How Millennia of History Vanished in Sudan’s War 

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
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How Millennia of History Vanished in Sudan’s War 

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)

In the scorched courtyard of Sudan's National Museum in Khartoum, a towering black granite statue of Kush Pharaoh Taharqa now stands alone, surrounded by shards of broken glass and shattered stone.

Since the museum was looted in the early days of Sudan's war between the army and paramilitaries in April 2023, thousands of priceless antiquities, many dating back to the 3,000-year-old Kingdom of Kush, have vanished.

Officials believe that some have been smuggled across borders into Egypt, Chad and South Sudan, but there is no trace of the vast majority of the pieces.

"Only the large, heavy objects that couldn't be carried off were left behind," said Rawda Idris, a public prosecutor and member of Sudan's Committee for the Protection of Museums and Archeological Sites.

At its height, the museum housed over half a million artifacts spanning 7,000 years of African history that, according to former antiquities director Hatim al-Nour, "shaped the deep history of Sudanese identity".

Colossal statues of Kushite war deities now stand sentinel over the neglected grounds, beneath a ceiling bearing the blackened scars of shelling.

The rest of the museum's precious contents have disappeared, the vast majority seemingly without a trace.

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from the RSF the previous month. (AFP)

- 'War crime' -

Central Khartoum, where the museum stands along with Sudan's main state institutions, was a battlefield from April 2023, when the paramilitary Rapid Support Forces (RSF) swept through town.

It was only after the army recaptured the capital in March that Sudan's antiquities officials returned for the first time to find their precious museum in ruins.

The worst blow, they say, was the loss of its famed "Gold Room", which had housed solid-gold royal jewellery, figurines and ceremonial objects.

"Everything in that room was stolen," said Ikhlas Abdel Latif, director of museums at the Sudanese antiquities authority.

According to her, the artifacts were transported in large trucks, through Khartoum's twin city of Omdurman, westwards to the RSF stronghold region of Darfur, before some emerged across the South Sudanese border.

The bulk of the stolen artifacts were from the Kingdom of Kush, a Nubian civilization that once rivalled ancient Egypt in wealth, power and influence.

Its legacy -- preserved in artifacts sculpted from stone and bronze and adorned with gemstones -- has now been gutted, one of countless victims of Sudan's war between rival generals.

The conflict between army chief Abdel Fattah al-Burhan and his former deputy, RSF commander Mohamed Hamdan Daglo, has killed tens of thousands and created the world's largest hunger and displacement crises.

Army-aligned government officials accuse RSF fighters of looting the National Museum and other heritage sites, calling their destruction of artifacts a "war crime" -- an accusation the paramilitary group denies.

- Black market offers -

In September last year, UNESCO issued a global alert, urging museums, collectors and auction houses to "refrain from acquiring or taking part in the import, export or transfer of ownership of cultural property from Sudan".

An official at Sudan's antiquities authority told AFP that Sudan is working with neighboring countries to track stolen items.

Interpol also confirmed to AFP it is involved in efforts to locate the missing artifacts, but declined to provide further details.

Last spring, "a group of foreigners were arrested" in Sudan's northern River Nile state with antiquities in their possession, said Idris, the public prosecutor.

Two sources at the antiquities authority said another group had communicated with the Sudanese government from Egypt, offering to return looted antiquities in exchange for money. It remains unclear how the government responded to the offer.

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from the RSF the previous month. (AFP)

Kushite funerary statues are particularly sought after on the black market because they are "beautiful, small and portable", Abdel Latif says.

But specialists have so far been unable to trace them or the contents of the Gold Room anywhere.

According to Abdel Latif, sales are mostly happening in tightknit smuggling circles behind closed doors.

- $110 million and counting -

The National Museum in Khartoum is by no means the only cultural casualty of the Sudan war.

The scale of losses wrought upon it "can't make us forget the destruction of all the other museums, no less important" as repositories of Sudanese heritage, Nour, the former antiquities director, told AFP.

More than 20 museums across Sudan have been looted or destroyed, according to officials, who estimate the total value of the losses to be around $110 million so far.

In Omdurman, the Khalifa House Museum stands battered and bruised, its walls pocked with bullet holes and the jagged lesions of artillery fire.

The seat of power in 18th-century Sudan, the building now houses broken glass and splintered relics, its collections smashed to bits.

In Darfur, the besieged city of El-Fasher's Ali Dinar Museum, the largest in the western region, has reportedly been destroyed by fighting.

In South Darfur state capital Nyala, a local source said the city's museum has become impossible to access.

"The area is now completely destroyed," said the source. "Only RSF fighters can move there."

Abdel Latif said the museum, renovated after years of closure, "has now become a military base".



Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
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Italy Uncovers Basilica Designed by Vitruvius, the 'Father of Architecture'

A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)
A handout photo made available by Regione Marche press office shows the excavations in Piazza Andrea Costa from which large columns emerge, remains believed of the Basilica of Vitruvius, in Fano, Italy, 19 January 2026. (EPA/Regione Marche press office)

Italian officials on Monday hailed the discovery of a more than 2,000-year-old public building attributed to Vitruvius, the ancient Roman architect and engineer known as the "father of architecture."

"It is a sensational finding ... something that our grandchildren will be talking about," Italian Culture Minister Alessandro Giuli told a press conference.

Vitruvius, who lived in the ‌1st century BC, ‌is celebrated for having written "De architectura," ‌or ⁠The Ten ‌Books on Architecture, the oldest surviving treatise on the subject.

His teachings on the classical proportions of buildings have inspired artists over centuries, including Leonardo da Vinci, whose famous drawing of the human body is known as the "Vitruvian Man."

Archaeologists believe they have found ⁠the remains of an ancient basilica, or public building, in the central ‌Italian city of Fano northeast of ‍Rome, that was created ‍by Vitruvius.

"I feel like this is the discovery ‍of the century, because scientists and researchers have been searching for this basilica for over 500 years," said the Mayor of Fano Luca Serfilippi.

"We have absolute match" between what was discovered and the descriptions given by Vitruvius in his books, regional archaeological superintendent Andrea Pessina told reporters.

The basilica had a rectangular layout, with 10 columns on the long side, and four on the short ones, Pessina said.

During excavation, when traces of four columns emerged, archaeologists used Vitruvius' descriptions to calculate where the top right column should be. When they started digging, they found it immediately, Pessina said.

"The are few certainties in archaeology ... but we were impressed by the precision" of the match, he added.

Further digging will determine whether more of the ‌basilica lies underground and if the site can be shown to the public, the superintendent said.


French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
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French TV Broadcasts Louvre Robbery Images

People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)
People wait for the Louvre museum to open as employees at the Louvre Museum vote to extend a strike that has disrupted operations at the world's most visited museum, Thursday, Dec. 18, 2025 in Paris. (AP)

Footage of the spectacular robbery at the Louvre Museum has been broadcast for the first time on French television, showing the brazen jewel thieves breaking into display cases.

The images, filmed by surveillance cameras, were shown by the TF1 and public France Televisions channels on Sunday evening, three months after the hugely embarrassing break-in in October.

They show the two burglars, one wearing a black balaclava and a yellow high-visibility jacket, the other dressed in black with a motorcycle helmet, as they force their way into the Apollo Gallery.

After breaking in through a reinforced window with a high-powered disk cutters, they begin slicing into display cases under the eyes of several staff members who do not intervene.

Managers at the Louvre have stressed that staff are not trained to confront thieves and are asked to prioritize the evacuation of visitors.

During the roughly four minutes that the two men were inside the gallery, one staff member can be seen holding a bollard used to orient visitor through the gallery, according to France Televisions.

The images form a key part of the ongoing criminal investigation into the October 19 heist.

Details of the footage have been reported in French newspapers, including Le Parisien.

Four suspects are in police custody, including the two suspected thieves, but the eight stolen items of French crown jewels worth an estimated $102 million have not been found.

The security failures highlighted by the break-in on a Sunday morning in broad daylight have lead to major pressure on director Laurence des Cars, who has apologized.

Metal bars have since been installed over the windows of the Apollo Gallery.


Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo
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Cultural Development Fund Highlights Economic Value of Saudi Culture in Davos

The Cultural Development Fund (CDF) logo
The Cultural Development Fund (CDF) logo

The Cultural Development Fund (CDF) is participating in the Saudi House pavilion initiative, led by the Ministry of Economy and Planning, during the Annual Meeting of the World Economic Forum 2026, held in Davos, Switzerland, from January 19 to 23.

Through this participation, CDF aims to showcase the economic value of Saudi culture, highlight its role in diversifying the national economy and enhancing quality of life, attract international investment in the cultural sector, and spotlight Saudi cultural entrepreneurship.

According to a statement from the fund, the CDF’s participation includes a networking breakfast bringing together global economic leaders and investors from various countries, with the aim of raising awareness of Saudi culture as an economic force and a key pillar of Saudi Vision 2030.

The event will also provide a platform for exchanging perspectives and opportunities with international investors and financial institutions, while offering a closer look at the enablers of the Saudi cultural sector and its investment opportunities.

As part of the event, the CDF will host a panel discussion titled “Investing in Culture as an Economic Engine” that will feature CEO of the Cultural Development Fund Majed bin Abdulmohsen Al-Hugail, alongside Deputy Minister of Cultural Strategies and Policies at the Ministry of Culture Albara Al-Auhali.

The discussion will address the economic value of culture globally and locally, highlighting the CDF’s role in providing financial solutions that support cultural enterprises and enable their contribution to GDP growth and quality of life. The session will also explore cultural policies and their impact on strengthening the sector’s economic and investment potential.

Within the NextOn dialogue series organized by the Saudi House in Davos, the Cultural Development Fund will enable supported cultural projects to share their success stories and highlight their role in enhancing cultural production and increasing its economic value.

Participating entrepreneurs include Co-Founder of AlMashtal Creative Incubator Princess Noura bint Saud bin Naif, and CEO of Arabian Housing and Building company (AHB) Khalid Henaidy, who will speak about the role of entrepreneurship in shaping the future of the Kingdom’s cultural economy.

‏This participation underscores the CDF’s role as a center of excellence and financial enabler for the cultural sector in the Kingdom, and forms part of its efforts to strengthen the presence of Saudi cultural dynamism on the global stage. It aligns with the CDF’s objectives to maximize the cultural sector’s economic and social impact, increase its contribution to GDP, quality of life, and advance the goals of Saudi Vision 2030.