Justice Minister: Robbery at Louvre Museum Hit France's Image

(FILES) A visitor wearing face mask takes a picture of Empress Eugenie's jewelry piece, at the Louvre Museum in Paris on July 6, 2020, on the museum' s reopening day. (Photo by FRANCOIS GUILLOT / AFP)
(FILES) A visitor wearing face mask takes a picture of Empress Eugenie's jewelry piece, at the Louvre Museum in Paris on July 6, 2020, on the museum' s reopening day. (Photo by FRANCOIS GUILLOT / AFP)
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Justice Minister: Robbery at Louvre Museum Hit France's Image

(FILES) A visitor wearing face mask takes a picture of Empress Eugenie's jewelry piece, at the Louvre Museum in Paris on July 6, 2020, on the museum' s reopening day. (Photo by FRANCOIS GUILLOT / AFP)
(FILES) A visitor wearing face mask takes a picture of Empress Eugenie's jewelry piece, at the Louvre Museum in Paris on July 6, 2020, on the museum' s reopening day. (Photo by FRANCOIS GUILLOT / AFP)

French Justice Minister Gerard Darmanin said on Monday the jewelry heist at the Louvre museum on Sunday gave a very negative image of France as it implied a failure of security services.

"There are many museums in Paris, many museums in France, with priceless values in these museums," Darmanin said in an interview with French radio station France Inter.

"What is certain is that we failed," he said, adding the police will eventually arrest the thieves.

Officials said a team of 60 investigators were working on the theory that the raid was planned and executed by an organized crime group.

The thieves arrived between 9:30 and 9:40 am (0730 and 0740 GMT) Sunday, shortly after the museum opened to the public at 9:00 am, a source close to the investigation said.

They used a furniture hoist to get access to the Apollo Gallery, home to the royal collection, and cutting equipment to get in through a window and open the display cases.

A brief clip of the raid, apparently filmed on the phone of a visitor to the museum, was broadcast on French news channels.

The masked thieves stole nine 19th-century items of jewelry, one of which -- the crown of the Empress Eugenie -- was dropped and damaged as they made their escape.

Eight "priceless" items of jewelry were stolen, the culture ministry said Sunday. The list they released included an emerald-and-diamond necklace that Napoleon gave his wife Empress Marie Louise.

Also stolen was a diadem that once belonged to the Empress Eugenie, which has nearly 2,000 diamonds; and a necklace that once belonged to Marie-Amelie, the last queen of France. It has eight sapphires and 631 diamonds, according to the Louvre's website.

The whole raid took just seven minutes and was thought to have been carried out by an experienced team, possibly "foreigners,” said Interior Minister Laurent Nunez.

The intervention of the museum's staff forced the thieves to flee, leaving behind some of the equipment used in the raid, said the Culture Ministry in a statement.



Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture
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Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

Saudi Arabia, UK Announce 2029 as Saudi-UK Year of Culture

The Saudi Ministry of Culture and the UK Department for Culture, Media and Sport have announced the year 2029 as the official Saudi-UK Year of Culture, reported the Saudi Press Agency on Wednesday. The announcement follows an official visit by Britain’s Prince William to Saudi Arabia this week.

For nearly a century, formal relations between Saudi Arabia and the UK and Northern Ireland have evolved into a multifaceted international relationship that has expanded across culture, education, and innovation, reflecting shared values and a mutual commitment to long-term cooperation.

In recent years, cultural exchange has emerged as a cornerstone of Saudi-British relations, driven by joint initiatives in heritage conservation, visual and culinary arts, architecture, and higher education.

This ongoing expansion of cultural exchange lays the foundation for the Saudi-UK Year of Culture 2029, a year-long program celebrating creative dialogue and the shared heritage of Saudi Arabia and the UK, while deepening cultural ties for generations to come. It will also be a great opportunity for young people in both countries to connect in new ways.

Supported by Saudi Vision 2030 and the United Kingdom’s continued promotion of cultural innovation and creativity, the Saudi-UK Year of Culture 2029 will be an important milestone for both countries.


Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
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Prince William Visits Historic, Natural Sites in AlUla Accompanied by Saudi Culture Minister

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)
The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development. (SPA)

Britain’s Prince William visited a number of historic, natural, and cultural sites in Saudi Arabia’s AlUla, accompanied by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Bader bin Abdullah bin Farhan, reported the Saudi Press Agency on Wednesday.

The visit reflects the depth of Saudi-British relations and their growing cooperation in culture, arts, environmental sustainability, and human capability development, in line with the objectives of Saudi Vision 2030.

During his tour, Prince William reviewed a number of environmental initiatives at Sharaan Nature Reserve, including ecosystem restoration and biodiversity conservation efforts. He was briefed on programs to rehabilitate natural habitats, restore ecological balance, and reintroduce species such as the Arabian oryx and mountain ibex, contributing to long-term goals for the recovery of the Arabian leopard in its natural environment.

He received an overview of the history of AlUla Old Town and the Incense Road, and the role of culture and arts as a bridge for cultural exchange between the two countries. The visit included viewing artworks at AlUla Arts Festival 2026.

Prince William met with Saudi youths participating in joint cultural programs and initiatives between the two countries. The visit also featured a tour of AlUla Oasis Cultural District.

The visit highlighted the strategic importance of the partnership between the Royal Commission for AlUla and British cultural institutions within an organized framework of cooperation encompassing cultural, educational, and environmental entities, supporting balanced and sustainable development in AlUla and reinforcing its status as a global destination for heritage, culture, and nature.


Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
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Workshop Held to Develop Cultural Heritage Documentation, Digital Archiving Guide in Saudi Arabia

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA
The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners. SPA

The Saudi Ministry of Culture organized a specialized workshop to review and develop the third edition of the Cultural Heritage Documentation and Digital Archiving Guide in the Kingdom.

The workshop brought together representatives from relevant cultural entities, along with stakeholders, experts, and practitioners, as part of the center’s efforts to standardize methodologies for documenting and archiving cultural heritage and to enhance institutional practices for managing national cultural memory.

The workshop forms part of the Ministry of Culture’s ongoing efforts to establish national standard frameworks for the management and digital documentation of cultural heritage, strengthen integration among entities, and equip practitioners with the necessary tools and methodologies.

These efforts reinforce the role of the Saudi cultural memory center in preserving the Kingdom’s cultural memory and support the objectives of the National Culture Strategy under Saudi Vision 2030.