The Polish 'Magicians of Glass' Who Create Christmas Baubles for Clients Worldwide

The hand-made Christmas baubles are prepared at GlitterLab in Czestochowa, southern Poland, on Nov. 21, 2025. (AP Photo/Czarek Sokolowski)
The hand-made Christmas baubles are prepared at GlitterLab in Czestochowa, southern Poland, on Nov. 21, 2025. (AP Photo/Czarek Sokolowski)
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The Polish 'Magicians of Glass' Who Create Christmas Baubles for Clients Worldwide

The hand-made Christmas baubles are prepared at GlitterLab in Czestochowa, southern Poland, on Nov. 21, 2025. (AP Photo/Czarek Sokolowski)
The hand-made Christmas baubles are prepared at GlitterLab in Czestochowa, southern Poland, on Nov. 21, 2025. (AP Photo/Czarek Sokolowski)

If you could design a bauble for your own Christmas tree, what would it be — a teddy bear dressed as a ballerina, a hummingbird, or a crimson phoenix?

The workers at GlitterLab, a company producing Christmas decorations in southern Poland, vow to turn those fantasies into reality.

Calling themselves “the magicians of glass,” their clients have included Swarovski, the French chain Galeries Lafayette, and Harrods, the iconic London department store, The AP news reported.

“We have the ability to create shapes and designs that glass will not normally take,” the company promises on its website.

And the whole production process, “our closely guarded trade secret,” is manual, making each product unique, it says.

“In an age when you can buy anything anywhere for next to nothing, something made from scratch here in a European country, with honest work and thoughtfulness, is truly valued by customers,” company owner Barbara Mostowska told The Associated Press.

‘In our DNA’ Despite its modest appearance, GlitterLab’s workshop has been operating for more than 80 years in Częstochowa, a town of 200,000 in southern Poland.

It was founded by Mostowska’s grandparents in the aftermath of World War II, making her the third generation in the family to manage the business.

“They produced glass cigarette holders, then ‘eprouvettes’ — I think that’s the word — tiny bottles for cake flavors,” Barbara Mostowska said, fondly reminiscing about how the workshop operated when she was a child.

“And then tiny baubles, then slow-blown baubles, the ones we all know from childhood, some swans, mushrooms, pine cones, that sort of thing,” she recalled.

When the company accessed the U.S. market, it started producing more molded ornaments, such as angels or Santa Claus.

On its website, the firm also draws from the history of the town, where a local monastery holds the icon of the Black Madonna, an important object of Catholic devotion since the 14th century. Pilgrims visiting the icon would come back home with souvenirs made by local artisans.

“We are their heirs,” the owners of GlitterLab claim. “The techniques we’re using can’t simply be learned. They need to run in your DNA.”

The company’s mix of artisanal methods, new technologies and savvy marketing is very lucrative. One of their exclusive designs for Harrods, the “Yellow Floral Bauble,” is priced at 125 pounds (around $168).

It is Mostowska's dream that the ornaments won't just be displayed on the Christmas, but instead “our customers have them in their homes, whether on hangers or in display cases, year-round.”

The company’s products are “jewelry for the home,” she said.

Happy work To create a unique design, GlitterLab workers take a client’s drawing on paper and turn it at first into a soft clay sculpture, which can be modified until the client’s vision is accurately represented.

Only then do they choose the unique combination of materials that transforms a particular shape into a bauble.

Mariola Koła, the company’s most seasoned designer, has been working for 42 years at GlitterLab. She says the most satisfying moment in her day comes when a client approves a design with “no corrections.”

“It means I’ve met their expectations, their taste,” she says. “That’s the greatest joy for me. I couldn’t ask for a greater reward.”

The designers work not only with glass but with materials like resin, wood, crystals, and metal, enabling them to craft shapes that go beyond conventional baubles.

But the products also tell a story, often invoking childhood nostalgia.

“Hungry for sweets and play,” says the description of a teddy bear holding a gulf club, part of a series of similar figures in different poses. “These Teddy Bears are a time machine to a happy childhood when nothing tasted as sweet as candy floss licked straight from sticky fingers.”

Amid a heavy reality, a return to childhood and the joy of play may be precisely what Christmas calls for.

“The customers are nice, because how can people get upset and be angry or mean when we’re talking about Christmas baubles?” Magdalena Kucharska, the company’s customer service representative, wonders.

“The fact that we produce a product that brings happiness means these customers are nice too, and it’s a very pleasant job.”



Crocodile Caught in an Australian Creek 1,200 Miles from Its Tropical Habitat

In this photo provided by Australian Reptile Park, its manager Billy Collett holds a freshwater crocodile caught in a creek near Newcastle, Australia, Monday, March 2, 2026. (Chloe Burgess-Jones/Australian Reptile Park via AP)
In this photo provided by Australian Reptile Park, its manager Billy Collett holds a freshwater crocodile caught in a creek near Newcastle, Australia, Monday, March 2, 2026. (Chloe Burgess-Jones/Australian Reptile Park via AP)
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Crocodile Caught in an Australian Creek 1,200 Miles from Its Tropical Habitat

In this photo provided by Australian Reptile Park, its manager Billy Collett holds a freshwater crocodile caught in a creek near Newcastle, Australia, Monday, March 2, 2026. (Chloe Burgess-Jones/Australian Reptile Park via AP)
In this photo provided by Australian Reptile Park, its manager Billy Collett holds a freshwater crocodile caught in a creek near Newcastle, Australia, Monday, March 2, 2026. (Chloe Burgess-Jones/Australian Reptile Park via AP)

Stephanie Kirsop didn’t believe her son when he phoned to say a crocodile was lurking in a creek near their home.

The family live in the temperate coastal city of Newcastle, which is 2,000 kilometers (1,200 miles) south of Australia's crocodile habitat in the tropical north.

Lionel Saunders, 12, and his friends had spotted the juvenile meter-long (39-inch-long) croc early Saturday afternoon. Authorities were initially skeptical of the reported find but had caught the elusive reptile by Sunday night.

“My son took videos because he was trying to convince me it was real and I didn’t believe him. It did look like a crocodile but I was like, no it’s a log,” Kirsop said Tuesday.

“He rang me back a little bit later and he’s like: ‘I’m so serious mom. You have to come down here and have a look,’” Kirsop said. “The whole drive down there I’m thinking this is going to be a trick. They’re going to laugh at me.”

She was in no doubt it was a crocodile when she arrived.

“There is a little crocodile just swimming around in the creek where local kids go to fish and sometimes kids swim in there. Wow,” Kirsop said.

She phoned a wildlife rescue service and was told crocodiles don’t live in the area. Kirsop sent her own photos and video as proof.

Kirsop was referred to the Australian Reptile Park, which keeps its own crocodiles in a temperature-controlled environment.

Park manager Billy Collett said he suspected the images might have been artificial intelligence-generated fakes. But police confirmed there was a croc in Ironbark Creek.

“I was a bit suspicious because we get a lot of phone calls. These days with AI, it’s just so crazy,” Collett said.

He recognized it was an Australian freshwater crocodile, or crocodylus johnstoni, a smaller and less dangerous species than saltwater crocodiles.

“They’re capable of inflicting a serious injury,” Collett said of the smaller species.

Collett’s team caught the croc Sunday night 3 kilometers (2 miles) from where it was first spotted.

“I just wanted to get him out of there because he would’ve perished in winter,” Collett said. It is currently autumn in the Southern Hemisphere.

The croc is healthy and will stay at the park until authorities decide where it should go permanently, Collett said. Crocs are protected under Australian law.

He suspects the croc was a pet that had been released into the wild after growing too big for a fish tank or too dangerous.


Scores of Grandfather Clocks to be Sold at Auction in the UK

Grandfather pendulum clocks collection for sale at an antique market (Shutterstock)
Grandfather pendulum clocks collection for sale at an antique market (Shutterstock)
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Scores of Grandfather Clocks to be Sold at Auction in the UK

Grandfather pendulum clocks collection for sale at an antique market (Shutterstock)
Grandfather pendulum clocks collection for sale at an antique market (Shutterstock)

A private collection of antique grandfather clocks - which have been assembled over the course of 35 years - is to go on sale.

They come from town such as Devizes, Royal Wootton Bassett and Calne in Wiltshire and currently belong to Paul and Jan Succony, according to BBC.
The couple want to see the historic items go to a good home when they go under the hammer at RWB Auctions on Wednesday.

“I'm now well over 70 and I'm still working as a consultant in the food sector and we felt it was time to move on some clocks from the part of our collection which still need to be restored,” said Paul. “We do have to consider the future and it's not practical for us to keep all that we have.”

The couple's collection includes various clocks and clock parts. What began as a personal purchase grew into a lifelong passion for the pair.

Paul, who lives near Devizes, continued: “My wife had a vision of sitting beside a log fire, reading Thomas Hardy novels with the reassuring tick of a grandfather clock in the room. So 35 years ago I bought her a grandfather clock.”

“That was the start of it. We embraced the challenge of finding clocks made by local makers and restoring them as we both love local history, and each clock has its own identity.”

Paul added: “Today we have well over 60 clocks and we've sold several to buyers across the globe who want to reconnect with their own history or heritage.”

The collection is expected to sell for upwards of £1,000 at RWB Auctions.

Junior auctioneer and valuer Will Walter said, “These are interesting local pieces which will attract local collectors or those with local ties who may live overseas or who have a connection with these places.”


British Sculptors Achieve Notable Victory in Global Ice Carving Competition

The team sculpted a kraken eating a boat
The team sculpted a kraken eating a boat
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British Sculptors Achieve Notable Victory in Global Ice Carving Competition

The team sculpted a kraken eating a boat
The team sculpted a kraken eating a boat

Two stonemasons have won a snow sculpting prize as part of Team GB's entry to the World Snow Festival in Switzerland, according to BBC.

Sheffield sculptors Lily Marsh and Steve Roche were part of Great Britain's four-person team, which won the public vote and came third in the technical judging at the competition in Grindelwald.

They competed against 10 nations with the Spanish team taking first place in the technical category.

Sculptor Lily Marsh said it was “refreshing” to swap stone for snow. “Normally it's very dusty and it's much quicker to move the materials so I really enjoyed it,” she said.

The team - led by Christine Close, a sculptor based in France - carved a kraken eating a boat as part of the myths and legends theme set by the competition organizers.

They worked with a large block of snow, starting with a small model.

“We used big chisels on the end of broom handles. A bit like gardening hoes.

You use those to stab at it and shave stuff way,” explained Roche.

“And we used a length of chain that had nuts and bolts set in it with two handles at the end like a big chain saw to carve off the really big bits that we needed to get rid of at the start of the design,” he added.

Despite the low temperatures, Roche said the work kept the team warm.

“I was working in a T shirt most days. I was moaning it was too warm. I got sunburned. I had to go to the shop to get sun cream because it was so bright,” he said.

After the judging, sadly the sculptures did not last and were left to melt in the snow, said Marsh.

“It's quite a liberating thing because often you can get precious about the stuff you make or get worried about it not being good enough and actually it's quite a good practice to make something and know that it's definitely going to melt. It releases you from that worry a bit,” he said.