Kermit Aims to Ease French Nerves at Art Basel Paris 

This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)
This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)
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Kermit Aims to Ease French Nerves at Art Basel Paris 

This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)
This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled "Kermit the Frog, Even" at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (AFP)

A huge inflatable Kermit the frog will be the star of the Art Basel Paris contemporary art fair this week in the French capital, unnerved by a daring heist at the Louvre.

"Kermit the Frog, Even" is a 20-meter (66-foot) blow-up figure by Venezuelan-US artist Alex Da Corte -- with its head deflated at the artist's request.

The beloved Muppet Show puppet has already been on display for several days in the Place Vendome, where the world's top jewellers showcase their most valuable and extravagant pieces.

Kermit succeeds last year's giant mushroom by German artist Carsten Hoeller and the Wave by Switzerland's Urs Fischer in 2023.

Its head is deflated as "a way of paying tribute to US public broadcaster PBS", which aired the Muppet Show in the 1970s and is now "facing drastic budget cuts", explained Art Basel Paris director Clement Delepine.

This is the fourth fair in Paris organized by Switzerland's Art Basel, which organizes a series of contemporary art fairs around the world.

More than 200 galleries from around 40 countries are expected to take part in the main event from Friday to Sunday under the huge glass dome roof of the Grand Palais in Paris.

Coming just days after thieves made off in broad daylight with eight pieces of priceless royal jewellery from the Louvre museum, organizers are at pains to reassure participants.

"The safety and protection of our exhibitors, visitors and teams is an absolute priority," Art Basel Paris told AFP, pointing to "comprehensive security measures".

In addition to the central event in the Grand Palais, monumental works have been installed across central Paris as part of a free public program.

These include huge sculptures by contemporary artists Wang Keping (China), Stefan Rinck (Germany), Leiko Ikemura (Japan) and Thomas Houseago (UK).

Visitors can also explore a jungle wall of wild grasses made of nylon, plastic and polyester by Madagascan artist Joel Andrianomearisoa.

The Petit Palais, meanwhile, is currently home to Julius von Bismarck's mesmerizing "The Elephant in the Room".

This features a life-sized giraffe and a replica of an equestrian statue of Otto von Bismarck, the first chancellor of the German Empire, both constantly change shape in slow motion.

According to the UBS 2025 annual survey, published by Art Basel, global sales of modern and contemporary art fell by 12 percent in 2024 to $57.5 billion -- the second straight annual fall.



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.