Count of Paris Urges Louvre Thieves to ‘Give Us Back Our Jewels’ 

Count of Paris Jean d'Orleans, Head of the Royal House of France, whose grandmother and great grandmother wore the jewels stolen from the Louvre Museum, holds a book with a photo of his great grandmother Marie-Isabelle d'Orleans, during an interview with Reuters in his house next to the Royal Chapel of Dreux, France, October 30, 2025. (Reuters) 
Count of Paris Jean d'Orleans, Head of the Royal House of France, whose grandmother and great grandmother wore the jewels stolen from the Louvre Museum, holds a book with a photo of his great grandmother Marie-Isabelle d'Orleans, during an interview with Reuters in his house next to the Royal Chapel of Dreux, France, October 30, 2025. (Reuters) 
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Count of Paris Urges Louvre Thieves to ‘Give Us Back Our Jewels’ 

Count of Paris Jean d'Orleans, Head of the Royal House of France, whose grandmother and great grandmother wore the jewels stolen from the Louvre Museum, holds a book with a photo of his great grandmother Marie-Isabelle d'Orleans, during an interview with Reuters in his house next to the Royal Chapel of Dreux, France, October 30, 2025. (Reuters) 
Count of Paris Jean d'Orleans, Head of the Royal House of France, whose grandmother and great grandmother wore the jewels stolen from the Louvre Museum, holds a book with a photo of his great grandmother Marie-Isabelle d'Orleans, during an interview with Reuters in his house next to the Royal Chapel of Dreux, France, October 30, 2025. (Reuters) 

The Count of Paris, whose great-grandmother once wore the sapphire tiara stolen from the Louvre Museum, has pleaded with the robbers to return the stolen jewels intact for the sake of France's heritage - and for his family.

"Give us back our jewels, there's still time," said Jean d'Orleans, a direct descendant of French kings, speaking to Reuters at the royal domain of Dreux, 70 kilometers (43 miles) southwest of Paris.

"It's both personal and intimate," said d'Orleans, 60, as he leafed through family photographs showing his great-grandmother, the Duchess of Guise, wearing the Ceylon sapphire and diamond tiara in 1931. "These jewels were worn on special occasions, family events, sometimes also to create a specific portrait."

Another picture showed the tiara being worn by d'Orleans' grandmother Isabelle d'Orleans-Bragance for the last time at Princess Astrid of Belgium's 1984 wedding, before it was sold to the museum by his grandfather in 1985 for 5 million francs.

$102 MILLION HEIST

The heist in broad daylight has stunned France and left the nation reeling at its audacity, and at the security failures that allowed the intruders to make off with national treasures worth more than $100 million in an operation that lasted just a few minutes.

It was the biggest robbery at the Louvre since the Mona Lisa was stolen in 1911. Police have made multiple arrests.

The eight stolen items were from the 19th century and once belonged to French royalty or the country's imperial rulers.

They included the tiara, a necklace and a single earring from the sapphire set that belonged to Queen Marie-Amelie and Queen Hortense.

A tiara and brooch belonging to Empress Eugenie as well as an emerald necklace and a pair of emerald earrings gifted to Empress Marie Louise by Napoleon for their marriage were also among the thieves' loot.

The sapphire set, acquired in 1821 by King Louis-Philippe from Queen Hortense, remained in the Orleans family for more than a century before going on public display.

'PRICELESS HERITAGE'

The count urged the thieves to return the jewels intact.

"For our family, for the French people, it's important that these jewels return to their display case at the Louvre," he said in a grand living room lined with portraits of French monarchs including Henri IV, Louis XIII, Louis XIV and Marie-Antoinette. A renovated, more secure room should be used, he added.

The count, who implored the authorities to hold accountable anyone found to have been negligent in the October 19 theft, likened the public reaction to the heist to the outpouring of emotion after the Notre-Dame Cathedral blaze in 2019.

"It's priceless heritage," he said, "we need to recover that."



Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture
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Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

Saudi Pavilion at Makkah's Global Village Showcases the Kingdom’s Culture

The Saudi pavilion at Global Village in Makkah, part of the Makkah winter season, reflects the richness and uniqueness of the Kingdom's culture and heritage.

It features interactive and engaging sections that introduce visitors to the Kingdom’s cultural heritage, including live demonstrations of traditional handicrafts and artwork inspired by the local environment, SPA reported.

The pavilion’s presence at Global Village reflects ongoing efforts to highlight the nation’s cultural heritage, promote its civilizational legacy, and strengthen its cultural presence at major events.


Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner
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Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

Culinary Arts Commission Joins 17th Klija Festival in Buraidah as Strategic Partner

The Culinary Arts Commission is participating as a strategic partner in the 17th Klija Festival, held in the city of Buraidah and running until January 17, under the patronage of Qassim Region Governor Prince Dr. Faisal bin Mishaal.

The commission’s involvement comes as part of its strategy to support events and festivals specializing in Saudi culinary arts by highlighting national and regional dishes and showcasing the Kingdom’s culinary and cultural diversity, SPA reported.

The festival features several zones and interactive activities aimed at supporting families working in the cottage industry and local artisans who produce Klija, while introducing visitors to its history and authenticity as a regional dish of Qassim, in addition to offering live demonstrations and unique interactive experiences.

During the festival, the commission is also presenting a selection of books available for viewing and purchase.


Jeddah’s Red Sea Museum Announces January Cultural Program

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
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Jeddah’s Red Sea Museum Announces January Cultural Program

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)
The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. (SPA)

Jeddah's Red Sea Museum announced the launch of its public program for January 2026, featuring a series of artistic workshops, cultural talks, live performances, and family activities. The program aims to connect the Red Sea's cultural heritage with contemporary creative practices, catering to various segments of society.

The program's themes span traditional architecture, historical photography, music, travel literature, and the history of navigation and public health in the Red Sea. These activities are presented through a cultural and educational agenda held across the museum's facilities and venues in Historic Jeddah.

The program begins on Tuesday, with a workshop titled "Junior Cartographers" in the Discovery Room, where children aged 6 to 12 will explore the art of mapmaking and the fundamentals of navigation through an engaging, interactive approach. On January 15, the "Alchemy of Light: Albumen Prints" workshop will be held at the auditorium, highlighting the historical albumen printing technique using egg whites and silver salts, and exploring 19th-century photography aesthetics through a contemporary perspective.

On January 17, a talk about Historic Jeddah will discuss traditional architecture and its relationship to heritage and modernity. This will be followed on January 18, by the "Navigation from Past to Present" workshop at the auditorium, offering an interactive experience that explores the evolution of navigation methods through hands-on artistic and practical activities.

On January 22, the program includes the screening of the animated film "The Menace from Above" at the auditorium. Later that evening, Bab Al-Bunt Courtyard will host the Al Nour Wal Amal Orchestra, the world's only musical ensemble composed entirely of blind female musicians who perform using Braille musical notation, in a performance celebrating art, resilience, and diversity.

On January 23, an artist talk titled "The Gate of Gates" will be held in Historic Jeddah, documenting the transformations of the Bab Al-Bunt building and the human stories connected to this historic space. On January 28, the auditorium will host a talk titled "Encounters: Travel Literature," exploring journeys to Andalusia and Sicily and how Islamic heritage continues to live on through people and places.

The program concludes on January 31, with a lecture examining the development of quarantine systems and public health monitoring in the Red Sea, highlighting the historical role of Bab Al-Bunt as a quarantine center for pilgrims.

The Red Sea Museum's activities serve as a cultural and knowledge platform dedicated to documenting the Red Sea's tangible, intangible, and natural heritage, and presenting it through educational and interactive programs that foster dialogue between the past and the present, linking heritage with contemporary creative contexts from its headquarters in Historic Jeddah.