‘The Osbournes’ Changed Ozzy’s Image from Grisly to Cuddly, and Changed Reality TV 

Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)
Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)
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‘The Osbournes’ Changed Ozzy’s Image from Grisly to Cuddly, and Changed Reality TV 

Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)
Metal-rock star Ozzy Osbourne holds a replica of his new star on the Hollywood Walk of Fame as he poses with his family during a ceremony on April 12, 2002, in Los Angeles. Pictured with Osbourne, from left, are Aimee, Sharon, Kelly, Jack and Louis. (AP Photo/Nick Ut, File)

There was Ozzy before "The Osbournes" and Ozzy after "The Osbournes."

For much of his life, the Black Sabbath founder and legendary heavy metal frontman who died at 76 on Tuesday was known to much of the public as a dark purveyor of deeds.

Wild stories followed him. Clergy condemned him. Parents sued him.

But with the debut of his family reality show on MTV, the world learned what those who'd been paying closer attention already knew: Ozzy Osbourne was soft and fuzzy under the darkness.

During its relatively short run from 2002 to 2005, "The Osbournes" became a runaway hit and made stars of his wife Sharon and kids Jack and Kelly. But more than that, it made a star of the domesticated version of Ozzy Osbourne, and in the process changed reality TV.

In 2025, when virtually every variety of celebrity has had a reality show, it's hard to see what a novelty the series was. MTV sold it as television's first "reality sitcom."

"Just the idea of the Black Sabbath founder, who will forever be known for biting the head off a bat during a 1982 concert, as a family man seems strange," Associated Press Media Writer David Bauder wrote on the eve of "The Osbournes" premiere. But on the show, Osbourne was "sweetly funny — and under everything a lot like the put-upon dads you’ve been seeing in television sitcoms for generations."

Danny Deraney, a publicist who worked with Osbourne and was a lifelong fan, said of the show, "You saw some guy who was curious. You saw some guy who was being funny. You just saw pretty much the real thing."

"He’s not the guy that everyone associates with the ‘Prince of Darkness’ and all this craziness," Deraney said. "And people loved him. He became so affable to so many people because of that show. As metal fans, we knew it. We knew that’s who he was. But now everyone knew."

Reality shows at the time, especially the popular competition shows like "Survivor," thrived on heightened circumstances. For "The Osbournes," no stakes were too low.

They sat on the couch. They ate dinner. The now-sober Ozzy sipped Diet Cokes, and urged his kids not to indulge in alcohol or drugs when they went out. He struggled to find the History Channel on his satellite TV. They feuded with the neighbors because, of all things, their loud music was driving the Osbournes crazy.

"You were seeing this really fascinating, appealing, bizarre tension between the public persona of a celebrity and their mundane experiences at home," said Kathryn VanArendonk, a critic for Vulture and New York Magazine.

The sitcom tone was apparent from its first moments.

"You turn on this show and you get this like little jazzy cover theme song of the song ‘Crazy Train,’ and there’s all these bright colors and fancy editing, and we just got to see this like totally 180-degree different side of Ozzy which was just surprising and incredible to watch," said Nick Caruso, staff editor at TVLine.

Like family sitcoms, the affection its leads clearly had for each other was essential to its appeal.

"For some reason, we kind of just fell in love with them the same way that we grew to love Ozzy and Sharon as like a marital unit," Caruso said.

What was maybe strangest about the show was how not-strange it felt. The two Ozzies seemed seamless rather than contradictory.

"You’re realizing that these things are personas and that all personas are these like elaborate complex mosaics of like who a person is," VanArendonk said.

"The Osbournes" had both an immediate and a long-term affect on the genre.

Both Caruso and VanArendonk said shows like "Newlyweds: Nick and Jessica," which followed then-pop stars Jessica Simpson and Nick Lachey after they married, was clearly a descendant.

And countless other shows felt its influence, from "The Kardashians" to "The Baldwins" — the recently debuted reality series on Alec Baldwin, his wife Hilaria and their seven kids.

"'The Baldwins’ as a reality show is explicitly modeled on ‘The Osbournes,’ VanArendonk said. "It’s like you have these famous people and now you get to see what their home lives are like, what they are like as parents, what they’re eating, what they are taking on with them on vacation, who their pets are, and they are these sort of cuddly, warm, eccentric figures."



‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
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‘KPop Demon Hunters’ Wins Best Animated Feature Oscar

Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Maggie Kang, from left, Chris Appelhans, and Michelle L.M. Wong, winners of the award for animated feature film for "K-pop Demon Hunters," pose in the press room at the Oscars on Sunday, March 15, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

“KPop Demon Hunters” won the Oscar for best animated feature on Sunday, capping a record-breaking run after becoming Netflix’s most-watched film ever on its 2025 debut.

"For those of you who look like me, I'm so sorry that it took us so long to see us in a movie like this, but it is here," Reuters quoted director Maggie Kang ⁠as saying on stage. ⁠She said the win was for Korea and for Koreans everywhere.

The action-packed feature was also nominated for best original song for “Golden,” written by EJAE and Mark Sonnenblick. The film follows Huntrix — Rumi, Mira and Zoey — ⁠a global KPop girl group who juggle superstardom with their secret lives as demon hunters.

The animated musical fantasy previously swept major awards, winning best animated feature and best song at the 31st Critics Choice Awards and best animated motion picture and best original song at the 83rd Golden Globes.

Animated by Sony Pictures Animation, the Netflix hit also earned a Grammy ⁠for ⁠best song written for visual media, marking the first-ever Grammy win for a KPop song.

Directed by Kang and Chris Appelhans, the film’s soundtrack has trended worldwide. In a January 2026 press its most-watched title over a six-month period with 482 million views and 32 million views for the film's lyric videos.

Other nominees in the best animated feature category included “Zootopia 2,” “Arco,” “Little Amélie or the Character of Rain" and "Elio."


With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
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With Oscar Race Locked, Actresses Celebrate Backstage Anyway

Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP
Emma Stone spent some of the Oscars in the bar on the ground floor, a well known spot to mingle with the people who matter in Hollywood. ANGELA WEISS / AFP

At an Oscars full of nerve-shreddingly tight races, best actress was one of Sunday night's few entirely predictable categories.

Pundits were -- correctly -- unanimous that Jessie Buckley would win for her tear-jerking turn as William Shakespeare's wife in "Hamnet."

But that did not stop her rival nominees enjoying the night -- if anything, they were the life and soul of the party.

Emma Stone, a two-time best actress winner already, spent much of the ceremony happily chatting backstage with friends and admirers in the theater's most exclusive lobby.

"The bar is the place!" Stone, nominated for her role in conspiracy theory thriller "Bugonia," told AFP.

Indeed, while the Oscars are being handed out in the adjoining theater, the Dolby Theater's ground-floor bar is renowned as a free-flowing gossip, networking and champagne spot for the industry's movers and shakers.

Stone jokingly admitted she wasn't sure exactly how many Academy Awards she'd attended, but by now knew where to wait for her category to come up.

For Norwegian actress Renate Reinsve, it was a second trip to Hollywood's top awards show, but a first as an acting nominee.

She came to the Oscars four years ago for best foreign film contender "The Worst Person in the World," but was personally recognized this time for "Sentimental Value."

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.

"It's so much more chill this time -- this time I actually know people!" she told AFP.

Moments later, she effusively greeted Pedro Pascal like an old friend. He promptly stepped on her toe as they embraced and profusely apologized, to mutual laughter.

After her fellow supporting actor and actress nominees had missed out in their early categories, the film's Norwegian team gathered at the bar again with their plus ones.

"Last time I couldn't bring a guest. This time, I got to bring my sister," the Norwegian star added.

Reinsve predictably lost best actress, but the whole gang took to the stage as "Sentimental Value" won best international film.

"It's about a very dysfunctional family, and it's the opposite of what I felt of this beautiful group behind me," said director Joachim Trier, from the stage.

'Exciting'

This year, the Oscars bar's raucous chatter was muted temporarily by the moving tribute to Rob Reiner and the start of the "In Memoriam" section honoring Hollywood legends who died this year.

There was spontaneous applause when Catherine O'Hara, star most recently of Hollywood satire "The Studio," was shown on screens.

Inside the theater, wins for "Sinners" consistently drew the loudest cheers from the in-person audience, with even those in the nosebleed seats rising to a standing ovation when Michael B. Jordan won best actor.


‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)
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‘Hoppers’ Tops N. America Box Office for 2nd Straight Week

Jon Hamm. (Getty Images for Disney)
Jon Hamm. (Getty Images for Disney)

"Hoppers," the latest original animated film from Disney's Pixar, maintained its position atop the North American box office with $28.5 million in ticket sales in its second weekend, industry estimates showed Sunday.

The adventure comedy, which tells the story of young animal lover Mabel who uses technology to transfer her consciousness into a robotic beaver so she can better communicate and protect wildlife, has now pulled in $165 million worldwide, according to Exhibitor Relations.

The voice cast features Meryl Streep, Jon Hamm, Kathy Najimy and Piper Curda as Mabel.

Debuting at number two was Universal's romance "Reminders of Him," based on the novel by Colleen Hoover and starring Maika Monroe and Tyriq Withers. It earned $18.2 million in the United States and Canada.

"This is an excellent opening for an original romance picture, at well above average levels for the genre," wrote analyst David A. Gross of Franchise Entertainment Research.

Another new arrival, the horror flick "Undertone" distributed by A24, came in third, with $9.3 million in ticket sales.

The it's-coming-from-inside-the-house scare-fest, complete with a deeply unsettling soundscape, narrowly bested the latest in an iconic series of the genre, "Scream 7."

Paramount's new installment in the 30-year-old slasher series, featuring yet another Ghostface killer, held onto fourth position earning $8.3 million, for a global three-week total of $176.5 million.

Sony's family-friendly animated film "GOAT" -- the story of an undersized domesticated mammal who wants to join a basketball-like "roarball" team -- in its fifth week slipped one spot to fifth, at $4.7 million, and $162.5 million globally.