Gaza Antiquities Rescued Ahead of Israeli Strike

(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)
(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)
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Gaza Antiquities Rescued Ahead of Israeli Strike

(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)
(FILES) Palestinian students work at the archaeological site of Saint Hilarion, also known as Tell Umm Amer, in the central Gaza Strip on March 7, 2023. (Photo by Mahmud HAMS / AFP)

Nearly three decades of archaeological finds in Gaza were hurriedly evacuated Thursday from a Gaza City building threatened by an Israeli strike, an official in charge of the antiquities told AFP.

"This was a high-risk operation, carried out in an extremely dangerous context for everyone involved -- a real last-minute rescue," said Olivier Poquillon, director of the French Biblical and Archaeological School of Jerusalem (EBAF), whose storehouse housed the relics.

On Wednesday morning, Israeli authorities ordered EBAF -- one of the oldest academic institutions in the region -- to evacuate its archaeological storehouse located on the ground floor of a residential tower in Gaza City that was due to be targeted.

The Israeli army did not confirm the warning when asked by AFP, but several sources said France, UNESCO and the Latin Patriarchate of Jerusalem played a key role in securing a brief reprieve that allowed most of the artifacts to be removed.

"With almost no international actors left on the ground, no infrastructure, nothing functioning, we had to improvise transport, labor and logistics," said Poquillon.

The evacuation, he added, was carried out in strict secrecy, with "the overriding concern, as a religious organization, of not endangering human lives", as Israeli military pressed operations in the territory's largest urban hub.

The depot contained around 180 cubic meters of finds from Gaza's five main archaeological sites, including the fourth-century Saint Hilarion Monastery, listed as a UNESCO World Heritage site.

All of these sites have been damaged, EBAF said, expressing concern for "unique" mosaics left exposed despite their fragility.

Poquillon said Gaza has "an extremely ancient heritage, very precious for the region, showing the succession and coexistence of peoples, cultures and religions.”

Of Gaza's two museums, one has been destroyed and the other heavily damaged since the war erupted nearly two years ago.

Researchers told AFP that aside from scattered ruins highly vulnerable to bombardment, the EBAF storehouse was the only significant repository of artifacts left in the Palestinian territory.

The rediscovery of Gaza's past began in the wake of the 1993 Oslo accords.

Two years later, the newly created Gaza antiquities service opened its first archaeological dig in cooperation with EBAF, unearthing remnants of the ancient Greek port of Anthedon and a Roman necropolis.

Excavations stalled after Hamas seized power in 2007 and Israel imposed a blockade, resuming years later with support from the British Council and French NGO Premiere Urgence Internationale (PUI).

Now, with Israel contemplating a full takeover of Gaza and ceasefire talks stalled, archaeologists say prospects for renewed excavations are remote.

UNESCO, which has already identified damage to 94 heritage sites in Gaza using satellite images, including the 13th-century Pasha's Palace, has not yet been able to take a full inventory.

"We saved a large part, but in a rescue you always lose things, and you always face painful choices," said Rene Elter, an archaeologist affiliated with EBAF and scientific coordinator for PUI.

The depot, he said, was especially valuable because collections had been classified systematically.

"Many items have been broken or lost, but they had been photographed or drawn, so the scientific information is preserved," Elter explained.

"Perhaps that will be the only trace that remains of Gaza's archaeology -- in books, publications, libraries."



King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
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King Salman Global Academy for Arabic Language, ALECSO Launch Unified Arabic Terminology Dictionary Platform

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA
The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures - SPA

The King Salman Global Academy for Arabic Language (KSGAAL), in partnership with the Arab League Educational, Cultural and Scientific Organization (ALECSO), launched the Unified Arabic Terminology Dictionary platform during the 28th regular session of the ALECSO General Conference, held in Muscat, Oman.

The session saw the adoption of resolutions concerning two projects submitted by Saudi Arabia and implemented by the academy in cooperation with ALECSO and in coordination with the Saudi National Commission for Education, Culture and Science.

The launch coincides with Saudi Arabia’s presidency of the ALECSO Executive Council and comes within the framework of a memorandum of understanding (MoU) signed to strengthen joint Arab action and develop linguistic, knowledge-based, and digital resources, according to SPA.

The dictionary platform aims to address the fragmentation of terminology dictionaries across multiple publications and different structures, which has made it difficult to search their contents collectively or link them to digital applications. To address this, data from these dictionaries has been restructured in accordance with international standards, enabling instant searches across all their contents through a single interface. Application programming interfaces (APIs) have also been developed to connect the unified dictionary with external systems.

The conference also adopted the “Language Policy System in Arab Countries” project, which is intended to serve as an Arab reference supporting research, planning, and linguistic policymaking. The project includes data, studies, and reports documenting the state of linguistic policies in Arab countries and analyzing their impact.

The ALECSO General Conference commended Saudi Arabia’s efforts to serve the Arabic language and strengthen its regional and international presence. It also praised KSGAAL’s contributions to developing linguistic policies, indicators, and standards; building databases, corpora, dictionaries, and Arabic language processing tools; and harnessing scientific and technological capabilities to support joint projects.

The conference also commended Saudi Arabia, represented by KSGAAL, for implementing the two projects and supporting joint Arab efforts in the field of Arabic language. It called on linguistic, scientific, and academic institutions in Arab countries to benefit from the projects’ outcomes, contribute to enriching their content, update their data, and strengthen cooperation with the academy in related fields.

The launch of the platform and the adoption of the two project decisions mark a continuation of KSGAAL’s efforts to build strategic partnerships, develop digital language solutions, and strengthen integration among institutions concerned with the Arabic language. These efforts reinforce Saudi Arabia’s contribution to supporting joint Arab initiatives and providing scientific and knowledge-based references that serve the Arabic language and keep pace with its development.


India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
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India to Build Mega-Museum with World’s ‘Largest Display Area’

 Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)
Pedestrians walk amid smog at the Kartavya Path near India gate in New Delhi on November 3, 2026. (AFP)

India's cabinet approved on Wednesday a mega-museum showcasing the country's history and civilization, which the government said will cost around $340 million and have the largest display area in the world.

First announced in 2023, the project received approval as Prime Minister Narendra Modi's Hindu nationalist government renewed its emphasis on the country's pre-colonial cultural identity.

The museum's name, Yuge Yugeen Bharat, translates roughly as "India through the ages" and invokes the country's ancient Sanskrit name, Bharat.

It will occupy former civil service offices in New Delhi, known as North and South Blocks, which were designed by British architects Edwin Lutyens and Herbert Baker in the 1920s.

In a statement, the cabinet said the museum will be "spread over a proposed built-up area of approximately 178,509 square meters".

"Benchmarked against major international museums, Yuge Yugeen Bharat Museum is going to be the museum (with) the largest display area in the world," it added.

India's cabinet said the Yuge Yugeen Bharat is "envisaged as a landmark civilizational museum showcasing the continuity, diversity and richness of Bharat's (India's) civilizational heritage".

The first gallery is expected to open to the public by the end of 2027, with project completion scheduled for financial year 2030-31.

Modi came to national power in May 2014, and has since taken multiple steps to glorify the country's heritage and culture.

His government built the world's tallest statue, a 182-meter (597-foot) monument to Vallabhbhai Patel, for his role in bringing princely states into India.

Modi also backed the revamp of New Delhi's historic administrative district in his second term and moved lawmakers to a new parliament building in 2023.

"The Museum is envisaged as a national public cultural institution... it will provide opportunities for learning, research, cultural engagement and appreciation of India's civilizational heritage," the government statement said on Wednesday.

Around 1.8 million objects have been identified from national and state museums, archaeological collections and private holdings for potential display.

The museum is designed to accommodate up to 10 million visitors a year.


The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
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The Hidden, Teeming World of Rembrandt’s Night Watch

 Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)
Rembrandt's "The Night Watch" hangs in Amsterdam's Rijksmuseum. (AFP)

For years, millions of people have marveled at Rembrandt's use of light and shadows to depict the militia in his masterpiece, the "Night Watch".

Little did they know they were also looking at a hidden world of characters, some of them from as far away as Japan.

A new exhibition, "The Night Watch Lives," lifts the veil on this clandestine universe: the microbes covering one of the most famous works of the Dutch Golden Age paintings.

A joint effort by Rijksmuseum, where "The Night Watch" hangs and Amsterdam's Artis-Micropia Museum (more commonly known as the city's "microbe zoo") reveals the microscopic world covering the iconic painting.

The bacteria, isolated from samples taken over six months at around sixty different spots on the painting and subsequently cultivated into colonies, are displayed in Petri dishes alongside a life-size reproduction of the painting at the Artis-Micropia museum.

"We found a lot of microbes that are very commonly found, for instance, on human skin, or in the soil," Eline van Bloois, a microbiologist at the museum, told AFP.

The microbes are not harmful to the painting itself, van Bloois said, and it was impossible to determine if some of them could be a remnant from the great master himself.

"It would be really cool, right? If they could be linked to Rembrandt. But unfortunately, from one microbe, you cannot say whether it's been on there for 400 years or for a day," she said.

- 'Beauty of science' -

One of the most surprising findings was Microbacterium saccharophilum, a bacteria commonly found at a Japanese sugar refinery. It was found in an area where the varnish had been removed.

"That's something that will keep me up for years," van Bloois said.

"That's the beauty of science, because you ask one question, and you get 100 questions in return."

"As a microbiologist, I never imagined I would have the chance to get so close to this masterpiece," she said.

"Art and science are often seen as being at opposite ends of the spectrum, but this installation shows how closely these worlds are connected."

"And surely these Petri dishes full of microbes are little works of art in their own right?"

The idea behind the exhibit was to spark people's curiosity about microbes, the life teeming all around humans.

It's part of "Operation Night Watch," a large-scale research and restoration project on the painting, which has been ongoing since 2019, in a specially designed glass chamber at the Rijksmuseum.

The exhibition will be open to the public from November 11.