'KPop Demon Hunters' Craze Hits Theaters After Topping Netflix, Music Charts

This picture taken on August 21, 2025 shows Korean Canadian director Maggie Kang, who created and co-directed Netflix's currently most popular animated film "KPop Demon Hunters," visiting the National Museum of Korea in Seoul. (Yonhap/AFP)
This picture taken on August 21, 2025 shows Korean Canadian director Maggie Kang, who created and co-directed Netflix's currently most popular animated film "KPop Demon Hunters," visiting the National Museum of Korea in Seoul. (Yonhap/AFP)
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'KPop Demon Hunters' Craze Hits Theaters After Topping Netflix, Music Charts

This picture taken on August 21, 2025 shows Korean Canadian director Maggie Kang, who created and co-directed Netflix's currently most popular animated film "KPop Demon Hunters," visiting the National Museum of Korea in Seoul. (Yonhap/AFP)
This picture taken on August 21, 2025 shows Korean Canadian director Maggie Kang, who created and co-directed Netflix's currently most popular animated film "KPop Demon Hunters," visiting the National Museum of Korea in Seoul. (Yonhap/AFP)

Netflix's gargantuan hit film "KPop Demon Hunters" has captured the global zeitgeist this summer, smashing streaming and music chart records. Now it is coming for movie theaters.

An animated musical about a trio of Korean pop starlets who fight demons with infectious songs and synchronized dance moves, "Demon Hunters" has been watched 210 million times and currently has five of the global top 10 songs on Spotify.

In an unlikely journey, the streaming mega-hit is tipped by analysts to hit number one at the box office this weekend, with thousands of cosplaying fans headed to sold-out "singalong screenings" in theaters across five countries.

"Insane, crazy, surreal," singer EJAE, who co-wrote the film's biggest track "Golden" and performs heroine Rumi's songs, told an advance screening at Netflix's Hollywood headquarters this week.

"I'm just really grateful I'm able to be part of this crazy cultural phenomenon."

For the uninitiated, the film's premise is bizarre yet simple. Demons who feed on human souls have been trapped in another realm by the powerful voices of girl group HUNTR/X.

To fight back, the demons secretly send their own devilishly handsome boy band to steal HUNTR/X's fans and feast on their essences.

Rivalries ensue, loyalties fray, and an unlikely romance evolves over 90 minutes of power ballads and pop earworms, all against anime-style backdrops of Seoul's modern skyline and traditional bathhouses and thatched hanok homes.

Released in June, "KPop Demon Hunters" is already Netflix's most-watched animated offering, and sits second on the all-time chart for any original film. It is likely to take the top spot within the week.

"This movie is a triple threat. It's got fantastic writing. It has got stunning animation. And the songs are bangers," said Wendy Lee Szany, a Los Angeles-based movie critic and KPop devotee.

Indeed, songs by the movie's fictional HUNTR/X and boy-band rivals Saja Boys occupy three of the Billboard top 10 -- a feat no movie soundtrack has achieved since the 1990s.

While combining the global KPop craze with sexy supernatural monsters might sound like an obvious recipe for Netflix's much-vaunted algorithm, nobody expected "Demon Hunters" to take off on this scale.

It was made by Hollywood studio Sony Pictures, intended for the big screen, but sold to Netflix during the pandemic when many theaters were shuttered.

That may have worked to the film's advantage, said John Nguyen, founder of pop culture website Nerd Reactor.

"If Sony had released it in theaters, I don't think it would have been as big," he said.

"It's word-of-mouth. People shared it, talked about it, posted videos on social media of fans and families singing along in their living rooms."

Endless homespun TikTok dance videos have added to the momentum.

"People who haven't seen the movie yet are seeing these memes, they can't escape it, so they just end up like, 'Okay, I'm gonna sit down this weekend (and watch) on Netflix," said Szany.

"And then they fall in love with it."

Seeking to capitalize, Netflix -- usually averse to movie theaters -- is hosting "singalongs" at 1,700 North American cinemas this weekend.

Fans are invited to dress up, whip their phones out and film themselves singing at their top of their voices.

The approach has cinema traditionalists despairing, but earned Taylor Swift's concert movie $260 million at the box office in 2023.

Early estimates suggest "KPop Demon Hunters" could make $15 million in domestic theaters and top this weekend's box office.

Analyst David A. Gross of Franchise Entertainment Research said that figure seemed "reasonable... for now," but could get "shattered" if a rush of demand causes theater owners to add extra screenings.

That would be a welcome shot in the arm for movie theaters, after the bleak years of Covid-19, Hollywood strikes, and younger audiences migrating to -- ironically -- streaming.

"There were literally so many kids singing their hearts out," said Szany, who attended Netflix's advance singalong, and has watched the film at least eight times.

"I was like, wow, they know all the lyrics better than I do."



It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
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It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)

Mixed reviews didn’t dissuade mass audiences from buying tickets to the “The Super Mario Galaxy Movie,” which scored the biggest opening of the year for a Hollywood movie. The Illumination and Nintendo co-production earned $130.9 million over the weekend and a massive $190.1 million in its first five days in North American theaters, according to studio estimates Sunday.

Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the UK and Ireland with $19.7 million.

The animated sequel is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.

It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.

“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the US and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.

The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.

Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.

As expected, “The Super Mario Galaxy Movie” ended the two-week reign of the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $29.8 million, bringing its domestic total to $216.3 million.

Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about an engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.

“Hoppers” and “Reminders of Him” rounded out the top five.


Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
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Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)

Yup, she wore something blue.

Zendaya, surprising precisely nobody on the planet, showed up in dazzling blue at Thursday’s New York premiere of “The Drama,” after teasing the bridal theme for weeks by wearing something old, then something new, then something borrowed.

Her strapless Schiaparelli Haute Couture ball gown, accompanied by sapphire earrings, completed the sartorial series just in time for the opening of her movie — a film that has attracted considerable controversy and mixed reviews. Zendaya and Robert Pattinson play a couple whose wedding plans go seriously awry following a dark revelation.

The high-fashion appearances have also echoed the bridal theme of Zendaya’s own life, with unconfirmed speculation flying — fed in part by rings she’s been wearing — that she’s already married to partner Tom Holland.

The actor and her stylist, Law Roach, saved the most spectacular outfit for last. Schiaparelli posted on its own Instagram that the gown, which took some 8,000 hours of work, was made of blue and black raw silk “feathers” in satin stitch embroidery, and contained 27 shades of blue.

“Something old” came in Los Angeles on March 17, where Zendaya wore the same white, off-the-shoulder Vivienne Westwood Bridal gown that she’d worn to the 2015 Oscars.

She transitioned to “something new” at the March 24 Paris premiere — a white custom Louis Vuitton gown with a huge black bow and train.

“Something borrowed” came two days later in Rome, a black Armani Privé dress previously worn by Cate Blanchett, with a plunging neckline framed with stones.

Finally on Thursday, Zendaya completed the circle. “SomethingBlue,” posted Roach.

In case nobody had noticed.


Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)
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Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)

US movie legend John Travolta will present his directorial debut "Propeller One-Way Night Coach", about a young boy's journey in the "golden age of aviation", at the Cannes Film Festival in May, organizers said Thursday.

The film, to make its world premiere, is adapted from the 72-year-old star's own 1997 book, inspired by his lifelong passion for aviation, the festival said.

Among the three Travolta films showcased at the Festival de Cannes in the past was "Pulp Fiction" (1994), famed for the actor's two-fingered swipe in its cult dance scene.

"The unforgettable Vince Vega of Pulp Fiction returns to the Croisette for an event as unexpected as it is exciting: his very first film as a director," the festival said.

Travolta wrote the book for his son Jett, who suffered from epileptic seizures and died in 2009 at the age of 16.

The film follows a young airplane enthusiast Jeff and his mother embarking on a one-way journey to Hollywood.

"The story unfolds as a nostalgic journey set in the golden age of aviation," the festival said.

"The journey unfolds in moments both magical and unexpected, charting the course for the boy's future," the statement said, adding that one of the flight attendants is played by the star's only daughter, Ella Bleu, 25.

The actor, who grew up not far from LaGuardia Airport near New York, is a professional pilot and began flying when he was 15.

"Travolta is certified to fly Boeing 707s, 737s, and 747s, Bombardier's Global Express and was the first private pilot to fly an Airbus A380," the festival said.

Travolta has become a pop culture icon, celebrated for his roles in films such as Saturday Night Fever (1977), Grease (1978), and Hairspray (2007).

"Propeller One-Way Night Coach" will make its global debut on Apple TV in May.