How Millennia of History Vanished in Sudan’s War 

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
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How Millennia of History Vanished in Sudan’s War 

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)
A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from RSF paramilitaries the previous month. (AFP)

In the scorched courtyard of Sudan's National Museum in Khartoum, a towering black granite statue of Kush Pharaoh Taharqa now stands alone, surrounded by shards of broken glass and shattered stone.

Since the museum was looted in the early days of Sudan's war between the army and paramilitaries in April 2023, thousands of priceless antiquities, many dating back to the 3,000-year-old Kingdom of Kush, have vanished.

Officials believe that some have been smuggled across borders into Egypt, Chad and South Sudan, but there is no trace of the vast majority of the pieces.

"Only the large, heavy objects that couldn't be carried off were left behind," said Rawda Idris, a public prosecutor and member of Sudan's Committee for the Protection of Museums and Archeological Sites.

At its height, the museum housed over half a million artifacts spanning 7,000 years of African history that, according to former antiquities director Hatim al-Nour, "shaped the deep history of Sudanese identity".

Colossal statues of Kushite war deities now stand sentinel over the neglected grounds, beneath a ceiling bearing the blackened scars of shelling.

The rest of the museum's precious contents have disappeared, the vast majority seemingly without a trace.

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from the RSF the previous month. (AFP)

- 'War crime' -

Central Khartoum, where the museum stands along with Sudan's main state institutions, was a battlefield from April 2023, when the paramilitary Rapid Support Forces (RSF) swept through town.

It was only after the army recaptured the capital in March that Sudan's antiquities officials returned for the first time to find their precious museum in ruins.

The worst blow, they say, was the loss of its famed "Gold Room", which had housed solid-gold royal jewellery, figurines and ceremonial objects.

"Everything in that room was stolen," said Ikhlas Abdel Latif, director of museums at the Sudanese antiquities authority.

According to her, the artifacts were transported in large trucks, through Khartoum's twin city of Omdurman, westwards to the RSF stronghold region of Darfur, before some emerged across the South Sudanese border.

The bulk of the stolen artifacts were from the Kingdom of Kush, a Nubian civilization that once rivalled ancient Egypt in wealth, power and influence.

Its legacy -- preserved in artifacts sculpted from stone and bronze and adorned with gemstones -- has now been gutted, one of countless victims of Sudan's war between rival generals.

The conflict between army chief Abdel Fattah al-Burhan and his former deputy, RSF commander Mohamed Hamdan Daglo, has killed tens of thousands and created the world's largest hunger and displacement crises.

Army-aligned government officials accuse RSF fighters of looting the National Museum and other heritage sites, calling their destruction of artifacts a "war crime" -- an accusation the paramilitary group denies.

- Black market offers -

In September last year, UNESCO issued a global alert, urging museums, collectors and auction houses to "refrain from acquiring or taking part in the import, export or transfer of ownership of cultural property from Sudan".

An official at Sudan's antiquities authority told AFP that Sudan is working with neighboring countries to track stolen items.

Interpol also confirmed to AFP it is involved in efforts to locate the missing artifacts, but declined to provide further details.

Last spring, "a group of foreigners were arrested" in Sudan's northern River Nile state with antiquities in their possession, said Idris, the public prosecutor.

Two sources at the antiquities authority said another group had communicated with the Sudanese government from Egypt, offering to return looted antiquities in exchange for money. It remains unclear how the government responded to the offer.

A picture shows a view of the damage at the Sudan National Museum in Khartoum on April 11, 2025, after the army recaptured the country's capital from the RSF the previous month. (AFP)

Kushite funerary statues are particularly sought after on the black market because they are "beautiful, small and portable", Abdel Latif says.

But specialists have so far been unable to trace them or the contents of the Gold Room anywhere.

According to Abdel Latif, sales are mostly happening in tightknit smuggling circles behind closed doors.

- $110 million and counting -

The National Museum in Khartoum is by no means the only cultural casualty of the Sudan war.

The scale of losses wrought upon it "can't make us forget the destruction of all the other museums, no less important" as repositories of Sudanese heritage, Nour, the former antiquities director, told AFP.

More than 20 museums across Sudan have been looted or destroyed, according to officials, who estimate the total value of the losses to be around $110 million so far.

In Omdurman, the Khalifa House Museum stands battered and bruised, its walls pocked with bullet holes and the jagged lesions of artillery fire.

The seat of power in 18th-century Sudan, the building now houses broken glass and splintered relics, its collections smashed to bits.

In Darfur, the besieged city of El-Fasher's Ali Dinar Museum, the largest in the western region, has reportedly been destroyed by fighting.

In South Darfur state capital Nyala, a local source said the city's museum has become impossible to access.

"The area is now completely destroyed," said the source. "Only RSF fighters can move there."

Abdel Latif said the museum, renovated after years of closure, "has now become a military base".



Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.


Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.


Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.