'Hidden Treasure': Rare Gandhi Portrait Up for UK Sale

Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
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'Hidden Treasure': Rare Gandhi Portrait Up for UK Sale

Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP
Caspar Leighton with a portrait by his great-aunt of Indian independence leader Mahatma Gandhi. BENJAMIN CREMEL / AFP

A rare oil painting of Indian independence leader Mahatma Gandhi, which is believed to have been damaged by a Hindu nationalist activist, is to be auctioned in London in July.

Gandhi, one of the most influential figures in India's history, led a non-violent movement against British rule and inspired similar resistance campaigns across the world.

He is the subject of tens of thousands of artworks, books and films.

But a 1931 painting by British-American artist Clare Leighton is believed to be the only oil portrait he sat for, according to the painter's family and Bonhams, where it will be auctioned online from July 7 to 15.

"Not only is this a rare work by Clare Leighton, who is mainly known for her wood engravings, it is also thought to be the only oil painting of Mahatma Gandhi which he sat for," said Rhyanon Demery, Bonhams Head of Sale for Travel and Exploration.

The painting is a "likely hidden treasure", Caspar Leighton, the artist's great-nephew, told AFP.

Going under the hammer for the first time next month, the painting is estimated to sell for between £50,000 and £70,000 ($68,000 and $95,000).

Clare Leighton met Gandhi in 1931, when he was in London for talks with the British government on India's political future.

She was part of London's left-wing artistic circles and was introduced to Gandhi by her partner, journalist Henry Noel Brailsford.

"I think there was clearly a bit of artistic intellectual courtship that went on," said Caspar, pointing out that his great-aunt and Gandhi shared a "sense of social justice".

Painting attacked

The portrait, painted at a crucial time for India's independence struggle, "shows Gandhi at the height of his power", added Caspar.

It was exhibited in London in November 1931, following which Gandhi's personal secretary, Mahadev Desai, wrote to Clare: "It was such a pleasure to have had you here for many mornings doing Mr Gandhi's portrait."

"Many of my friends who saw it in the Albany Gallery said to me that it was a good likeness," reads a copy of the letter attached to the painting's backing board.

The painting intimately captures Gandhi's likeness but it also bears reminders of his violent death.

Gandhi was shot at point-blank range in 1948 by disgruntled Hindu nationalist activist Nathuram Godse, once closely associated with the right-wing paramilitary organization RSS.

Godse and some other Hindu nationalist figures accused Gandhi of betraying Hindus by agreeing to the partition of India and the creation of Muslim-majority Pakistan.

According to Leighton's family, the painting was attacked with a knife by a "Hindu extremist" believed to be an RSS activist, in the early 1970s.

Although there is no documentation of the attack, a label on the back of the painting confirms that it was restored in the United States in 1974.

Under UV light, Demery pointed out the shadow of a deep gash running across Gandhi's face where the now-restored painting was damaged.

"It feels very deliberate," she said.

'Real home'

The repairs "add to the value of the picture in a sense... to its place in history, that Gandhi was again attacked figuratively many decades after his death", said Caspar.

The only other recorded public display of the painting was in 1978 at a Boston Public Library exhibition of Clare Leighton's work.

After Clare's death, the artwork passed down to Caspar's father and then to him.

"There's my family's story but the story in this portrait is so much greater," he said.

"It's a story for millions of people across the world," he added.

"I think it'd be great if it got seen by more people. Maybe it should go back to India -- maybe that's its real home."

Unlike countless depictions of the man known in India as the "father of the nation" -- in stamps, busts, paraphernalia and recreated artwork -- "this is actually from the time", said Caspar.

"This might be really the last truly significant picture of Gandhi to emerge from that time."



Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA
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Saudi Arabia: King Abdulaziz Library to Launch 26th Free Reading Festival

The King Abdulaziz Public Library. SPA
The King Abdulaziz Public Library. SPA

The King Abdulaziz Public Library, in cooperation with the Riyadh Education Department, will launch its 26th annual Free Reading Festival for public school students on Sunday.

Running from May 10 to 14 in Riyadh, the festival will bring together more than 100 schools, over 1,550 students, and a number of educators and teachers.

It aims to foster a love of reading and learning, expand students’ literary, scientific, and cultural horizons, and encourage teachers to promote independent reading. It will also provide a platform to showcase student talents and strengthen Arabic language skills.

Through initiatives like this festival, the King Abdulaziz Public Library promotes reading through diverse programs and a wide range of books that foster pride in the Kingdom’s heritage.


Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
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Qassim's Monday Market Retains Heritage Role as Economic and Cultural Hub

The Monday market in the governorate of Uyun Al-Jiwa. (SPA)
The Monday market in the governorate of Uyun Al-Jiwa. (SPA)

The Monday market in the governorate of Uyun Al-Jiwa, north of Qassim Region, stands as one of the oldest traditional weekly markets, enduring through changing times while maintaining its role as a vibrant economic and cultural hub.

The market draws a growing number of visitors from across Qassim and beyond, supported by the governorate’s strategic location.

During a field tour, the Saudi Press Agency observed lively activity throughout the market, with stalls displaying a diverse range of products. These include agricultural goods such as almonds and dried figs; animal products like ghee and milk, for which the region is renowned; as well as handicrafts and natural items such as henna and sidr.

Visitors noted that the market has retained its authentic character, continuing to serve as a vital source of income for small vendors and families working in the cottage industry, reinforcing its role as a key platform for preserving traditional culture while supporting the local rural economy.


Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA
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Heritage Commission Revives Al-Nasb Heritage District as Abha Cultural Tourism Destination

The district’s significance lies in its unique architectural composition - SPA
The district’s significance lies in its unique architectural composition - SPA

Al-Nasb Heritage District in Abha is one of the most prominent living examples of traditional architecture in Aseer Region, preserving its long history and architectural details that embody people’s connection to their local environment and document the social and cultural patterns that have shaped the identity of the place across generations.

The district’s significance lies in its unique architectural composition, where mud and stone buildings stand side by side in visual harmony. They were built using local materials such as stone, clay, and juniper trunks, while the narrow alleyways and closely set buildings give the district a cohesive social character that reflects the spirit of past communities in the region and the close relationship between people and place.

The Heritage Commission has revived the district through an integrated restoration and rehabilitation project aimed at preserving its original elements and enhancing its sustainability, as part of national efforts to protect urban heritage and highlight it as a cultural and tourism asset, SPA reported.

The site is also distinguished by its natural setting, as the district overlooks the banks of Abha Valley and surrounding farms, giving it a distinctive visual and aesthetic dimension. Its narrow passageways and closely set buildings illustrate a traditional urban pattern that strengthens ties among residents and captures the nature of social life in that era.

The district is now a growing destination for culture and tourism in Abha, attracting visitors and heritage enthusiasts who come to explore the details of authentic architecture and learn about the traditional ways of life that have shaped Aseer Region’s identity across generations. The project helps raise awareness of the importance of preserving archaeological sites as a key pillar in forming national memory.

The project is part of the Kingdom’s efforts to protect and effectively manage cultural heritage, in line with the targets of Saudi Vision 2030, which gives special attention to the cultural sector. It seeks to turn heritage sites into vibrant spaces that support cultural tourism and sustainable development while reconnecting society with its historical roots.