Oscar Winner Robert Redford, Who Became a Champion of Independent Film, Dies at 89

Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
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Oscar Winner Robert Redford, Who Became a Champion of Independent Film, Dies at 89

Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)
Director Robert Redford poses during the photocall of the movie "The company you keep" at the 69th Venice Film Festival in Venice, Italy, September 6, 2012. (Reuters)

Robert Redford, the Hollywood golden boy who became an Oscar-winning director, liberal activist and godfather for independent cinema under the name of one of his best-loved characters, died Tuesday at 89.

Redford died “at his home at Sundance in the mountains of Utah — the place he loved, surrounded by those he loved,” publicist Cindi Berger said in a statement. No cause of death was provided.

Redford was one of the biggest stars of the ’70s with such films as “The Candidate,” “All the President’s Men” and “The Way We Were,” capping that decade with the best director Oscar for 1980's best picture winner, “Ordinary People.”

His wavy blond hair and boyish grin made him the most desired of leading men, but he worked hard to transcend his looks — whether through his political advocacy, his willingness to take on unglamorous roles or his dedication to providing a platform for low-budget movies.

His roles ranged from Washington Post journalist Bob Woodward to a double agent in the Marvel Cinematic Universe, and his co-stars included Jane Fonda, Meryl Streep and Tom Cruise. But his most famous screen partner was his old friend Paul Newman, their films a variation of their warm, teasing off-screen relationship. Redford played the wily outlaw opposite Newman in 1969’s “Butch Cassidy and the Sundance Kid,” a box-office smash from which Redford's Sundance Institute and festival got its name.

He also teamed with Newman on 1973’s best picture Oscar winner, “The Sting,” which earned Redford a best actor nomination as a young con artist in 1930s Chicago.

Film roles after the ’70s became more sporadic as Redford concentrated on directing and producing and his new role as patriarch of the independent-film movement.

He starred in 1985’s best picture champion “Out of Africa” and in 2013 received some of the best reviews of his career as a shipwrecked sailor in “All is Lost,” in which he was the film’s only performer. In 2018, he was praised again in what he called his farewell movie, “The Old Man and the Gun.”

“I figure now as I’m getting into my 80s, it’s maybe time to move toward retirement and spend more time with my wife and family,” he told The Associated Press at the time.

Redford had watched Hollywood grow more cautious and controlling during the 1970s and wanted to recapture the creative spirit of the early part of the decade. Sundance was created to nurture new talent away from the pressures of Hollywood. The institute and festival based in Park City, Utah, became a place of discovery for such previously unknown filmmakers as Quentin Tarantino, Steven Soderbergh, Paul Thomas Anderson and Darren Aronofsky.

“For me, the word to be underscored is ‘independence,’” Redford told the AP in 2018. “I’ve always believed in that word. That’s what led to me eventually wanting to create a category that supported independent artists who weren’t given a chance to be heard."

By 2025, the festival had become so prominent that organizers approved relocating to Boulder, Colorado, starting in 2027.

Redford’s affinity for the outdoors was well captured in “A River Runs Through It” and other films and through his decades of advocacy for the environment, inspired in part by witnessing the transformation of Los Angeles into a city of smog and freeways. His activities ranged from lobbying for the Clean Air Act and Clean Water Act to serving on the board of the Natural Resources Defense Council.

Born in Aug. 18, 1936 in Santa Monica, California, Redford attended college on a baseball scholarship and would later star as a middle-aged slugger in 1984’s “The Natural,” the adaptation of Bernard Malamud’s novel. He had an early interest in drawing and painting and studied at the American Academy of Dramatic Arts. He debuted on Broadway in the late 1950s before moving into television on such shows as “The Twilight Zone,” “Alfred Hitchcock Presents” and “The Untouchables.”

Redford was married twice, most recently to Sibylle Szaggars. He had four children, two of whom have died — Scott Anthony, who died in infancy, in 1959; and activist and fimmaker James Redford, who died in 2020.

Redford also appeared in several political narratives. He satirized campaigning as an idealist running for USa senator in “The Candidate” and uttered one of the more memorable closing lines, “What do we do now?” after his character manages to win. He starred as Woodward to Dustin Hoffman’s Carl Bernstein in 1976’s “All the President’s Men,” the story of the Washington Post reporters whose Watergate investigation helped bring down President Richard Nixon.

His biggest filmmaking triumph came with his directing debut on “Ordinary People,” which beat Martin Scorsese’s classic “Raging Bull” at the Oscars.

Redford’s other directing efforts included “The Horse Whisperer,” “The Milagro Beanfield War” and 1994's “Quiz Show,” the last of which also earned best picture and director Oscar nominations.

“The idea of the outlaw has always been very appealing to me. If you look at some of the films, it’s usually having to do with the outlaw sensibility, which I think has probably been my sensibility. I think I was just born with it,” Redford said in 2018. “From the time I was just a kid, I was always trying to break free of the bounds that I was stuck with, and always wanted to go outside.”



How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
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How the Coveted Bronze BAFTA Mask Trophies Are Made

Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)
Completed British Academy Film Awards masks at the FSE Foundry in Braintree, England on Tuesday, Feb. 10, 2026. (AP)

Those winning a prize at the upcoming British Academy Film Awards will bag a coveted bronze mask trophy — and get a bit of an arm workout taking it home.

Along with the honor of being named the best of the year in the industry, winners at the BAFTA ceremony on Feb. 22 will be awarded one of the dozens of the 3-kilogram (6.6-pound) prizes.

This year the cast and crew of “One Battle After Another,” “Sinners,” “Hamnet,” “Marty Supreme,” and “Sentimental Value” are in the running for the trophies at the EE BAFTA ceremony, to be held at London's Royal Festival Hall.

As with many things in show business, all that glitters is not gold. The BAFTA masks are made of phosphor bronze, polished to a mirror finish that will reflect the happy face of its new owner.

Craftsmen at the AATi Foundry in Braintree, about 50 miles (80 kilometers) northeast of London, use a sandcasting technique to make about 350 bronze trophies each year for all the BAFTA ceremonies — covering the film, television and gaming industries.

They are created in batches, and making one from start to finish takes around a week, the foundry's director Hugh Bisset said Tuesday.

The process starts with a pattern by the tooling team, often out of timber or 3D printing. That tool moves to the molding team which uses sand to make two recessed impressions of the mask, one each side. They are then closed together, ready for molten hot bronze — up to 1,200 degrees Celsius (2,192 Fahrenheit) — to be poured into it.

The metal takes about three or four hours to cool down, when it can then be removed from the sand. The masks' surfaces look dull and a bit rough around the edges at this stage, but after fettling, threading and polishing they are ready to be assembled before being checked over extremely carefully.

Bisset says it’s important that the masks are shiny and have no polish left on them.

“The thing I’m always conscious of is that these amazing actors and actresses, they pick up their awards and my big concern is that a smudge of polish will end up over their lovely, beautiful white dress,” he said. “There’s lots of things we need to think about.”

Bisset reckons the diligence and care that his skilled team puts into the making of the masks reflects the hard work of the winning filmmakers and movie stars.

While it’s still unknown if favorites Jessie Buckley, Timothée Chalamet and Teyana Taylor will get the glory on Sunday, whoever does win will take home something worth more than its heavy weight in bronze.

“There’s a lot of metal in it,” but each mask also has “a lot of time and love being put into it,” Bisset said.


Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo
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Britney Spears Sells Rights to Music Catalogue

FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016.  REUTERS/Eduardo Munoz/File Photo/File Photo
FILE PHOTO: Singer Britney Spears arrives at the 2016 MTV Video Music Awards in New York, US, August 28, 2016. REUTERS/Eduardo Munoz/File Photo/File Photo

Pop star ‌Britney Spears has sold her rights to her music catalogue to independent music publisher Primary Wave, the ​latest artist to strike a deal for her work.

Entertainment site TMZ, citing legal documents it had obtained, first reported the news, saying the "Oops!... I Did It Again" and "Toxic" singer had signed the deal on December 30.

According to Reuters, it quoted sources as saying it ‌was "in the ‌ballpark" of Canadian singer Justin ​Bieber's ‌reported $200 ⁠million ​agreement to sell ⁠his music rights to Hipgnosis in 2023.

A person familiar with the situation said news of the Spears and Primary Wave deal was accurate. No further details were given.

Primary Wave, which is home to artists ⁠including Whitney Houston, Prince and Stevie ‌Nicks, did not ‌immediately respond to a request for ​comment. Spears has ‌not commented publicly.

The 44-year-old, one of ‌the most successful pop artists of all time, has topped charts around the world, starting off with "...Baby One More Time" in 1998. The ‌deal includes her songs such as "(You Drive Me) Crazy", "Circus", "Gimme More" and "I'm a Slave ⁠4 ⁠U", TMZ said.

Spears' ninth and last studio album, "Glory", came out in 2016.

In 2021, she was released from a 13-year court-ordered conservatorship set up and controlled by her father, Jamie Spears. The arrangement had governed Spears' personal life, career and $60 million estate from 2008 until it was terminated in November 2021.

Spears follows artists such as Sting, ​Bruce Springsteen and Justin ​Timberlake who have struck deals to cash in on their work.


Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
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Glitzy Oscar Nominees Luncheon Back One Year After LA Fires 

Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)
Brazilian actor Wagner Moura arrives to The Hollywood Reporter's Nominees Night held at the Chateau Marmont in Los Angeles, on February 10, 2026. (AFP)

Hollywood stars embraced at this year's Oscars nominee lunch, the glamorous pre-show gathering that was canceled amid last year's devastating Los Angeles wildfires.

Timothee Chalamet, nominated for best actor in "Marty Supreme," flashed a smile while fellow Best Actor contenders Micahel B. Jordan and Ethan Hawke also flitted around the annual luncheon in Beverly Hills.

Mexican director Guillermo del Toro chatted with his tablemates as Wagner Moura, the Brazilian star of "The Secret Agent," enthusiastically embraced Stellan Skarsgard and Oliver Laxe -- the latter of whom has his film "Sirat" up for best international feature film.

Academy of Motion Picture Arts and Sciences President Lynette Howell Taylor praised the diversity of this year's nominees.

"Ballots were cast from 88 countries and regions," the British producer said, adding that "the mission of the Academy is to amplify your art, movies and your voices."

The more than 200 nominees enjoyed a buzzy afternoon, all the more energetic after last year's lunch was canceled as huge fires razed whole communities around Los Angeles. That year the lunch was replaced with a smaller dinner at the Academy's museum.

"This is a recognition of Brazilian cinema, and of the cinema of our region," Moura told AFP.

Nearby, "The Secret Agent" director Kleber Mendonca Filho joked he was feeling animated -- "like a generator."

Skarsgard said that the impact of international films is growing, as evidenced by his historic nomination for Best Supporting Actor for Norwegian film "Sentimental Value."

Foreign films and their stars typically notch nominations in the international categories, but Skarsgard is competing against nominees from US blockbusters, including Benicio del Toro in "One Battle After Another" and Delroy Lindo in "Sinners."

Benicio del Toro meanwhile told AFP he was doubly thrilled after watching fellow Puerto Rican Bad Bunny perform at the Super Bowl halftime show over the weekend.

"I got goosebumps," he told AFP, adding: "It was beautiful."

The luncheon's other legendary del Toro, the director Guillermo, meanwhile said he was "calm."

While his "Frankenstein" is nominated for Best Picture, del Toro himself is off the hook for Best Director, which he said took the pressure off him and meant he could focus on promoting his team.

"I'm happy because nine nominations don't happen every day," he said.

Lanky heartthrob Jacob Elordi, up for best supporting actor, offered a similarly toned down vibe at an impromptu photo shoot.

"I'm chilling," he said. "It's all good."