Wealthy Ancient Roman's Tomb Discovered in Albania

Archaeologists work on Albania's first discovered monumental tomb, which they suggest may be a mausoleum, dated to the Roman period III–IV century AD, in Strikcan, Albania, September 4, 2025. REUTERS/Florion Goga
Archaeologists work on Albania's first discovered monumental tomb, which they suggest may be a mausoleum, dated to the Roman period III–IV century AD, in Strikcan, Albania, September 4, 2025. REUTERS/Florion Goga
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Wealthy Ancient Roman's Tomb Discovered in Albania

Archaeologists work on Albania's first discovered monumental tomb, which they suggest may be a mausoleum, dated to the Roman period III–IV century AD, in Strikcan, Albania, September 4, 2025. REUTERS/Florion Goga
Archaeologists work on Albania's first discovered monumental tomb, which they suggest may be a mausoleum, dated to the Roman period III–IV century AD, in Strikcan, Albania, September 4, 2025. REUTERS/Florion Goga

Archaeologists in Albania have discovered a large Roman burial chamber dating from the third to fourth century AD, the first of its kind found in the Balkan country that was once part of the Roman Empire. Tipped off by locals who had noticed some unusual stones on a plateau near the North Macedonia border, staff from the Institute of Archaeology began excavating in early August and found the underground structure whose large limestone slabs were inscribed with Greek lettering.

"The inscription tells us that the person buried here was named Gelliano, a name typical of the Roman period. We are uncertain about the identity of the second individual, but it is likely a family member," said Erikson Nikolli, the project's lead archaeologist.

The tomb, which measures nine meters by six meters (29 ft by 19 ft), is the first discovery in Albania of what the experts believe to be a wealthy person's resting place, grander than other burial sites found in the area.

Local authorities in Albania, where tourism is booming, are already planning to develop the site into a tourist attraction, while residents flocked to the area upon hearing the news of the discovery.

Last week, Nikolli's team used brushes to reveal the intricately carved edges of the tomb's white roof stone and walls.

"We also uncovered a piece of fabric embroidered with gold thread, which confirms our belief that we are dealing with a member of the upper class."

Other findings include glass plates and knives.

Nikolli said that the tomb had been looted at least twice – once in antiquity and later when heavy machinery was used to move a massive rock on top of the chamber.

He explained that the occupant’s name was inscribed in Greek letters but carried a Latin meaning, while a second inscription indicates that the tomb was dedicated to the god Jupiter.

Experts have yet to decipher additional inscriptions on stones found nearby, which are believed to have belonged to another monument now surrounded by cornfields and a quarry.



'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
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'Talking Drum' Looted by France in 1916 Back in Ivory Coast

A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)
A crate containing the Djidji Ayokwe drum, at the airport in Abidjan, Ivory Coast. (Photo by Issouf SANOGO / AFP)

The Djidji Ayokwe "talking drum", which was looted by French colonial troops in 1916 and taken to France, arrived back in Ivory Coast Friday, in the latest repatriation of stolen artifacts.

The wooden drum, more than three meters (10 feet) long and weighing 430 kilos (950 pounds), was used by the Ebrie tribe to transmit messages.

It was officially handed over on February 20 after France's parliament approved removing the artifact from the national museum collections to enable its return.

Ivory Coast had asked in late 2018 for the return of the Djidji Ayokwe among 148 works of art taken during the colonial period.

It arrived aboard a specially chartered plane at Ivory Coast's main city Abidjan and remained inside a huge wooden crate stamped "fragile", AFP journalists saw.

"It's an historic day and I feel deep emotion," Culture Minister Francoise Remarck said, welcoming its arrival at the airport, where the Ebrie community also sang and played drums.

"We are living a moment of justice and remembrance," the minister added.

French President Emmanuel Macron promised in 2021 to send the drum and other artifacts back home to the west African country.

It is one of hundreds of objects France is preparing to send back to Africa, with the efforts set to be accelerated by the passing of a new law to authorize mass repatriations.

"We are happy and relieved to know that this sacred piece of our culture is back on its native land," Aboussou Guy Georges Mobio, an Ebrie village chief, told AFP.

The drum will initially be held in a "safe space" to allow it to acclimatize, the culture minister said.

It is due to go on display at the Museum of Civilizations in Abidjan which has been specially renovated.

The "talking drum" was used by the Ebrie community to warn of danger, mobilize for war or call villagers to ceremonies.

It was seized by colonial authorities in 1916 before being shipped to France in 1929 and exhibited in Paris.

Senegal and Benin have also asked for the repatriation of their treasures.

In late 2020, the French parliament adopted a law providing for the permanent return to Benin of 26 artifacts from the royal treasures of Dahomey.

The return of cultural artifacts taken from ex-colonies in Africa and elsewhere has become a sensitive issue, with museums, institutions and collectors in Europe and the United States facing pressure to give them back.


Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA
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Red Sea Fund Launches Second Round to Support Film Projects in Production Stage

File photo of the fifth day of the Red Sea International Film Festival - SPA
File photo of the fifth day of the Red Sea International Film Festival - SPA

The Red Sea Fund, affiliated with the Red Sea Film Foundation, announced the opening of applications to support film projects in the production stage within the second round of this year’s support program, which will continue until March 21, as part of its efforts to enhance the cinema industry and empower innovators in the region, SPA reported.

The round aims to support promising cinematic voices from the Kingdom and the Arab world, as well as filmmakers from Africa and Asia, through financial grants that help complete film projects and present their creative narratives globally, with a special focus on projects ready to enter production and begin filming.


Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA
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Prince Mohammed bin Salman Project Restores Historic Al-Jami' Mosque in Tabuk Region

The renovation utilized modern technologies to restore the mosque's original identity - SPA
The renovation utilized modern technologies to restore the mosque's original identity - SPA

The Prince Mohammed bin Salman Project for the Development of Historical Mosques has completed the restoration of Al-Jami' Mosque in Duba, Tabuk Region, as part of its mission to preserve the Kingdom's architectural heritage under Vision 2030.

As one of Duba’s oldest landmarks, the mosque is deeply intertwined with the city’s maritime history, traditionally serving as a central meeting point for sailors. Throughout its history, the mosque underwent several construction phases, including significant contributions by King Abdulaziz and King Fahd, before its selection for the current national development project, SPA reported.

The renovation utilized modern technologies to restore the mosque's original identity, increasing its area to 972.23 square meters and its capacity to 779 worshippers. The architectural style is inspired by traditional Red Sea heritage, incorporating natural materials like stone, mud, and wood for intricate mashrabiyas.

Executed by specialized Saudi firms, the project balances traditional standards with sustainability to rehabilitate the site for worship while highlighting its cultural significance. By restoring such landmarks, the project ensures the preservation of the Kingdom’s diverse architectural and social memory for future generations.