Scientists Discover Secrets of Ancient Roman Concrete at Pompeii

The archaeological site of the ancient Roman city of Pompeii is seen in Pompeii, Italy, May 26, 2020. (Reuters)
The archaeological site of the ancient Roman city of Pompeii is seen in Pompeii, Italy, May 26, 2020. (Reuters)
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Scientists Discover Secrets of Ancient Roman Concrete at Pompeii

The archaeological site of the ancient Roman city of Pompeii is seen in Pompeii, Italy, May 26, 2020. (Reuters)
The archaeological site of the ancient Roman city of Pompeii is seen in Pompeii, Italy, May 26, 2020. (Reuters)

Scientists excavating the ruins of Pompeii have discovered a construction site left frozen in time by the eruption of Italy's Mount Vesuvius volcano in 79 AD, clarifying the ingredients and methods behind the durable self-healing concrete the ancient Romans used to revolutionize architecture.

The site represents a building project that was underway when the eruption buried Pompeii under volcanic ash and rock. The researchers came across rooms where the walls were unfinished and piles of premixed dry material and tools for weighing and measuring were in place for preparing concrete.

"Studying it truly felt as if I had traveled back in time and was standing beside the workers as they mixed and placed their concrete," said Admir Masic, a Massachusetts Institute of Technology professor of civil and environmental engineering and leader of the study published on Tuesday in the journal Nature Communications.

An indispensable building material, concrete helped the Romans erect structures including stadiums like the Colosseum, domed temples like the Pantheon, public baths and other big buildings, aqueducts and bridges unlike any fashioned to that point in history. Because the concrete could harden underwater, it also was vital for constructing harbors and breakwaters.

The precise method they used to make their concrete has been a matter of debate, with recent archaeological discoveries appearing to contradict accounts given in a 1st century BC treatise by Roman architect and engineer Vitruvius.

The Pompeii discovery showed the Romans used a technique called "hot mixing" in which a material called quicklime - dry limestone that was previously heated - is combined directly with water and a blend of volcanic rock and ash, producing a chemical reaction that naturally heats the mixture. That differs from the method described by Vitruvius, who wrote about a century earlier.

"Pompeii preserves buildings, materials and even work in progress in the precise state they were in when the eruption occurred. Unlike finished structures that have undergone centuries of repair or weathering, this site captures construction processes as they happened," Masic said.

"For studying ancient technologies, there is simply no parallel," Masic said. "Its exceptional preservation offers a true 'snapshot' of Roman building practice in action."

The building under construction combined domestic rooms with a working bakery with ovens, grain-washing basins and storage. The evidence there indicated that the technique outlined by Vitruvius, known as slaked lime, was not used for building walls.

That method may have been outdated by the time of the project in Pompeii.

"Imagine what 100 years of difference could mean for the building technology. A good analogy could be the early telephones. In the 1920s-30s: rotary dialing, long-distance copper lines. In the 2020s: smartphones using packet-switched digital signals and wireless networks," Masic said.

The hot-mixing technique contributed to the self-healing properties of the concrete, chemically repairing cracks. The concrete contains white remnants of the lime used to make it, called "lime clasts," which can dissolve and recrystallize, healing cracks that may form with the infiltration of water.

The Romans industrialized concrete, beginning in the 1st centuries BC and AD.

"This allowed builders to construct massive monolithic structures, complex vaults and domes, and harbors with concrete that cured underwater. Concrete fundamentally expanded what could be built and how cities and infrastructures were conceived," Masic said.

The new understanding of Roman concrete may have relevance for modern architects.

"Modern concretes generally lack intrinsic self-healing capability, which is increasingly important as we seek longer-lasting, lower-maintenance infrastructure," Masic said. "So while the ancient process itself is not a direct replacement for modern standards, the principles revealed can inform the design of next-generation durable, low-carbon concretes."



Historic Linah Marks Saudi National Day with Heritage Events, International Performances

Linah is one of the most prominent historical sites in northern Saudi Arabia - SPA
Linah is one of the most prominent historical sites in northern Saudi Arabia - SPA
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Historic Linah Marks Saudi National Day with Heritage Events, International Performances

Linah is one of the most prominent historical sites in northern Saudi Arabia - SPA
Linah is one of the most prominent historical sites in northern Saudi Arabia - SPA

Historic Linah, located south of Rafha in Northern Borders Region, will celebrate Saudi National Day with a series of national and heritage events at the Historic Linah Market.

The program features performances by local and international artistic groups, along with a variety of artistic segments, solo musical performances, and equestrian and camel-riding displays, SPA reported.

The festivities will also include puppet shows, children’s competitions, and a musical evening showcasing traditional songs.

The Historic Linah Municipality has completed preparations across sites, parks, and roads, decorating streets with national flags and festive lighting to welcome visitors and create a celebratory atmosphere that reflects national pride.

Linah is one of the most prominent historical sites in northern Saudi Arabia.

Once a key stop along ancient caravan routes, the town’s historic palaces and market continue to stand as enduring witnesses to the region’s collective memory.


Germans Arrested for Louvre Stunt in Mona Lisa Hall

 A person photographs Leonardo da Vinci's painting Mona Lisa at the Louvre museum, Aug. 31, 2025, in Paris. (AP)
A person photographs Leonardo da Vinci's painting Mona Lisa at the Louvre museum, Aug. 31, 2025, in Paris. (AP)
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Germans Arrested for Louvre Stunt in Mona Lisa Hall

 A person photographs Leonardo da Vinci's painting Mona Lisa at the Louvre museum, Aug. 31, 2025, in Paris. (AP)
A person photographs Leonardo da Vinci's painting Mona Lisa at the Louvre museum, Aug. 31, 2025, in Paris. (AP)

Two Germans were arrested Saturday after they stuck two paintings on a wall of the hall that hosts the Mona Lisa in Paris's Louvre museum, police sources said.

The two men used sticky tape to stick the two paintings -- measuring 30 by 40 cm -- in the hall where visitors flock to see Leonardo Da Vinci's masterpiece.

One showed one of the two men wearing armor, while the other was a portrait of the two men accompanied by a woman.

Security officers at the museum detained the two men and called the police, who arrested them for minor damage to the wall. Interviewed by police, they said they had done it for fun.

The two men will be summoned to appear in court once the museum files a formal complaint for the damage, said the police sources.

The Mona Lisa itself, now behind a thick layer of protective glass, suffered no damage in the incident.

Museum officials are more than usually alert these days after a spate of heists at French museums and galleries, which have highlighted inadequate security in some cases and led to questions about whether criminal gangs see them as soft targets.

The Louvre itself was targeted last October when eight items of jewelry worth millions of dollars were stolen during a daylight heist.

Even though four suspects have been arrested, the stolen items have still not been found despite extensive searches by French investigators.

The burglary stunned the world, embarrassed France and revealed a series of security lapses, including the museum's old-fashioned CCTV system.

Many of the museum's security flaws had already been highlighted in a 2019 audit ordered by the museum, the findings of which were never acted on.

The Louvre welcomed around nine million visitors last year, far above its intended capacity, which has led to overcrowding problems.

In May, French President Emmanuel Macron announced a major overhaul of the museum, which will include a new space for the Mona Lisa and a new museum entrance.


Saudi Culture Ministry, ALECSO Sign Executive Program for Intangible Cultural Heritage

The agreement focuses on organizing a specialized symposium to exchange expertise on safeguarding policies, methodologies, and practices. SPA
The agreement focuses on organizing a specialized symposium to exchange expertise on safeguarding policies, methodologies, and practices. SPA
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Saudi Culture Ministry, ALECSO Sign Executive Program for Intangible Cultural Heritage

The agreement focuses on organizing a specialized symposium to exchange expertise on safeguarding policies, methodologies, and practices. SPA
The agreement focuses on organizing a specialized symposium to exchange expertise on safeguarding policies, methodologies, and practices. SPA

The Ministry of Culture has signed an executive program with the Arab League Educational, Cultural and Scientific Organization (ALECSO) to establish a cooperative framework to safeguard intangible cultural heritage and advance shared Arab cultural goals.

Thursday’s agreement focuses on organizing a specialized symposium to exchange expertise on safeguarding policies, methodologies, and practices.

It also includes formulating recommendations for bilateral and multilateral cooperation and showcasing living Arab heritage practices on the international stage to unify regional preservation efforts.

Building upon a 2022 memorandum of understanding between the ministry and ALECSO, the executive program underscores both parties' commitment to broadening institutional partnerships that ensure the long-term protection and sustainability of intangible cultural heritage.