Australian Museum Recovers Egyptian Artifacts after Break-in

Mask recovered with the thief (Queensland Police Service Official Website)
Mask recovered with the thief (Queensland Police Service Official Website)
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Australian Museum Recovers Egyptian Artifacts after Break-in

Mask recovered with the thief (Queensland Police Service Official Website)
Mask recovered with the thief (Queensland Police Service Official Website)

Australian police have recovered a trove of stolen Egyptian artifacts and charged a 52-year-old man with a nighttime smash-and-grab at a museum.

The man was accused of breaking a window and making off with the priceless treasures in the early hours of Friday from the Abbey Museum of Art and Archeology in the Queensland town of Caboolture.

Police said they found all the stolen goods -- except for a wooden cat sculpture -- with only minor damage when they searched a car the following day at a ferry terminal south of the museum.

They arrested the suspect on the same evening.

"Police will allege the man was found in possession of the last missing artifact, the wooden cat sculpture," they said.

The man, named by local media as Miguel Simon Mungarrieta Monsalve, was charged with various counts including breaking and entering, and three counts of wilful damage.

In court on Monday, a prosecutor said the man stole a mummy mask, a collar, a piece of jewelry and the wooden cat while also causing "irreparable damage" to other items, according to public broadcaster ABC.

The suspect told police that he believed the museum had links to the Catholic Church, the prosecutor was quoted as telling the court.

The museum said it was "relieved and grateful" to get the artifacts back, but they could not go back on display immediately.

"Each piece must first undergo professional assessment and conservation to protect its long-term future."

 



Saudi Arts Commission Engages in Cultural Dialogue at Damascus Book Fair

This seminar is part of the commission's efforts to promote Saudi culture in regional and international forums. SPA
This seminar is part of the commission's efforts to promote Saudi culture in regional and international forums. SPA
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Saudi Arts Commission Engages in Cultural Dialogue at Damascus Book Fair

This seminar is part of the commission's efforts to promote Saudi culture in regional and international forums. SPA
This seminar is part of the commission's efforts to promote Saudi culture in regional and international forums. SPA

The Theater and Performing Arts Commission hosted a panel discussion on symbolism and heritage in traditional Saudi performing arts at the Kingdom's pavilion during the Damascus International Book Fair 2026, which ends Monday.

Participants examined the symbolic meanings of folk arts such as Ardah, Samri, and Al-Khatwa, emphasizing their importance in expressing Saudi values, history, and national identity.

Key topics included the significance of collective movements and rhythms that convey unity and social solidarity. The panel also explored the symbolism of costumes and performance tools, as well as the meanings in lyrics and chants. Strategies for preserving authenticity in contemporary cultural contexts were discussed.

This seminar is part of the commission's efforts to promote Saudi culture in regional and international forums, showcasing the rich heritage of traditional performing arts and fostering cultural dialogue with diverse audiences.


English Museum Shines Light on Mary Shelley and Her Gothic Classic ‘Frankenstein’ 

Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)
Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)
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English Museum Shines Light on Mary Shelley and Her Gothic Classic ‘Frankenstein’ 

Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)
Kim Morgan and Guillermo del Toro attend a premiere for the film "Frankenstein", at the Academy Museum of Motion Pictures in Los Angeles, California, US, October 6, 2025. (Reuters)

On a window of a Bath townhouse, one of the southwestern English city’s most famous residents looks out at passersby. Inside is Mary Shelley’s House of Frankenstein, a museum dedicated to the writer and her Gothic novel, published in 1818, which has inspired numerous screen adaptations, with the latest being Mexican filmmaker Guillermo del Toro’s Oscar contender.

“‘Frankenstein' is regarded as one of the most important books in English literature ... It's the world's first science fiction novel,” said Chris Harris, co-founder and director of the immersive attraction.

“It's a very modern story ... he's trying to fit in, but he's abandoned ... and rejected and ‌has prejudice thrown ‌towards him. And you think, well, from prejudice comes violence, which is ‌happening ⁠nowadays.”

'FEAR ABOUT CHANGE'

Born ⁠Mary Wollstonecraft Godwin, Shelley came up with the idea for “Frankenstein; or, the Modern Prometheus” at 18 years old. She and her future husband, poet Percy Bysshe Shelley, were staying by Lake Geneva in 1816 with Lord Byron when the latter challenged their group to write a ghost story. She found inspiration there.

Back in England, she moved to Bath, where she penned key chapters before finishing the book - about the scientist Victor Frankenstein, who brings to life a creature ⁠assembled from body parts - in the town of Marlow.

"It plays on ‌people's fears about change," Harris said. "Now Frankenstein is a ‌metaphor for anything we're scared of."

The first "Frankenstein" adaptation was a musical, he said.

“The Creature in her ‌book is sensitive, he talks ... but in the play, he was rendered into a ‌monster. He didn't talk, he was mute. He just went around killing people,” Harris said.

"So, right from the off, he's been sort of invented in a slightly different way. And that's happened all the way through the evolution of film and theatre ... So it's interesting to see del Toro's ‌film; they're exploring a different side of him."

OSCAR AND BAFTA NOMINATIONS

That film, with nine Oscar nominations including best picture, shows actor ⁠Jacob Elordi's Creature as ⁠gentle and hungry for knowledge but facing resentment. Elordi received Best Supporting Actor nods at the Oscars and Sunday's BAFTA Film Awards, Britain's top movie honors, where "Frankenstein" has eight nominations.

While del Toro's movie differs from the book in several ways, including omitting the Creature's murders, Harris said physically it was "a similar recreation" of Shelley's description.

The museum has its own animatronic, standing in Victor Frankenstein's recreated laboratory. Elsewhere, visitors learn about Shelley’s life, tragedies she faced and her interest in science.

Nearby, by Bath Abbey, is a 2018 plaque marking where Shelley lived in 1816-1817 and worked on the book.

Bath is also associated with another female novelist, Jane Austen, who is celebrated annually with a festival. Harris, who opened his museum in 2021, says Shelley deserves more recognition.

“We just want people to understand that this is an extraordinary young woman who came up with one of the most enduring books ever written, that will never go out of fashion.”


'Sunken Treasures' Exhibition on Exploring Maritime Heritage to Be Held at Red Sea Museum

"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)
"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)
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'Sunken Treasures' Exhibition on Exploring Maritime Heritage to Be Held at Red Sea Museum

"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)
"Sunken Treasures: The Maritime Heritage of the Red Sea" runs from February 25 to May 29. (SPA file photo)

The Red Sea Museum, under the Museums Commission, announced the opening of "Sunken Treasures: The Maritime Heritage of the Red Sea", running from February 25 to May 29.

The exhibition presents archaeological discoveries from the Red Sea as witnesses to human journeys, cultural exchange, and the enduring relationship between maritime heritage and environmental conservation, said the Museum Commission in a statement on Sunday.

"Sunken Treasures" invites visitors to discover how shipwrecks became archives of history and eventually transformed into living coral reefs. Through archaeological artifacts, immersive visual experiences, and interactive technologies, the exhibition reveals the Red Sea coast as a cultural corridor upon which layers of history have accumulated over millennia.

Curated by Director of the Red Sea Museum Eman Zidan and Chief of the French-Saudi Archeological Mission in Farasân Islands Dr. Solène Marion de Procé, the exhibition unfolds across four thematic sections that together tell the story of maritime life, risk, and discovery in the Red Sea. The journey begins with "The Red Sea Passage", exploring how seasonal winds and navigation patterns shaped trade routes connecting the Mediterranean, southern Arabia, East Africa, and the Indian Ocean.

"Life Aboard the Ship" transports visitors into the world of historic seafarers, presenting the ship not just as a means of transport, but an integrated world of maritime voyages, where crew, cargo, and navigation tools reveal the accumulated expertise of reading the sea and sky. Pottery, coins, glass, and ceramic objects preserve stories of movement, connection, and communication across the Red Sea.

"Shipwrecks: From a Voyage to a Memory" explores the dramatic moment when journeys are cut short. Through storms, waves, or collision with coral reefs, vessels shift from means of crossing into silent traces.

"Exploring for Tomorrow" traces the transformation of shipwrecks from discovery to interpretation as scientific sources of knowledge. The section highlights conservation and restoration efforts carried out by the Heritage Commission and archaeological missions working on the Saudi coast of the Red Sea, following guidelines and frameworks that ensure protection for future generations.

"Sunken Treasures" demonstrates the Red Sea Museum's commitment to preserving the tangible, intangible, and natural heritage of the Red Sea while creating opportunities for cultural exchange, education, and sustainable development.

The exhibition is enriched through collaboration with key institutional partners, including the Heritage Commission and Historic Jeddah Program, who have loaned objects that strengthen the presentation of authentic material evidence of maritime and coastal heritage, reflecting a shared commitment to safeguarding the Maritime Heritage of Saudi Arabia.

The exhibition showcases the Red Sea Museum as a platform for knowledge creation and scientific research. It highlights how submerged cultural heritage is transformed into valuable historical knowledge through research-driven storytelling, while fostering collaboration between marine specialists, scientists, conservators, and the wider community.