.

Surviving pages of the Blue Quran are extremely rare and are now dispersed among a limited number of museums and private collections worldwide.

The display forms part of the museum’s efforts to introduce visitors to the history of the mushaf and the artistic stages of its transcription, offering access to extraordinary examples of Quranic manuscripts.

The initiative aims to deepen cultural awareness and enrich the experience of visitors to the Hira Cultural District from within the Kingdom and abroad.

The Holy Quran Museum serves as a cultural and educational landmark, highlighting the history of the Quran and its journey since the revelation. It houses rare manuscripts and historic copies of the Quran, alongside interactive exhibits and modern technologies that reflect Muslims’ enduring devotion to the Quran throughout the centuries, in a location closely associated with the dawn of the Islamic message.


Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
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Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
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Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.