Local Fabrics, Fibers Shine at Eco-centered Lagos Fashion Week

Abasiekeme Ukanireh, founder of Nigerian brand of Eki Kere, is known for incorporating raffia into her designs. OLYMPIA DE MAISMONT / AFP
Abasiekeme Ukanireh, founder of Nigerian brand of Eki Kere, is known for incorporating raffia into her designs. OLYMPIA DE MAISMONT / AFP
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Local Fabrics, Fibers Shine at Eco-centered Lagos Fashion Week

Abasiekeme Ukanireh, founder of Nigerian brand of Eki Kere, is known for incorporating raffia into her designs. OLYMPIA DE MAISMONT / AFP
Abasiekeme Ukanireh, founder of Nigerian brand of Eki Kere, is known for incorporating raffia into her designs. OLYMPIA DE MAISMONT / AFP

Four days ahead of her show at Lagos Fashion Week, the sewing machines at Abasiekeme Ukanireh's workshop were still buzzing.

Ukanireh, the founder of the popular Nigerian brand Eki Kere, met with models and tailors for the final preparations ahead of one of Africa's biggest fashion events, which ran through Sunday.

On the agenda: local materials, upcycling and African craftsmanship.

"Every single year for a brand, for me, as a designer, I always try to take it a step further in terms of being sustainable," Ukanireh, 35, told AFP.

Sustainability -- long both a bugbear and a buzzword in the fashion industry -- was a key feature of this year's Lagos Fashion Week, with designers from across the continent tapping into everything from traditional fabrics to banana fiber and coffee grounds.

Launched in 2020, Ukanireh's brand is known for its use of raffia, a grassy fiber from palm trees used in everything from thatched roofs to trendy bags.

This year, she played up the use of indigo and dyes made from kola nuts -- though she hadn't forgotten her raffia roots.

During her show Sunday, dozens of models walked the runway wearing outfits inspired by traditional wedding ceremonies in Ikot Ekpene, a historic town popularly known as "Raffia City" in southern Akwa Ibom state, where Ukanireh hails from.

The traditional wedding lace was swapped for cardboard, linen and raffia -- which is 100 percent biodegradable and compostable.

In 2018, the Lagos Fashion Week founder Omoyeni Akerele and her team launched Green Access, an incubator program that identifies, trains and supports young African designers.

"Even though sustainability is at the core of their design practice, it is to encourage them to even be more sustainable by rethinking their choices at every stage of the creative process, and understanding that it begins with materials," Akerele said.

Lagos Fashion Week also hosts what it calls "Swapshop" events, which allow people to exchange clothes they no longer wear for new ones.

"We all have clothes at home that we no longer wear," said 43-year-old businesswoman Danielle Chukwuma, who has attended several editions of the show.

"It's great to be able to swap them with people as stylish as those attending this kind of event."

Apart from Nigerian brands, Chukwuma has also discovered other African talents, including the Indian-Kenyan designer Ria Ana Sejpa of the brand LilaBare.

This year was Sejpa's third appearance at Lagos Fashion Week.

"Lagos is the fashion capital of Africa," she told AFP. "Fashion is a part of the culture here. People take pride in the way they dress, they love to stand out, and they aren't afraid to be fearless or glamorous."

The 34-year-old designer is known for making clothes from pineapple fiber, banana fiber and coffee grounds.

"It is essential to take into consideration your ecosystem, the strengths of the environment and the people around you, and to make conscious decisions at every step of the fashion creation process," Sejpa said.

31-year-old Florentina Hertunba, who is making waves with her brand Hertunba, shared the same view.

She said she incorporates traditional Nigerian fabrics such as aso oke and akwete as well as other locally available materials into her designs and uses biodegradable packaging to cut down waste.

"This piece is recycled," the young designer explained, pointing to a patterned black dress in her Lagos studio. "An old fabric was transformed into sewing thread and then reused to create it."

But for her, sustainability is only sustainable if consumers join the movement.

"One of the greatest dangers is this culture of overconsumption, where we constantly buy new clothes for every occasion," she told AFP. "Sustainable fashion is making progress, but overconsumption is too."



Martine Rose Appointed Balenciaga Creative Director as Kering Seeks Fresh Ideas

Workers board up the windows of a Balenciaga shop on October 30, 2026 on Kurfuerstendamm boulevard in Berlin, one day ahead of announced nationwide youths demonstrations called by the initiative "GenZ regelt" ("GenZ will handle"). (Photo by John MACDOUGALL / AFP)
Workers board up the windows of a Balenciaga shop on October 30, 2026 on Kurfuerstendamm boulevard in Berlin, one day ahead of announced nationwide youths demonstrations called by the initiative "GenZ regelt" ("GenZ will handle"). (Photo by John MACDOUGALL / AFP)
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Martine Rose Appointed Balenciaga Creative Director as Kering Seeks Fresh Ideas

Workers board up the windows of a Balenciaga shop on October 30, 2026 on Kurfuerstendamm boulevard in Berlin, one day ahead of announced nationwide youths demonstrations called by the initiative "GenZ regelt" ("GenZ will handle"). (Photo by John MACDOUGALL / AFP)
Workers board up the windows of a Balenciaga shop on October 30, 2026 on Kurfuerstendamm boulevard in Berlin, one day ahead of announced nationwide youths demonstrations called by the initiative "GenZ regelt" ("GenZ will handle"). (Photo by John MACDOUGALL / AFP)

British designer Martine Rose is taking over as creative director at Balenciaga, parent Kering said on Friday, replacing Pierpaolo Piccioli after only 16 months in the role. 

Rose's appointment is the third creative leadership shake-up in a month at Kering brands as the French luxury group's CEO, Luca de Meo, tries to restore growth after a bruising three-year slowdown that hit its biggest label Gucci particularly hard, said Reuters. 

Rose, 45, is a menswear designer who founded her eponymous label in London in 2007 and later worked at Balenciaga for three years ‌under then ‌creative director Demna, who now leads Gucci. 

"It ‌is ⁠a true privilege ⁠to be appointed Creative Director of Balenciaga, a House with an extraordinary heritage and a fearless creative spirit," said Rose. 

De Meo said Rose's "connection to the new generation and her instinctive understanding of culture bring a new dimension to the House." 

In his 10 years at Balenciaga, Demna transformed the Spanish label, infusing it with a dark, ⁠dystopian aesthetic and producing viral streetwear hits, such ‌as chunky, distressed sneakers that fueled ‌sales. 

Piccioli, 59, known for colorful haute couture gowns, tried to take the ‌fashion house in a new direction but the former Valentino creative ‌director's designs received mixed reviews from fashion critics. 

Rose was born in Croydon, south London, and her designs are inspired by 1990s rave culture and street style blending high and low fashion, more in line with ‌Kering's aim to attract a new generation of shoppers. Her brand has collaborated with Nike and with ⁠cult skate ⁠brand Supreme. 

In an Instagram post after the announcement, Piccioli thanked his teams, saying: "Life is a journey and each chapter exists to make way for the next." 

Appointed before de Meo took over and began a complete overhaul of Kering, Piccioli only presented three ready-to-wear collections and one haute couture line in his short time at Balenciaga. 

Kering has yet to announce a new creative director at Saint Laurent, its second-biggest brand, to replace Anthony Vaccarello who resigned in October after a decade leading the Parisian fashion label. 

Alexander McQueen is also currently without a creative director after Kering said Sean McGirr was stepping down. 


Balenciaga Designer Piccioli to Exit after a Year in Latest Departure at Kering

Pierpaolo Piccioli poses ahead of "The Prelude to the Olympics", an event dedicated to fashion and sports at the Louis Vuitton Foundation, on the eve of the opening ceremony of the Paris 2024 Olympics, in Paris, France, July 25, 2024. REUTERS/Stephanie Lecocq/File Photo
Pierpaolo Piccioli poses ahead of "The Prelude to the Olympics", an event dedicated to fashion and sports at the Louis Vuitton Foundation, on the eve of the opening ceremony of the Paris 2024 Olympics, in Paris, France, July 25, 2024. REUTERS/Stephanie Lecocq/File Photo
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Balenciaga Designer Piccioli to Exit after a Year in Latest Departure at Kering

Pierpaolo Piccioli poses ahead of "The Prelude to the Olympics", an event dedicated to fashion and sports at the Louis Vuitton Foundation, on the eve of the opening ceremony of the Paris 2024 Olympics, in Paris, France, July 25, 2024. REUTERS/Stephanie Lecocq/File Photo
Pierpaolo Piccioli poses ahead of "The Prelude to the Olympics", an event dedicated to fashion and sports at the Louis Vuitton Foundation, on the eve of the opening ceremony of the Paris 2024 Olympics, in Paris, France, July 25, 2024. REUTERS/Stephanie Lecocq/File Photo

French luxury group Kering on Thursday announced the departure of Balenciaga creative director Pierpaolo Piccioli after less than 16 months, the latest leadership change at the Gucci-owner which is seeking to reverse years of falling sales.

Piccioli, a 25-year veteran at Valentino, became creative director in July last year to replace Demna who moved to Gucci.

His exit comes only weeks after ⁠Anthony Vaccarello, the creative director ⁠of Kering's second-biggest brand Saint Laurent, and Alexander McQueen designer Sean McGirr left their posts.

Kering CEO Luca de Meo described Piccioli as a “an exceptional couturier and creative talent".

"Our ambition is to ⁠build on Balenciaga's avant-garde spirit, honor its remarkable heritage and continue to push creative boundaries, further establishing the House as a powerful and relevant voice," he added in a statement, according to Reuters.

De Meo launched belt-tightening measures at the group earlier this year but the economic fallout of the war in Iran and slowing consumer sentiment in China have so ⁠far ⁠overshadowed any sign of recovery.

Balenciaga's new creative direction will be announced shortly, Kering said.

US online media Puck has reported that Piccioli will be replaced by British-Jamaican designer Martine Rose, who worked as a menswear consultant under Demna at Balenciaga before founding her own label. Kering could not be immediately reached for comment.


M&S Profit Rebounds from Cyberattack but Clothing Drags on Recovery

A shopper carries a Marks & Spencer shopping bag in London, Britain, January 2, 2025. (Reuters)
A shopper carries a Marks & Spencer shopping bag in London, Britain, January 2, 2025. (Reuters)
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M&S Profit Rebounds from Cyberattack but Clothing Drags on Recovery

A shopper carries a Marks & Spencer shopping bag in London, Britain, January 2, 2025. (Reuters)
A shopper carries a Marks & Spencer shopping bag in London, Britain, January 2, 2025. (Reuters)

British retailer Marks & Spencer said on Wednesday its first-half profit rebounded from last year's cyberattack-hit level, but was down on a two-year basis as strong trading in food failed to fully offset weakness in clothing.

The 142-year-old M&S, one of the biggest names on the UK high street, said its adjusted profit before ‌tax more than doubled ‌in the six months to September 26 ‌to £403.2 ⁠million ($542.4 million), on ⁠sales up 16.2% to £9.26 billion.

Analysts had on average forecast profit of £399 million.

Food sales increased 13.9% year-on-year, while sales in the fashion, home and beauty division, or FH&B, rose 17.5%.

But, while food profit was well ahead on a two-year basis, FH&B profit was nearly £93 million lower, reflecting a more challenging apparel market ⁠and a slower recovery from the cyberattack.

M&S said ‌fashion gained market share in ‌a declining market, despite "availability constraints".

CEO Stuart Machin said FH&B's results "fell short of their potential ‌and show there is a lot more to do."

"Although ‌we have much improved product, the end-to-end transformation is in the foothills," he said.

Analysts noted that this year's spring/summer clothing collections were ordered when many systems were down after the April 2025 hack.

M&S said market conditions ‌in FH&B "remain challenging", but said performance is expected to improve in the second half compared with the ⁠first, as ⁠availability has recovered, with a better balance between core and seasonal stock.

Shares in M&S were down 1% in early trading, paring 2026 gains to 24%.

M&S' food business was quick to recover from the cyberattack and is currently Britain's fastest-growing grocer, winning market share.

The group said its strategy of becoming "more of a shopping list (food) retailer" was working and its plan to double the size of its food business was on track.

M&S forecast full-year adjusted profit before tax in line with current market expectations. Analysts on average forecast £941 million.

"We enter the second half in a strong position, with a solid October under our belts," added Machin.