Comic-Con Salutes James Gunn and Gets First Looks at ‘Coyote vs. Acme,’ and New ‘Star Trek’ Forays 

US actor John Cena (R) holds his helmet next to US director James Gunn during the "Peacemaker", Season 2, panel in Hall H of the convention center during Comic-Con International in San Diego, California, on July 26, 2025. (AFP)
US actor John Cena (R) holds his helmet next to US director James Gunn during the "Peacemaker", Season 2, panel in Hall H of the convention center during Comic-Con International in San Diego, California, on July 26, 2025. (AFP)
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Comic-Con Salutes James Gunn and Gets First Looks at ‘Coyote vs. Acme,’ and New ‘Star Trek’ Forays 

US actor John Cena (R) holds his helmet next to US director James Gunn during the "Peacemaker", Season 2, panel in Hall H of the convention center during Comic-Con International in San Diego, California, on July 26, 2025. (AFP)
US actor John Cena (R) holds his helmet next to US director James Gunn during the "Peacemaker", Season 2, panel in Hall H of the convention center during Comic-Con International in San Diego, California, on July 26, 2025. (AFP)

Director James Gunn got an ovation from thousands for “Superman” in the most fitting place of all — Comic-Con.

Among the highlights of day three of the San Diego pop culture spectacular was a sincere tribute to the director who's now helming Warner Bros.' DC Comics screen universe, even if John Cena played it for laughs.

It came at a panel on the forthcoming Season 2 of DC's HBO series “The Peacemaker,” and Cena appeared in the title character's full comic costume and grand helmet, leading the legions in the kind of exaggerated drama he was perfect at provoking in his wrestling days.

It was Gunn's first time in front of a crowd in the weeks since “Superman” was released and has earned more than $200 million in North America.

“Today has been the most fun day I’ve had in a year," Gunn told the crowd at the end of the session.

“Superman” was his first film as captain of the DC ship, but his first foray was in 2021's “The Suicide Squad,” which spawned the “Peacemaker” TV series.

The crowd saw scenes from Season 2, which arrives in August and sees Cena entering another dimension where he gets to be a cool version of the hero instead of the often pained and pathetic version that's typical of the character. Some characters from “Superman” will make appearances.

That panel followed another rousing showcase in Hall H, where star Ryan Gosling and directors Phil Lord and Chris Miller showed scenes from their forthcoming science-comedy space adventure “Project Hail Mary.”

The scenes from the film set for release in March included a look at Rocky, a faceless, stone-shaped alien who becomes Gosling's unlikely partner in an attempt to save the universe from ecological disaster.

Saturday morning cartoons in Hall H

Wile E. Coyote is getting his day in court and theaters.

The stars of “Coyote vs. Acme” delivered a rousing presentation Saturday morning of a movie that at one point wasn’t going to be released but is now bound for theaters in August 2026. The underdog story – both of the movie and Coyote — was a running theme of the panel. But rather than direct ire at Warner Bros., the real-world studio that shelved the project, the panel focused on the fictional Acme Corp.

“This is purely an Acme decision ... and I am saying this for legal purposes,” moderator Paul Scheer said at the start of the panel.

The movie is a hybrid of animation and live action and is based on a 1990 New Yorker article that satirized a legal complaint filed by Coyote against Acme, the maker of the TNT, detonators, rocket shoes, catapults and other products that consistently backfire during the Coyote’s fruitless attempts to catch the Roadrunner.

Laughter filled Hall H as some 6,000 watched a montage of Coyote being blown up, flattened and falling into chasms in a scene set to Johnny Cash’s cover of “Hurt.” Coyote is replaying the moments in his lair when an ad for a personal injury lawyer appears on TV.

They also played six minutes of the movie, including a scene of opening statements in the case in which Coyote's lawyer, Will Forte, accidentally unleashes a rocket skate into the courtroom, setting Coyote and the judge's robes on fire. Cena plays a slick Acme lawyer who wins over the jury, which includes a cartoon character, quickly.

Forte said he didn't think the movie would ever get to audiences.

“I’m pretty speechless. You think back to the journey that this movie has taken. I had kind of given up hope at a certain point,” Forte said. At one point, his comments were interrupted by a man playing an Acme lawyer who stormed into Hall H with cease-and-desist letters.

Director Dave Green said the movie conforms to famed animator Chuck Jones’ rules for the struggle between the Coyote and Roadrunner, which include the bird always staying on the road and the Coyote being ultimately more humiliated than hurt when he falls, is crushed or gets blown up by TNT.

The movie, which features cameos from numerous Looney Tunes characters like Foghorn Leghorn, Tweety and Bugs Bunny, will be released on Aug. 28, 2026. Ketchup Entertainment teamed up with Warner Bros. on the film and in the release of “The Day the Earth Blew Up: A Looney Tunes Movie.”

Also on Saturday morning, the cast of “Bad Guys 2” teased new footage from the movie and described how they recorded their characters.

Marc Maron, who plays Snake, joked he asked to be tied up as he performed his lines on the floor. “The depth of the character should read a little more this time,” he said.

The film, based on the graphic novel series by Aaron Blabey, introduces a new crew of animal criminals, the Bad Girls played by Danielle Brooks, Natasha Lyonne and Maria Bakalova.

‘Star Trek’ ventures to new places

Paramount showed off its first footage from a new series, “Starfleet Academy,” which stars Holly Hunter and Paul Giamatti.

The show follows cadets as they go through training, with Hunter serving as chancellor of the academy.

It will arrive in 2026, the 60th anniversary year of the original “Star Trek” series.

Paramount+'s other “Star Trek” series, “Strange New Worlds,” also shared updates.

The crew of the USS Enterprise are being turned into puppets for an upcoming “Strange New Worlds” episode, Paramount announced Saturday. The puppets will be created by Jim Henson's Creature Shop.

Season 3, which follows the adventures of the Enterprise under the command of Capt. Christopher Pike, is being released on Paramount+.



Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
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Movie Review: Stephen Curry's Animated Basketball Movie 'GOAT' Is a Disappointing Air Ball

 Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)
Stephen Curry attends a premiere for the film "GOAT", in Los Angeles, California, US, February 6, 2026. (Reuters)

You'd expect an animated basketball movie with four-time NBA champion Stephen Curry in the producer's chair to be an easy lay-up. So why is “GOAT” such a brick?

Despite a wondrously textured, kinetic world and some interesting oddball characters, the movie is undone by a predictable, saccharine script. It’s as easy to see the steps coming as a Curry three-pointer arching into the net.

The movie has the kind of lazy, thin writing that feels like it all could have derived from a Hollywood happy hour gettogether: “Bro, bro. Wait. What if the GOAT was an actual goat?”

It centers on Will Harris, a goat with dreams of becoming a great baller, voiced by “Stranger Things” star Caleb McLaughlin. Undersized and an orphan — again with the orphans, guys? — Will is a delivery driver for a diner and late on his rent. He's a great outside shooter but a liability in the paint, unless he learns, that is.

He lives in Vineland — a hectic urban landscape with graffiti and living vines that choke the playgrounds — and is a rabid supporter of the local franchise, the Thorns. His idol is veteran Jett Fillmore, a leopard who's the league's all-time leading scorer, nicely voiced by Gabrielle Union. The Thorns are a bit of a mess, despite Jett's brilliance.

The game here is called roarball, a high-intensity, co-ed, multi-animal, full-contact sport derived from basketball with a hollow ball that has small holes. It's a “Mad Max” sport — ultraviolent, unofficiated and the dangers lurk not just from the beefy opponents but from the arena itself. The championship award is called the Claw.

The best part of the movie may be the environments for the other arenas — lava in one, a swamp with stalagmites and stalactites in another, plus an ice-bound one and another with desert sandstorms and rocks. Homefield advantage is a big thing in this league.

There seem to be only two kinds of points scored here — blazing windmills, cutting tomahawks and spectacular alley-oop dunks or slow-mo threes from so far downtown they might as well be in a different zip code. No mid-range jumpers, bro.

This universe is divided into “bigs” and “smalls” — rhinos, bears and giraffes on one side, gerbils and capybara on the other — and Will is deemed a small. “Smalls can’t ball,” he is told, condescendingly.

But Will — thanks to a viral video — improbably gets signed to the Thorns by the team's owner (a cynical warthog voiced wonderfully by Jenifer Lewis). It's seen as a shameless publicity stunt that no one wants, especially Jett, who needs a winning season after being taunted by “All stats, no Claw.”

Now, predictably, in Aaron Buchsbaum and Teddy Riley script, comes the bulk of the movie, giving a steady “The Karate Kid” or “Air Bud” vibe as it charts Will's steady rise to honored teammate and franchise future, despite Jett insisting she's not ready to go: “I’m the GOAT. I’m not passing the torch.”

The lessons are good — the importance of teamwork and believing in yourself — but the testosterone-fueled violence on the courts is WWE extreme. There are unnecessary plugs for Mercedes and Under Armor, and hollow slogans like “Dream big” and “Roots run deep.”

Some of the most interesting characters end up on the Thorns, a fragile, somewhat broken team that includes a rhino (voiced by David Harbour), a delicate ostrich (Nicola Coughlan), a gonzo Komodo dragon (Nick Kroll) and a desultory giraffe (Curry).

The Komodo dragon, named Modo, is the best of the bunch, an insane, unpredictable creature full of electricity. “If Modo was any more of a snack, he’d eat himself,” he declares. Could he get his own movie?

Directed by “Bob’s Burgers” veteran Tyree Dillihay and Adam Rosette, “GOAT” is targeted to Gen Alpha, leveraging cellphone screens and online likes, virality and diss tracks. It's not as funny as it thinks it is and tiresome in its overly familiar redemption arc.

Another potential basketball GOAT — Michael Jordan — gave us a clunker of a live-action- animated basketball movie in “Space Jam” exactly 30 years ago and “GOAT,” while not as bad as that mess, is an air ball none the same.


Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
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Music World Mourns Ghana's Ebo Taylor, Founding Father of Highlife

Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP
Ebo Taylor, who kept performing into his 80s, was instrumental in introducing Ghanaian highlife to international listeners. Nipah Dennis / AFP

Tributes have been pouring in from across Ghana and the world since the death of Ghanaian highlife legend Ebo Taylor.

A guitarist, composer and bandleader who died on Saturday, Taylor's six-decade career played a key role in shaping modern popular music in West Africa, said AFP.

Often described as one of the founding fathers of contemporary highlife, Taylor died a day after the launch of a music festival bearing his name in the capital, Accra, and just a month after celebrating his 90th birthday.

Highlife, a genre blending traditional African rhythms with jazz and Caribbean influences, was recently added to UNESCO's Intangible Cultural Heritage list.

"The world has lost a giant. A colossus of African music," a statement shared on his official page said. "Your light will never fade."

The Los Angeles-based collective Jazz Is Dead called him a pioneer of highlife and Afrobeat, while Ghanaian dancehall star Stonebwoy and American producer Adrian Younge, who his worked with Jay Z and Kendrick Lamar, also paid tribute to his legacy.

Nigerian writer and poet Dami Ajayi described him as a "highlife maestro" and a "fantastic guitarist".

- 'Uncle Ebo' -

Taylor's influence extended far beyond Ghana, with elements of his music appearing in the soul, jazz, hip-hop and Afrobeat genres that dominate the African and global charts today.

Born Deroy Taylor in Cape Coast in 1936, he began performing in the 1950s, as highlife was establishing itself as the dominant sound in Ghana in the years following independence.

Known for intricate guitar lines and rich horn arrangements, he played with leading bands including the Stargazers and the Broadway Dance Band.

In the early 1960s, he travelled to London to study music, where he worked alongside other African musicians, including Nigerian Afrobeat pioneer Fela Kuti.

The exchange of ideas between the two would later be seen as formative to the development of Afrobeat, a political cocktail blending highlife with funk, jazz and soul.

Back in Ghana, Taylor became one of the country's most sought-after arrangers and producers, working with stars such as Pat Thomas and CK Mann while leading his own bands.

His compositions -- including "Love & Death", "Heaven", "Odofo Nyi Akyiri Biara" and "Appia Kwa Bridge" -- gained renewed international attention decades later as DJs, collectors and record labels reissued his music. His grooves were sampled by hip-hop and R&B artists and helped introduce new global audiences to Ghanaian highlife.

Taylor continued touring into his 70s and 80s, performing across Europe and the United States as part of a late-career renaissance that cemented his status as a cult figure among younger musicians.

Many fans affectionately referred to him as "Uncle Ebo", reflecting both his longevity and mentorship of younger artists.

For many, he remained a symbol of highlife's golden era and of a generation that carried Ghanaian music onto the world stage.


'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
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'Send Help' Repeats as N.America Box Office Champ

Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)
Canadian actor Rachel McAdams and US actor Dylan O'Brien pose upon arrival on the red carpet for the UK premiere of the film 'Send Help' in central London on January 29, 2026. (Photo by CARLOS JASSO / AFP)

Horror flick "Send Help" showed staying power, leading the North American box office for a second straight week with $10 million in ticket sales, industry estimates showed Sunday.

The 20th Century flick stars Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after their plane crashes.
It marks a return to the genre for director Sam Raimi, who first made his name in the 1980s with the "Evil Dead" films.

Debuting in second place at $7.2 million was rom-com "Solo Mio" starring comedian Kevin James as a groom left at the altar in Italy, Exhibitor Relations reported.

"This is an excellent opening for a romantic comedy made on a micro-budget of $4 million," said analyst David A. Gross of Franchise Entertainment Research, noting that critics and audiences have embraced the Angel Studios film.

Post-apocalyptic Sci-fi thriller "Iron Lung" -- a video game adaptation written, directed and financed by YouTube star Mark Fischbach, known by his pseudonym Markiplier -- finished in third place at $6.7 million, AFP reported.

"Stray Kids: The Dominate Experience," a concert film for the K-pop boy band Stray Kids filmed at SoFi Stadium in Los Angeles, opened in fourth place at $5.6 million.

And in fifth place at $4.5 million was Luc Besson's English-language adaptation of "Dracula," which was released in select countries outside the United States last year.

Gross called it a "weak opening for a horror remake," noting the film's total production cost of $50 million and its modest $30 million take abroad so far.

Rounding out the top 10 are:
"Zootopia 2" ($4 million)
"The Strangers: Chapter 3" ($3.5 million)
"Avatar: Fire and Ash" ($3.5 million)
"Shelter" ($2.4 million)
"Melania" ($2.38 million)