Dutch Art Sleuth Recovers Stolen Trove of UNESCO-listed Documents

This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
TT

Dutch Art Sleuth Recovers Stolen Trove of UNESCO-listed Documents

This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)
This handout photograph obtained on July 8, 2025, courtesy of Arthur Brand shows Dutch art detective Arthur Brand posing with stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation Dutch East India Company (VOC), in Amsterdam on June 24, 2025. (Photo by ARTHUR BRAND / AFP)

A Dutch art sleuth has recovered a priceless trove of stolen documents from the 15th to the 19th century, including several UNESCO-listed archives from the world's first multinational corporation.

Arthur Brand, nicknamed the "Indiana Jones of the Art World" for his high-profile recovery of stolen masterpieces, said the latest discovery was among his most significant.

"In my career, I have been able to return fantastic stolen art, from Picassos to a Van Gogh... yet this find is one of the highlights of my career," Brand told AFP.

Many of the documents recount the early days of the Dutch East India Company (VOC), whose globetrotting trading and military operations contributed to the Dutch "Golden Age", when the Netherlands was a global superpower.

The 17th century VOC documents contain a "fascinating glimpse into the events of that time in places like Europe, India, Indonesia, South Africa and Latin America," said Brand.

One document from 1602 recounts the first meeting of the VOC, during which its famous logo -- considered the world's first corporate logo -- was designed.

VOC merchants criss-crossed the globe, catapulting the Netherlands to a world trading power but also exploiting and oppressing the colonies it conquered.

The company was also a leading diplomatic power and one document relates a visit in 1700 by top VOC officials to the court of the Mughal emperor in India.

"Since the Netherlands was one of the most powerful players in the world at that time in terms of military, trade, shipping, and colonies, these documents are part of world history," said Brand.

UNESCO agrees, designating the VOC archives as part of its "Memory of the World" documentary heritage collection.

"The VOC archives make up the most complete and extensive source on early modern world history anywhere," says UNESCO on its website.

The trove also featured early ships logs from one of the world's most famous admirals, Michiel de Ruyter, whose exploits are studied in naval academies even today.

De Ruyter gained fame for his daring 1667 raid to attack the English fleet in the River Medway, one of the greatest humiliations in world naval history.

The ship's logs, written in his own hand, relate the admiral's first experience of naval warfare, the 1641 Battle of St Vincent against the Spanish fleet.

No less enthralling is the "who-dunnit" of how Brand came by the documents.

Brand received an email from someone who had stumbled across a box of seemingly ancient manuscripts while clearing out the attic of an incapacitated family member.

This family member occasionally lent money to a friend, who would leave something as collateral -- in this case the box of documents.

"I received some photos and couldn't believe my eyes. This was indeed an extraordinary treasure," Brand told AFP.

Brand investigated with Dutch police and concluded the documents had been stolen in 2015 from the vast National Archives in The Hague.

The main suspect -- an employee at the archives who had indeed left the box as collateral but never picked it up -- has since died.

Brand compared the theft to a daring heist by a curator at the British Museum, who spirited away some 1,800 objects, selling some of them on eBay.

The art detective said he spent many an evening sifting through the documents, transported back in time.

"Wars at sea, negotiations at imperial courts, distant journeys to barely explored regions, and knights," he told AFP.

"I felt like I had stepped into Robert Louis Stevenson's 'Treasure Island."



Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
TT

Riyadh Art Unveils Tuwaiq Sculpture 2026

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA
The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works. SPA

The Royal Commission for Riyadh City, via its Riyadh Art program, has launched the Tuwaiq Sculpture 2026 exhibition on Prince Mohammed bin Abdulaziz Street (Tahlia).

Open to the public from February 9 to 22, the exhibition showcases 25 new artworks themed "Traces of What Will Be," exploring transformation and urban renewal.

The sculptures were crafted during a live phase from January 10 to February 5, during which artists from 18 countries used local stone and recycled metals, allowing the public to witness the creative process firsthand.

The exhibition site on Tahlia Street was strategically chosen for its historical legacy of innovation to provide a conceptual framework for the works.

Overseen by a panel of international experts, the exhibition serves as an interactive cultural platform featuring workshops and panel discussions to foster community engagement.

All 2026 pieces will join Riyadh Art's permanent collection, which has hosted over 170 artists since 2019 and already installed more than 60 sculptures across the city to integrate contemporary art into Riyadh's urban fabric.


Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
TT

Syrian Culture Minister Applauds Saudi Pavilion at Damascus Book Fair

The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA
The 2026 Damascus International Book Fair is held from February 6 to 16 - SPA

Syrian Minister of Culture Mohammed Yassin Saleh visited the Kingdom’s pavilion at the 2026 Damascus International Book Fair, held from February 6 to 16, where the Kingdom is serving as the Guest of Honor.

He commended the efforts of the Literature, Publishing and Translation Commission in showcasing the rich diversity of the Saudi cultural and literary scene. The pavilion features exhibitions of manuscripts, a Saudi fashion corner, and archaeological replicas, SPA reported.

The minister reviewed the commission's Tarjim translation initiative and Saudi literature comics.

This participation at the 2026 Damascus International Book Fair showcases Saudi creativity and fosters cultural dialogue, supporting Saudi Vision 2030’s goals of knowledge exchange and cultural leadership.


Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
TT

Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.