Shout-Out for Yodeling? Swiss Seek Recognition from UN Cultural Agency as Tradition Turns Modern 

A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
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Shout-Out for Yodeling? Swiss Seek Recognition from UN Cultural Agency as Tradition Turns Modern 

A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 
A yodel group sings at a Swiss festival in 2016. (AFP/Getty Images) 

Yodel-ay-hee ... what?! Those famed yodeling calls that for centuries have echoed through the Alps, and more recently have morphed into popular song and folk music, could soon reap a response — from faraway Paris.

Switzerland's government is looking for a shout-out from UN cultural agency UNESCO, based in the French capital, to include the tradition of yodeling on its list of intangible cultural heritage. A decision is expected by year-end.

Modern-day promoters emphasize that the yodel is far more than the mountain cries of yesteryear by falsetto-bellowing male herders in suspenders who intone alongside giant Alphorns atop verdant hillsides. It’s now a popular form of singing.

Over the last century, yodeling clubs sprouted up in Switzerland, building upon the tradition and broadening its appeal — with its tones, techniques and tremolos finding their way deeper into the musical lexicon internationally in classical, jazz and folk. US country crooners prominently blended yodels into their songs in the late 1920s and 30s.

About seven years ago, the Lucerne University of Applied Sciences and Arts, or HSLU by its German-language acronym, became the first Swiss university to teach yodeling.

"For me, actually, in Switzerland we have four languages but I think really we have five languages. We have a fifth: The yodel," said HSLU professor Nadja Räss, alluding to the official German, French, Italian and Romansh languages in Switzerland. Yodeling exists in neighboring Austria, Germany and Italy, but Swiss yodeling is distinctive because of its vocal technique, she said.

In its early days, yodeling involved chants of wordless vowel sounds, or "natural yodeling," with melodies but no lyrics. More recently, "yodeling song" has included verses and a refrain.

The Swiss government says at least 12,000 yodelers take part through about 780 groups of the Swiss Yodeling Association.

In Switzerland, Räss said, yodeling is built on the "sound colors of the voice" and features two types: one centering on the head — with a "u" sound — and one emanating from deeper down in the chest — with an "o" sound.

And even within Switzerland, styles vary: Yodeling in the northern region near Appenzell is more "melancholic, slower," while in the country's central regions, the sounds are "more intense and shorter," she said.

What began as mostly a male activity is now drawing more and more women in a country that only finalized the right to vote for all women in the 1980s — long after most of its European neighbors.

Julien Vuilleumier, a scientific adviser for the Federal Office of Culture who is spearheading the Swiss request, said it's tough to trace the origins of yodeling, which factors into the imagery of the Swiss Alps.

"Some say it's a means of communication between valleys, using these very distinctive sounds that can carry a long way. Others believe it's a form of singing," he said. "What we know is that ... yodeling has always been transformed and updated."

UNESCO's government-level committee for Intangible Heritage in New Delhi will decide in mid-December. The classification aims to raise public awareness of arts, craftsmanship, rituals, knowledge and traditions that are passed down over generations.

Also among the 68 total nominations this year are traditions like Thanakha face powder in Myanmar; Ghanaian highlife music; the fermented Kyrgyz beverage Maksym; and the El Joropo music and dance tradition in Venezuela.

The list is different from the UNESCO World Heritage List, which enshrines protections for physical sites that are considered important to humanity, like the Pyramids of Giza in Egypt.

Räss of the Lucerne university says that candidates for the intangible heritage list are asked to specify the future prospects of cultural traditions.

"We figured out some projects to bring it to the future. And one of those is that we bring the yodel to the primary school," said Räss, who herself grew up yodeling. She said 20 Swiss school teachers know how to yodel and are trying it with their classes.

"One of my life goals is that when I will die, in Switzerland every school child will be in contact with yodeling during their primary school time," she said. "I think it’s a very good chance for the future of the yodel to be on that (UNESCO) list."



Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
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Palestinian Artist Sliman Mansour Dies at 79

Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)
Painter and sculptor Sliman Mansour and his landmark 1973 painting, "Camel of Hardships". (Sliman Mansour on Instagram)

Painter and sculptor Sliman Mansour, one of the most prominent names in Palestinian art, has died at the age of 79, his family announced.

Mansour, whose vivid artwork depicted both Palestinian traditions and his people's struggles under Israeli occupation, died on Monday at his home in east Jerusalem, his family said.

"The final chapter has been written. With hearts gripped by sorrow beyond description, we announce that our dear father has left this world," the family said in a statement.

"For the world, he leaves behind a life filled with beauty and memories, and a legacy that will continue through everyone whose lives he touched. As for us, we have lost a father who was the source of our love, our strength and our refuge."

Mansour was born in Birzeit, north of Ramallah, in 1947 and studied art and design in Jerusalem, graduating in 1970.

The Palestinian Culture Ministry mourned Mansour, calling him "one of the most important pillars of contemporary Palestinian visual art, whose career over decades formed part of the Palestinian visual and national memory".

The ministry hailed his landmark 1973 painting, "Camel of Hardships", depicting an elderly Palestinian porter carrying the city of Jerusalem on his back, as "an artistic and national icon", adding that his work served "as witness to Palestinian history and guardian of identity".

Mansour was the recipient of numerous awards, among them the UNESCO-Sharjah Prize for Arab Culture in 2019.


Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris
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Saudi Arabia Establishes Cultural Center in Paris

Saudi Arabia Establishes Cultural Center in Paris

The Saudi Ministry of Culture announced on Monday the establishment of a Saudi cultural center in Paris on the sidelines of the visit of Prince Mohammed bin Salman bin Abdulaziz Al Saud, Crown Prince and Prime Minister, to France.

The center will serve as a platform for promoting Saudi culture and highlighting its historical depth and creative diversity through high-quality cultural programs and initiatives involving French practitioners, institutions and the public.

It will support the international presence of Saudi cultural practitioners, strengthen communication between intellectuals and creative professionals in the two countries, and build strategic partnerships between Saudi and French cultural institutions, facilitating the exchange of expertise and implementation of joint cultural initiatives.

The establishment of the center reflects the continued development of Saudi-French relations and underscores the Kingdom's commitment to strengthening its international cultural presence and presenting an authentic cultural image that introduces the world to its rich heritage and contemporary creative output.


Saudi-French Joint Ministerial Committee on AlUla Underlines Commitment to Deepen Partnership

Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
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Saudi-French Joint Ministerial Committee on AlUla Underlines Commitment to Deepen Partnership

Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)
Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan (third from left) and French Minister for Europe and Foreign Affairs Jean-Noel Barrot (third from right) during the meeting of the joint Saudi-French Ministerial Committee on AlUla on Monday. (SPA)

The joint Saudi-French Ministerial Committee on AlUla held a meeting in Paris on Monday, chaired by Saudi Minister of Culture and Governor of the Royal Commission for AlUla Prince Badr bin Abdullah bin Farhan and French Minister for Europe and Foreign Affairs Jean-Noel Barrot.

The meeting was attended by Saudi Minister of Foreign Affairs Prince Faisal bin Farhan bin Abdullah, Minister of Investment Fahad Al-Saif, and Chief Executive Officer of the Royal Commission for AlUla Abeer Al-Akel. Also present were French Minister of Culture Catherine Pegard, Minister of Economy, Finance and Industry Roland Lescure, and Chairman of the French Agency for AlUla Development (AFALULA) Jean-Yves Le Drian.

The officials welcomed the signing of an agreement to extend and amend the agreement concluded between the Saudi and French governments on the cultural, environmental, tourism, human, economic, and heritage development of AlUla Governorate.

They reviewed the partnership's achievements and discussed avenues for future cooperation, reflecting the strength of relations between the two countries and affirming AlUla's position as a meeting point of civilizations and a global destination for culture, creativity, and sustainable development.

They underlined their commitment to further deepening the partnership, which has become a global model for international cooperation based on the exchange of mutual benefits and knowledge, contributing to the achievement of comprehensive and sustainable development goals.

The meeting reviewed the scale of joint investments and areas of ongoing cooperation in the sectors of archaeology, arts, culture, sports, hospitality, and human-capital development.

The partnership reflects a shared commitment to sustainable development through strategic projects, such as the AlUla Tram and the Sharaan Resort, designed by Jean Nouvel, as well as investments in renewable energy, water, and mobility, supporting the objectives of Saudi Vision 2030 to attract one million visitors and global investments while preserving AlUla's cultural and natural heritage.