King Tut’s Collection Displayed for First Time at Egypt’s Grand Museum 

The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
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King Tut’s Collection Displayed for First Time at Egypt’s Grand Museum 

The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)
The golden funerary mask of ancient Egyptian King Tutankhamun is displayed inside the Tutankhamun Gallery at the Egyptian Grand Museum near the Giza pyramids in Cairo on November 4, 2025. (AFP)

Thousands of visitors streamed through the Grand Egyptian Museum on Tuesday as almost the entire collection of King Tutankhamun's treasures -- over 4,500 artifacts -- was displayed together for the first time since the young pharaoh's tomb was discovered in 1922.

Curated and conserved over nearly two decades, the collection was unveiled to the public two days after the museum's lavish opening ceremony on Saturday.

In a vast, dimly lit main hall spanning four levels, visitors gazed at chariots, household items, jewelled ornaments and, at the center, Tutankhamun's iconic golden mask.

The mask sits surrounded by personal belongings, gilded tools, family heirlooms and funerary statues.

An adjacent room showcases two small mummified princesses -- Tutankhamun's daughters who died before birth -- also on public display for the first time.

Tutankhamun died aged 18 or 19 between 1323 and 1324 BC, with genetic and radiological studies suggesting malaria combined with a bone disorder as his cause of death.

He was mummified and buried in Luxor's Valley of the Kings inside three nested coffins, the smallest weighing 110kg, all placed within four gilded shrines like matryoshka dolls.

While the coffins are now at the museum, the mummy remains in Luxor.

Visitors can also see the Khufu Sun Boat, described as the oldest and largest wooden artifact in human history, while a second solar boat is being restored.

These 4,600-year-old funerary boats, made of cedar and acacia, were intended to transport the king into the afterlife.

The first, measuring 43.5 meters, was discovered in 1954 at the base of the Great Pyramid; the second will soon be displayed behind glass in a live restoration lab.

The museum, a monumental structure overlooking the Giza Plateau, contrasts sharply with the colonial-era, cramped Egyptian Museum in central Cairo.

Natural light filters through vast triangular windows, illuminating both colossal statues and delicate jewellery from Egypt's ancient civilization.

President Abdel Fattah al-Sisi officially opened the $1-billion museum on Saturday in a ceremony attended by kings, queens, heads of state and other dignitaries.

Egypt hopes the museum will revive tourism and bolster its economy.

Egyptian Tourism Minister Sherif Fathy expects five million annual visitors, which would make it among the most visited museums in the world.

So far, he said, it had welcomed 5,000-6,000 visitors each day.



Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
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Saudi Culture Minister Meets with Indonesian Minister of Creative Economy

The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA
The Saudi Minister of Culture met on Tuesday with Indonesia’s Minister of Creative Economy in Jakarta. SPA

Saudi Minister of Culture Prince Bader bin Abdullah bin Farhan on Tuesday met with Indonesia’s Minister of Creative Economy Teuku Riefky Harsya in Jakarta.

The ministers discussed cooperation in the creative economy between the two countries through the exchange of artistic and technical expertise in film, fashion, and handicrafts.

They also explored opportunities for collaboration to promote innovation and sustainability.


‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
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‘Life Through a Royal Lens’ Exhibition Showcases British Royal Photography

“Life Through a Royal Lens” runs until June 7. (Kensington Palace)
“Life Through a Royal Lens” runs until June 7. (Kensington Palace)

A photography exhibition showcasing more than 100 photographs taken of and by the British Royal Family is on tour following its launch at Kensington Palace.

The “Life Through a Royal Lens” exhibition explores the enduring relationship between the Crown and the camera over 200 years.

It was first launched at Kensington Palace and is now on tour, starting at The Amelia Scott in Tunbridge Wells, according to the BBC.

Jeremy Kimmel, arts, heritage and engagement director at The Amelia Scott, said: “Royal Tunbridge Wells has been shaped by centuries of royal connections, from the first royal visit in the early 1600s to what was then just woodland, to becoming the favorite summer retreat of Princess Victoria.”

He said “Life Through a Royal Lens” was not just about royalty.

“The images reflect moments of national identity, cultural change, and shared experience,” said Kimmel.

The royal family are one of the most photographed families in the world and the exhibition captures state ceremonies and royal tours as well as personal images which share a glimpse of life behind the scenes.

It also features the last public photograph taken of Elizabeth II taken on 6 September 2022, just two days before she died at the age of 96.

Kimmel said: “It was taken at Balmoral Castle before the historic 'kissing of hands' ceremony in which she publicly appointed her 15th British Prime Minister, Liz Truss.”

The public can also view portraits and press photographs from the first three years of King Charles III and Queen Camilla's reign.

The exhibition was created by Historic Royal Palaces, the independent charity that cares for Kensington Palace.

Eleri Lynn, chief curator at Historic Royal Palaces, said the display of images spanning 300 years of family photoshoots, commissioned portraiture and official engagements would embark on a tour planned to span the UK.

“We are thrilled that visitors to ‘Life Through a Royal Lens’ at The Amelia Scott will be able to explore the history behind the iconic image of modern monarchy we know today,” she added.

“Life Through a Royal Lens” runs until June 7.


French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
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French Lawmakers Pass Bill Simplifying Return of Colonial-era Art

People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)
People sit at a bistro, enjoying the sun in Paris, Thursday, April 9, 2026.(AP Photo/Michel Euler)

French lawmakers on Monday passed a bill to simplify the return of artworks looted during the colonial era to their countries of origin, AFP reported.

France still has in its possession tens of thousands of artworks and other prized artefacts that it looted from its colonial empire.

The draft legislation to return them was unanimously approved by the lower house National Assembly late on Monday.

The upper house had unanimously passed the measure in January.

President Emmanuel Macron has made it a political promise to return the cultural items, and has gone further than his predecessors in admitting past French abuses in Africa.

Speaking on a visit to the Burkina Faso capital Ouagadougou shortly after taking office in 2017, Macron vowed that France would never again interfere in its former colonies and promised to facilitate the return of African cultural heritage within five years.

Designed to streamline the process, Monday's bill specifically targets property acquired between 1815 and 1972.

Former colonial powers in Europe have slowly been moving to send back some artworks obtained during their imperial conquests -- but France is hindered by its current legislation, which requires every item in the national collection to be voted on individually.

France has been flooded with restitution demands, including from Algeria, Mali and Benin.