King Tut’s Collection Displayed for First Time at Egypt’s Grand Museum 

The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
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King Tut’s Collection Displayed for First Time at Egypt’s Grand Museum 

The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)

Thousands of visitors streamed through the Grand Egyptian Museum on Tuesday as almost the entire collection of King Tutankhamun's treasures -- over 4,500 artifacts -- was displayed together for the first time since the young pharaoh's tomb was discovered in 1922.

Curated and conserved over nearly two decades, the collection was unveiled to the public two days after the museum's lavish opening ceremony on Saturday.

In a vast, dimly lit main hall spanning four levels, visitors gazed at chariots, household items, jewelled ornaments and, at the center, Tutankhamun's iconic golden mask.

The mask sits surrounded by personal belongings, gilded tools, family heirlooms and funerary statues.

An adjacent room showcases two small mummified princesses -- Tutankhamun's daughters who died before birth -- also on public display for the first time.

Tutankhamun died aged 18 or 19 between 1323 and 1324 BC, with genetic and radiological studies suggesting malaria combined with a bone disorder as his cause of death.

He was mummified and buried in Luxor's Valley of the Kings inside three nested coffins, the smallest weighing 110kg, all placed within four gilded shrines like matryoshka dolls.

While the coffins are now at the museum, the mummy remains in Luxor.

Visitors can also see the Khufu Sun Boat, described as the oldest and largest wooden artifact in human history, while a second solar boat is being restored.

These 4,600-year-old funerary boats, made of cedar and acacia, were intended to transport the king into the afterlife.

The first, measuring 43.5 meters, was discovered in 1954 at the base of the Great Pyramid; the second will soon be displayed behind glass in a live restoration lab.

The museum, a monumental structure overlooking the Giza Plateau, contrasts sharply with the colonial-era, cramped Egyptian Museum in central Cairo.

Natural light filters through vast triangular windows, illuminating both colossal statues and delicate jewellery from Egypt's ancient civilization.

President Abdel Fattah al-Sisi officially opened the $1-billion museum on Saturday in a ceremony attended by kings, queens, heads of state and other dignitaries.

Egypt hopes the museum will revive tourism and bolster its economy.

Egyptian Tourism Minister Sherif Fathy expects five million annual visitors, which would make it among the most visited museums in the world.

So far, he said, it had welcomed 5,000-6,000 visitors each day.



Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
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Saudi Arabia, Syria Underline Depth of their Cultural Ties

Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)
Syrian President al-Sharaa receives the Saudi minister of culture and the accompanying delegation at the Conference Palace in Damascus on Thursday. (SPA)

Saudi Arabia and Syria underlined the strength of their cultural relationship during high-level meetings held in Damascus on Thursday, on the sidelines of the opening of the Damascus International Book Fair 2026, where the Kingdom is participating as guest of honor.

Syrian President Ahmad al-Sharaa received Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan at the Conference Palace in the capital.

Earlier the same day, Prince Badr met with his Syrian counterpart, Minister of Culture Mohammad Yassin Saleh, during an official visit to attend the fair. T

he Saudi minister congratulated Syria on hosting the exhibition and expressed his wishes for continued prosperity, progress, and stability for the Syrian government and people.

Both meetings highlighted the depth of cultural relations between the two countries, the importance of expanding joint cultural cooperation across various fields, and the alignment of positions on issues of mutual interest in a way that serves both nations.

The Saudi delegation included senior officials and advisers, among them representatives from the Royal Court, the Ministry of Culture, and the King Abdulaziz Public Library, reflecting broad institutional engagement in the visit.

In the evening, Prince Badr attended the opening ceremony of the fair’s special session, held under the patronage and in the presence of al-Sharaa. The event drew wide official and cultural participation, including Arab ministers, political and intellectual figures, and a distinguished group of writers and cultural figures.

In a post on the X platform, Prince Badr thanked “our brothers in Syria for their generous hospitality and their efforts in organizing the Damascus International Book Fair.”

The minister also inaugurated the Kingdom’s pavilion at the fair in the presence of the Syrian minister of culture and the Qatari minister of culture.

Saudi Arabia’s guest-of-honor participation continues until Feb. 16 and reflects its growing prominence and leadership in the Arab and global cultural landscape.

This participation aligns with Saudi Vision 2030, which places culture at the heart of national development, viewing it as a space for dialogue, a bridge for civilizational communication, and a tool for strengthening ties among Arab peoples.

The Saudi Literature, Publishing and Translation Commission is leading the Kingdom’s participation, highlighting the development of the cultural sector and reaffirming the central role of books as carriers of knowledge and awareness.

The Saudi pavilion boasts a comprehensive cultural program featuring intellectual seminars, poetry evenings, a manuscript exhibition, traditional Saudi fashion displays, hospitality corners, archaeological replicas, and performing arts that express the depth of the Kingdom’s cultural heritage.

On the sidelines of the visit, Prince Badr, accompanied by Minister Saleh, toured the National Museum of Damascus, which houses rare artifacts spanning prehistoric eras, ancient Syrian civilizations, classical and Islamic periods, as well as traditional and modern art.


UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
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UNESCO Honors Al-Bisht Al-Hasawi as Thousands Flock to Al-Ahsa Festival

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA
Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige - SPA

The third edition of Al-Bisht Al-Hasawi Festival is drawing thousands of regional and international visitors to Ibrahim Palace in historic Al-Hofuf.

Organized by the Heritage Commission, this year’s festival celebrates the inscription of the Bisht on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity.

The event showcases Al-Ahsa’s centuries-old tradition of hand-weaving and gold embroidery, a craft passed down through generations of local families, SPA reported.

Visitors can explore interactive displays, participate in live workshops, and witness the meticulous process of tailoring this iconic symbol of prestige.

With UNESCO's participation and representatives from six countries, the festival has evolved into a global platform for cultural dialogue, cementing the Bisht’s status as a world-class cultural treasure.


Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
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Saudi, Syrian Culture Ministers Tour National Museum of Damascus

The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA
The ministers observed the museum’s extensive collections spanning prehistoric eras to modern art. SPA

Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan and his Syrian counterpart, Mohammed Yassin Saleh, have toured the National Museum of Damascus during the Kingdom’s participation as guest of honor at the 2026 Damascus International Book Fair.

The ministers observed on Thursday the museum’s extensive collections spanning prehistoric eras to modern art.

A particular focus was placed on the Arab-Islamic wing, featuring significant artifacts from the Umayyad period.

The Kingdom's participation as guest of honor at the 2026 Damascus International Book Fair, which runs until February 16, stems from the role culture plays within Saudi Vision 2030.