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Ciara Is Among the First Descendants of Enslaved People Granted Citizenship by Benin

Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)
Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)
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Ciara Is Among the First Descendants of Enslaved People Granted Citizenship by Benin

Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)
Yvon Detchenou, Benin's Minister of Justice and Legislation, right, presents citizenship documents to singer Ciara at a ceremony in Cotonou, Benin, Saturday July 26, 2025. (Benin Presidency via AP)

US singer Ciara is one of the first public figures to become a citizen of Benin under a recent law by the small West African country granting citizenship to descendants of enslaved people.

The Grammy-winning performer's acquisition of citizenship at a ceremony Saturday in the city of Cotonou is part of a broader initiative by Benin to attract the Black diaspora, acknowledge the country’s role in the transatlantic slave trade, and promote tourism focused on slavery-related sites of remembrance.

“By legally recognizing these children of Africa, Benin is healing a historical wound. It is an act of justice, but also one of belonging and hope,” Justice Minister Yvon Détchénou said at the ceremony.

Here's what to know about Benin's efforts to welcome descendants of enslaved people:

Benin's Afro-descendant citizenship law In September, Benin passed a law granting citizenship to those who can trace their lineage to the slave trade.

It is open to anyone above 18 who doesn't already hold other African citizenship and can provide proof that an ancestor was deported via the slave trade from anywhere in sub-Saharan Africa. Beninese authorities accept DNA tests, authenticated testimonies and family records.

Last week, the government launched My Afro Origins, the digital platform that processes applications.

While Benin is not the first country to grant citizenship to descendants of enslaved people, its citizenship law carries added significance, in part because of the role it played in the transatlantic slave trade.

A national reckoning with its role in the slave trade European merchants deported an estimated 1.5 million enslaved people from the Bight of Benin — a region that includes present-day Benin, Togo and parts of Nigeria — to the Americas.

Beninese kings actively participated in capturing and selling enslaved people to Portuguese, French and British merchants. The former kingdoms and the communities they raided still exist today as tribal networks.

Benin has long been working to reconcile with its legacy of complicity. It has openly acknowledged its role in the slave trade, a stance not shared by many other African nations that participated.

In the 1990s, it hosted an international conference to examine how and where enslaved people were sold. In 1999, then-President Mathieu Kérékou apologized to African Americans during a visit to a church in Baltimore.

‘Memorial tourism’ Alongside this national reckoning, “memorial tourism” around the legacy of the slave trade has become a key approach of Benin’s government to attract Afro-descendants.

Memorial sites are mostly in Ouidah, one of Africa’s most active slave-trading ports in the 18th and 19th centuries. They include the Slave Route, which was the path marking enslaved people’s final journey to ships, and the Door of No Return, a haunting doorway that opens to the Atlantic Ocean where they left Africa, and their families, for the last time.

Sindé Chekete, the head of Benin’s state-run tourism agency, said these sites give Afro-descendants the opportunity to learn about and honor the struggles and resilience of their ancestors.

“It may inspire some people to say ‘I want to return to Africa and choose Benin to understand this history’,” Chekete said.

Following her citizenship ceremony, Ciara toured the historic city, where she walked the Slave Route to the Door of No Return.

“Between emotion, reflection and heritage, I experienced a profound return to what truly matters,” she said.

Ciara is best known for chart-topping hits like “Goodies” and “Level Up,” her dynamic choreography, and her work in fashion and philanthropy.

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Culture

French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
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French Artist Begins Giant ‘Cave’ Art Inflation Over Paris’ Oldest Bridge

People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)
People walk along the Seine river next to "The Pont Neuf Cave," an inflated art installation by French street artist JR, on Paris' oldest bridge, the Pont Neuf, Thursday, May 21, 2026, which will be open to the public from June 6-28. (AP Photo/Michel Euler)

The oldest bridge in Paris has begun to vanish this week, as the artist JR — who is known as the “French Banksy” — began inflating a giant “cave” over the Pont Neuf.

The monumental, rocky illusion is swallowing the 17th-century landmark, which has carried Parisians across the Seine for more than 400 years. By Thursday, it looked as if a prehistoric cliff had risen in the heart of the city.

The inflation process, which was carried out overnight — after being delayed by bad weather — is the most dramatic stage yet of a project more than a year in the making.

One of the most ambitious public artworks Paris has seen in decades, which has been funded by the sale of JR’s work and a handful of corporate partners, does not open to the public until June 6.

“We’re about to leave something pretty incredible in the middle of Paris,” JR told The Associated Press earlier this year at his studio in the city’s east, wearing his trademark hat and shades.

The transformation of the bridge has been documented by the AP since March with time-lapse cameras, including one fixed on a rooftop terrace high above the river, watching the bridge slowly disappear day by day.

From the outside, the installation looks like a rocky mass that “literally” breaks the landscape, said JR, who is famous for pasting enormous photographs on buildings, walls and rooftops around the world. This time he wanted Parisians to do something unusual on their busiest bridge: stop.

Visitors will be able to walk for free through a long, dark tunnel that lets in no daylight and where, according to JR, people “will lose track of time.”

The numbers are startling. The structure is 120 meters (393 feet) long and 18 meters (59 feet) tall — which is as high as a six-story building.

Yet it is built almost entirely from air — 80 fabric arches filled with 20,000 cubic meters of it — and weighs only about five tons. The fabric was hand stitched by 25 artisans in a village in Brittany.

Nothing digs into the historic stone.

Cut the air and the cliff would sink like a held breath — a collapse JR’s engineers spent weeks rehearsing in a hangar at Orly airport to be sure that if the power ever failed, the rock would come down gently.

The artwork, called La Caverne du Pont Neuf, is a tribute to a Parisian artistic legend.

In 1985, artist Christo and his wife, Jeanne-Claude, wrapped the same bridge in pale golden fabric — 13 kilometers of rope, a decade of arguing with city hall, three million visitors in two weeks. The act helped invent the idea of monumental art in modern cities.

A square beside the bridge now carries their names.

“It’s pretty hard to go after them,” JR said.

His idea, he said, is to bring “mineral and nature” back to the heart of the city. He is not covering the bridge but undressing it — sending the dressed stone back to the limestone quarries from which Paris itself was cut.

The cave is also a warning. JR built it as a nod to Plato’s allegory, in which prisoners mistake shadows on a wall for the real world.

“What are our caves today? Our phones,” he said. “Because we believe that our algorithm on social media is the reality.”

Then he walks straight into the contradiction: to enter his cave about screens, visitors raise their phones.

The tech company Snap has built an augmented-reality layer that shows what the eye cannot.
The sound is a low, mineral hum from Thomas Bangalter, formerly of Daft Punk — who was 10 the year Christo wrapped the bridge.

The cave will be open around the clock from June 6-28, closing the bridge to traffic and visible from the quays, from passing boats, even from the top of the Eiffel Tower.

It will coincide with Paris Fashion Week, World Music Day and the all-night Nuit Blanche arts festival.

When it comes down, the fabric will be reused or recycled. Air, JR likes to say, leaves no scar.
Then, like the golden wrapping 40 years before, the cave will be gone — and the Pont Neuf, older than the republic and older than the revolution, will reappear exactly as it was.

Culture

Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
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Winston Churchill's 'Playful' Paintings Go on Show in London

The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP
The 'Winston Churchill: The Painter' exhibition opens on Saturday at the Wallace Collection in London. Justin TALLIS / AFP

As Britain's wartime leader, Winston Churchill was known for his stirring speeches, but a new London exhibition explores another side to his creativity -- as a passionate and prolific artist.

The exhibition opening Saturday at the Wallace Collection will be the most significant display of the statesman's paintings for more than 60 years, including over 50 canvases, many of them rarely seen in public.

Churchill first tried painting during World War I after he resigned from the government over the 1915 failed Dardanelles naval attack.

This was a "very difficult time in his life" when "he suddenly finds himself with all this unwanted leisure time", Lucy Davis, co-curator of the exhibition, told AFP.

"And he discovered painting as a way of releasing the stress, the anguish that the situation had caused him."

The museum presents a chronological survey starting with his first paintings, created with advice from renowned artist John Lavery, then canvases painted in the 1920s at Chartwell, the country house where Churchill lived with his family.

Largely self-taught while associating with well-known painters, Churchill quickly became interested in landscape painting and drew inspiration from holidays in the south of France to create brightly colored canvases dominated by blues and ochre.

- 'Loved the light' -

Churchill "saw painting as a spur to travel" and "just loved the light and warmth and atmosphere, which he captures so beautifully", said Davis.

A whole room is dedicated to canvases inspired by trips to Morocco, including "The Tower of the Koutoubia Mosque", the only painting that Churchill did during World War II. A gift to US President Franklin D. Roosevelt, the painting recently belonged to Hollywood star Angelina Jolie.

The exhibition ends with the postwar period when Churchill, defeated in a general election, began painting again and continued until his death in 1965, with some of his works going on display at the Royal Academy.

Churchill had previously shown paintings at various galleries, but always under an assumed name.

As a statesman, Churchill went down in history for his wartime leadership, but as an artist, he had little interest in depicting current world events, the curator stressed.

"He was a wartime leader. He was known for these very stirring wartime speeches. But in these paintings, you really see his joie de vivre, his witty side, his playful side."

One painting at the exhibition is an exception: "The Beach At Walmer", painted in 1938 as fears grew of imminent war.

It shows a sandy beach in southern England with bathers paddling. But in the foreground, a black cannon points at the sea, suggesting a looming threat.

Culture

Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo
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Saudi Heritage Commission Discovers Abbasid-Era Gold Jewelry in Qassim

The Saudi Heritage Commission logo
The Saudi Heritage Commission logo

Saudi Arabia’s Heritage Commission announced the discovery of a collection of Abbasid-era gold jewelry at the archaeological site of Diriyyah in Qassim Region during the fourth season of excavation and survey work.

The discovery includes 100 gold pieces adorned with floral and geometric motifs, along with architectural remains from the Abbasid period, including stone foundations, mud walls, pottery, and metal tools.

The findings indicate human settlement dating back to the late third century AH and highlight the site’s historical importance along pilgrimage and trade routes.

The discovery reflects the Heritage Commission’s ongoing efforts to document and preserve the Kingdom’s archaeological heritage, supporting cultural development goals aligned with Saudi Vision 2030.