A Small Serbian Town Is Home to Robin Hood in a New TV Series 

Showrunner John Glenn poses with director Jonathan English prior to an interview. (AP) 
Showrunner John Glenn poses with director Jonathan English prior to an interview. (AP) 
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A Small Serbian Town Is Home to Robin Hood in a New TV Series 

Showrunner John Glenn poses with director Jonathan English prior to an interview. (AP) 
Showrunner John Glenn poses with director Jonathan English prior to an interview. (AP) 

Villages and castles from 12th-century England came to life in a small town in Serbia for the filming of a new series about Robin Hood that has just wrapped in the landlocked country in southeast Europe.

The 10-episode take on England’s beloved medieval outlaw who, in lore, stole from the rich to give to the poor, comes from Lionsgate Television, and is expected to premiere on MGM+ in the US and parts of Europe later this year.

The Associated Press recently visited the set in Simanovci, the village which is home to a film studio and not far from the capital of Belgrade. Thorough research for the series was visible in the scenography and costumes, taking the cast — and the studio — back in time to the stony interiors of a candlelit castle, complete with stained-glass lancet windows.

The “sweeping, romantic adventure” offers a historically grounded look into how Robin Hood grew up to become an outlaw-turned-hero in the wake of the Norman conquest of England, the producers say.

“We actually show the beginning of Robin Hood,” producer, director and writer Jonathan English, who was a main driving force behind the project, said in an interview. “We start the story with him as a child.”

Self-described as a “huge fan of all things medieval,” English marveled at Robin Hood’s persistent global appeal.

“You can stop a pensioner on the streets of Belgrade and he knows who Robin Hood is. You can stop a teenager on the streets of Beijing, and they know who Robin Hood is,” he said.

Asked whether the story is still relevant, following countless cinematic and small-screen adaptations, English insisted that “it is incredibly relevant, probably more today than ... 50 years ago or 100 years ago, even.”

“It’s a story about class and the absolute tyranny of class, people who believe that they can have everything and control everything and can own everything and everybody else could just, you know, get lost,” he said. “There’s always been wealthy people, but now you have uber-rich people. And the divide between the uber-rich and the rest of the world is extraordinary now.”

The show’s plot centers strongly on the romance between Robin and Marian. He is a Saxon forester’s son and Marian is the daughter of a Norman lord but they overcome the divide to jointly fight for freedom and against injustice.

Australian actor Jack Patten plays Robin, joined by Lauren McQueen as Marian. The two appear alongside Sean Bean as the notorious Sheriff of Nottingham, and Connie Nielsen, who plays Eleanor of Aquitaine, the queen of England and wife of Henry II.

Patten admitted he was nervous ahead of his “third gig since getting out of drama school.” His Robin is “any young 24-year-old ... trying to find his place in the world” and who “gets dealt some pretty tricky cards.”

McQueen said Marian’s character will be “quite empowering” for young women watching the series.

Filmed in multiple locations in Serbia and with hundreds of staff and crew, the series is “huge” even by Hollywood standards, showrunner and writer John Glenn said. He described the new show as “much more Peaky Blinders in tone” than previous incarnations, referring to the hit UK TV series about gangsters in 1920s Birmingham.

Both Glenn and English said they chose Serbia because of high-standard facilities and crews but also because of the natural scenery that could mimic a medieval English landscape.

“It’s hard to find ancient forests now in England,” English said. “There’s not a lot of undeveloped wilderness.”



Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
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Netflix Intensifies Bid for Warner Bros Making Its $72 Billion Offer All Cash

A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)
A Netflix sign is displayed atop a building in Los Angeles, on Dec. 18, 2025, with the Hollywood sign in the distance. (AP)

Netflix is now offering to buy Warner Bros. Discovery’s studio and streaming business in all cash — in an effort to win over the Hollywood giant's shareholders for its $72 billion merger and potentially thwart a hostile bid from Skydance-owned Paramount.

Back in December, Netflix struck a cash and stock deal with Warner valued at $27.75 per share, giving it a total enterprise value of $82.7 billion, including debt. But on Tuesday, the companies announced that they would be revising the transaction to simplify its structure, provide more certainty of value for Warner stockholders and speed up the path to a shareholder vote — which they said could arrive by April.

The all-cash transaction is still valued at $27.75 per Warner share. Warner stockholders will also receive the additional value of shares of Discovery Global, which would become a separate public company following a previously-announced separation from Warner Bros.

Warner leadership has repeatedly backed a merger with Netflix and the boards of both companies approved the all-cash deal announced Tuesday. In a statement, Warner CEO David Zaslav said the revised agreement “brings us even closer to combining two of the greatest storytelling companies in the world.”

A spokesperson for Paramount declined to comment when reached by The Associated Press on Tuesday. Unlike Netflix, Paramount wants to acquire Warner's entire company — including networks like CNN and Discovery — and went straight to shareholders with all cash, $77.9 billion offer last month.

Warner stockholders have until 5 p.m. ET Wednesday to tender their shares in support of Paramount's bid, which has an enterprise value of $108 billion including debt. But that deadline could be pushed back further. While Paramount declined to share further details on Tuesday, the Wall Street Journal reported last week that the company was planning another extension.

Beyond its tender offer, Paramount has promised a proxy fight. Last week, the company said it would nominate its own slate of directors before the Warner's next shareholder meeting, the date of which has still not been set.

Paramount also filed a suit in Delaware Chancery Court seeking to compel Warner Bros. to disclose to shareholders how it values its bid and the competing offer from Netflix. But a judge on Thursday denied Paramount's request to expedite that proceeding.

In a statement at the time, Warner applauded the court’s decision and called Paramount’s lawsuit “yet another unserious attempt to distract.” Paramount, meanwhile, maintained that the ruling wasn't about the merits of its allegations and said Warner shareholders “should ask why their Board is working so hard to hide this information.”

Regardless of who eventually wins the upper hand, a Warner Bros. Discovery sale could be a long, drawn-out process that is almost certain to attract tremendous antitrust scrutiny. On Tuesday, Netflix and Warner maintained that they expect to close on a merger 12 to 18 months from December's agreement.


New James Bond Actor Revealed ’Soon’, Frontrunners Emerge

Actor Callum Turner is believed to be leading the charge (Getty Images) 
Actor Callum Turner is believed to be leading the charge (Getty Images) 
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New James Bond Actor Revealed ’Soon’, Frontrunners Emerge

Actor Callum Turner is believed to be leading the charge (Getty Images) 
Actor Callum Turner is believed to be leading the charge (Getty Images) 

An industry insider has revealed when the next James Bond film could begin shooting with its all-new 007, according to METRO newspaper.

The search for the next Bond has been on since Daniel Craig’s version of the character was killed off in No Time To Die, rather definitively vacating the role.

Since then, the franchise has been acquired by Amazon MGM Studios, who have begun work on the secret agent’s next era.

This has included hiring Dune director Denis Villeneuve to helm the next instalment of the long-running series.

While we know that Villeneuve will direct a script by Peaky Blinders creator Steven Knight, Amazon has yet to pick its next leading actor – although they have reportedly narrowed their search down to eight names.

Sharing his thoughts on when our new Bond could be revealed, senior Deadline film reporter Justin Kroll has hinted that the announcement everyone’s waiting for may be imminent.

Appearing on the My Mom’s Basement podcast, Kroll shared his prediction for when Villeneuve’s Bond might begin rolling.

“I am predicting summer, if I had to be a betting man,” Kroll said. “Because I think production will likely start [at the] end of this year/top of next.”

He continued: “Obviously, it could be a little sooner, but from everything people have said since I’ve been back, Bond is more likely middle of the year than first quarter.”

If true, this means that Bond fans could finally get some major news any day now.

This comes as producers have reportedly narrowed their search to include some of the hottest names in Hollywood right now.

Dua Lipa’s husband-to-be and Eternity actor Callum Turner is believed to be leading the charge – according to the star himself, if a source for the Daily Mail is to be believed.

Turner is confident that his license to kill is already in the post, with an insider sharing how he’d been ‘blabbing’ the news all over town.

“Callum is the new Bond; it’s been confirmed,” they said. “Everyone in his circle is talking about it. It’s the worst-kept secret going.”

They finished: “Dua is over the moon for Callum. She’s been saying she’d love to record the Bond theme.”


'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
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'Avatar: Fire and Ash' at Number One in N. America for 5th Straight Week

This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)
This image released by 20th Century Studios shows Neytiri, performed by Zoe Saldaña, left, and Jake Sully, performed by Sam Worthington, in a scene from "Avatar: Fire and Ash." (20th Century Studios via AP)

"Avatar: Fire and Ash" showed no signs of slowing down, topping the North American box office for the fifth consecutive week over the long holiday weekend, industry estimates showed Sunday.

The third installment in director James Cameron's blockbuster fantasy series took in another $17.2 million from Friday to Monday, when Americans mark Martin Luther King Jr Day.

That put its US and Canadian haul at $367.4 million, and its worldwide total at more than $1.3 billion, according to Exhibitor Relations.

"Fire and Ash" stars Zoe Saldana as Na'vi warrior Neytiri and Sam Worthington as ex-Marine Jake Sully, who must battle a new foe threatening their family's life on the planet Pandora.

It is the fourth Cameron film to pass the $1 billion mark, along with the first two "Avatar" films and "Titanic."

Debuting in second place with a disappointing $15 million was "28 Years Later: The Bone Temple," the fourth installment in the zombie horror series, which comes less than a year after the last film.

"Returning after 7 months is quick -- it's too quick, and it's hurting the numbers," said analyst David A. Gross of Franchise Entertainment Research.

Disney's feel-good animated film "Zootopia 2" showed its staying power, moving up to third place at $12 million over the four-day weekend.

In fourth place at $10.2 million was "The Housemaid," an adaptation of Freida McFadden's best-selling novel about a young woman who is hired by a wealthy couple with dark secrets. Sydney Sweeney and Amanda Seyfried star in the Lionsgate release.

"Marty Supreme," starring Oscars frontrunner Timothee Chalamet as a conniving 1950s table tennis player with big dreams, finished in fifth place at $6.7 million.