Study Suggests Younger Age for Chile's Important Monte Verde Archaeological Site

An aerial view of the of the Monte Verde archaeological site in southern Peru, in this 2023 photograph released on March 18, 2026. Todd Surovell/via REUTERS
An aerial view of the of the Monte Verde archaeological site in southern Peru, in this 2023 photograph released on March 18, 2026. Todd Surovell/via REUTERS
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Study Suggests Younger Age for Chile's Important Monte Verde Archaeological Site

An aerial view of the of the Monte Verde archaeological site in southern Peru, in this 2023 photograph released on March 18, 2026. Todd Surovell/via REUTERS
An aerial view of the of the Monte Verde archaeological site in southern Peru, in this 2023 photograph released on March 18, 2026. Todd Surovell/via REUTERS

The Monte Verde archaeological site in Chile, discovered in the 1970s, revolutionized the thinking about when humans entered the Americas, with scientists calculating decades ago that this former abode for ancient hunter-gatherers was about 14,500 years old. But a new study suggests it is much more recent than that.

Researchers said a fresh analysis of this Ice Age creek valley site found it dates to between 4,200 and 8,200 years ago. Such a date would make Monte Verde irrelevant to the longstanding scientific debate about when the initial peopling of the Western Hemisphere occurred.

"This finding suggests a later date of human arrival to the Americas than is widely believed," said University of Wyoming archaeologist Todd Surovell, lead author of the research published on Thursday in the journal Science.

The researchers used three scientific dating methods on material from in and around Monte Verde, located in southern Chile about 36 miles (58 km) from the Pacific coast.

"We sampled in the site area. We also sampled the same landforms upstream and downstream of the site," Reuters quoted Surovell as saying.

"These landforms are continuous throughout ⁠the valley, and our ⁠dating of them was consistent in all locations. We placed these into stratigraphic (soil and rock layers) context, and the dating errors of the previous investigators were immediately apparent," Surovell said.

Testing in 1997 concluded the site was 14,500 years old. That would make it more than 1,500 years older than the previous earliest-known human occupation sites south of the continental ice sheets that covered parts of North America at the time. Those sites were associated with North America's Clovis culture, known for distinctive stone tools and named for a locale in New Mexico.

Because Monte Verde was considered older and was thousands of miles south of the Clovis locations, scientists saw it as evidence that people must ⁠have been in the Americas much earlier than the Clovis sites had indicated.

Humans are thought to have crossed from Siberia into Alaska over an Ice Age land bridge, then later journeyed south.

The new research dated pieces of wood, sand deposited by the creek and a layer of ancient volcanic ash.

"The dating of the volcanic ash was especially important," Surovell said.

The ash was determined to have been deposited about 11,000 years ago. It was in a layer that was below the evidence of occupation, showing that the human presence must have come after that date, Surovell said.

Within the age range indicated by the new testing, Surovell said the Monte Verde human occupation most likely dates to 6,000 to 8,000 years ago.

Surovell said the site's older age was calculated using a technique called radiocarbon dating on wood recovered there. Surovell said while the wood indeed was 14,500 years old, it greatly predated the human occupation and was simply mixed among older material trapped in the banks of the creek.

"Imagine the stream undercutting the bank as ⁠it meanders in the valley. Materials ⁠in the bank then get transported and redeposited by the stream," Surovell said.

Vanderbilt University anthropologist Tom Dillehay, who has studied Monte Verde extensively since the 1970s, cited "many methodological and empirical errors" in the new study.

Its interpretation of the wood, Dillehay said, "disregards a vast body of well-dated cultural evidence associated with Monte Verde, including stone tools, wooden and bone artifacts, edible plant remains including seaweed and potatoes, hearths, human footprints, and animal meat and hide remains."

"These and other elements constitute a complex cultural context that has been extensively documented over five decades of interdisciplinary archaeological research," Dillehay said. "In turning to their data, it is a mixture of inventions and misunderstandings. They saw what they wanted to see, and came to the site with predetermined conclusions."

The timing of the peopling of the Americas remains contentious.

"Monte Verde is internationally recognized as one of the most significant archaeological sites on the American continent, having played a decisive role in replacing the longstanding 'Clovis First' paradigm," Dillehay said, a theory positing that the first inhabitants of the Americas arrived approximately 12,800 years ago.

Surovell said the new findings show Monte Verde postdates the Clovis sites.

"The Monte Verde site is still important for understanding the Holocene (geological epoch, beginning 11,700 years ago) human occupation of its region, but it no longer has much significance for understanding the initial peopling of the Americas," Surovell said.



Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
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Saudi Heritage Commission Uncovers Over 1,700 Artifacts at Ancient Al-Juhfah Miqat Site

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA
Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel - SPA

Saudi Arabia's Heritage Commission completed the first season of its joint scientific mission with the University of Exeter at the ancient Al-Juhfah Miqat site, uncovering more than 1,700 artifacts, including pottery, glass, stone pieces, shells, and worked objects, confirming the site's significance along the Egyptian pilgrimage route.

Discoveries included diverse fragments used in daily life, six pottery kilns, a water channel believed to have served pilgrims and travelers, and 13 tombstones dating to the Umayyad and Abbasid periods. Some finds originated from the Levant, Egypt, and Ethiopia, reflecting the diverse origins of pilgrims who passed through this miqat, SPA reported.

Al-Juhfah Miqat is located 187 kilometers northwest of Makkah and has been an established miqat since the early Islamic period, associated with the Prophet's migration, and is known to have flourished in the second Hijri century, with water facilities and shops serving pilgrims.

These works are part of the Heritage Commission's efforts to survey and document archaeological sites along the Hijrah route between Makkah and Madinah, using advanced technologies to reveal the historical and civilizational depth of the Kingdom.


Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
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Makkah Museum Displays Rare Quran Manuscript Dating Back to 1843

The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA
The manuscript is distinguished by its precise script written in black ink with full diacritical marks - SPA

The Holy Quran Museum in the Hira Cultural District in Makkah showcases a collection of rare Quranic artifacts and collectibles that document Muslims’ care for the Holy Quran throughout the ages. Among the most notable exhibits is a rare Quran dating back to 1259 AH, corresponding to 1843 AD, which stands as a historical testament to the beauty of Quranic manuscript writing and ornamentation.

The manuscript is distinguished by its precise script written in black ink with full diacritical marks. Its pages are adorned with gilded borders, golden verse separators, and intricate floral decorations that highlight the advanced craftsmanship achieved in the gilding and embellishment of Quran manuscripts during that historical period, SPA reported.

Information accompanying the artifact indicates that the Quran later underwent restoration and rebinding to protect it from deterioration. This step helped preserve this rare Quranic treasure and maintain it as a witness to a cultural and civilizational legacy spanning more than a century and a half.

The display of this Quran is part of the educational and cultural content presented by the Holy Quran Museum, which enables visitors and pilgrims to explore diverse examples of historical Qurans and rare manuscripts and to learn about the various stages of writing, copying, and decorating Quranic manuscripts across different Islamic eras.

The museum serves as a prominent cultural and educational destination in Makkah, highlighting the historical efforts of Muslims in serving and preserving the Holy Quran. It also promotes awareness of the value of Islamic heritage associated with the Holy Quran through modern museum displays and interactive educational experiences that enrich visitors’ experiences and enhance their connection with the history of the Holy Quran.


Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
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Nigerian Museum Revamp Brings Treasures within Reach

Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP
Tinuke Odunfa, the interior designer of the gallery, aimed to modernize the space and present Nigerian history in an an 'immersive' environment. OLYMPIA DE MAISMONT / AFP

Gazing at two large engraved 16th-century elephant tusks on display at Nigeria's National Museum Lagos, a guide surprised visitors by telling them: "You can touch them gently".

One of the three galleries at the museum in Nigeria's cultural and entertainment hub has been remodeled to allow visitors to interact with some artefacts, reversing the typical ban on touching exhibits, as well as take unrestricted photographs in an effort to engage younger audiences, curator Nkechi Adedeji told AFP.

As the group felt the texture of the elephant tusks to the tune of Afrobeats softly playing on overhead speakers, a young photographer was busy snapping away, likely for a social media post.

According to Tinuke Odunfa, the interior designer of the gallery, the plan was to modernize the space and present Nigerian history in an "intentional" and "immersive" environment.

"Everything was intentional in terms of how the space should be experienced, in terms of the colors, how the space leads you," Odunfa told AFP.

The gallery holds one of the country's most extensive collections, including major archaeological and ethnographic artefacts such as 5th-century terracotta by indigenous Nok people.

Its white walls are lined with artefacts encased in glass, arranged chronologically from the oldest to the newest, each accompanied by brief notes.

A few other items of the permanent exhibition, "Echoes of the Past", especially those made of wood and metal, are laid out in such a way that visitors can touch and "feel them", the museum's head of exhibition Olusegun Adeleye, 51, said.

Low ambient lighting casts a soft glow across the gallery, giving the space a quiet, reflective atmosphere.

Lagos, the vibrant mega city of more than 20 million people, and often described as Nigeria's melting pot, inspired Odunfa's design.

- 'Coming in droves' -

Since the renovated gallery opened to the public in April, it has been drawing more visitors than before, Adedeji said, without giving figures.

Its Instagram-ready spaces are drawing more schoolchildren and young adults, with pictures and videos increasingly shared online, making it a popular destination among "content creators".

"They come here, do content and before you know it, it is all over the place," Adedeji said. "Youths are coming in droves now".

"I love the way the artefacts are displayed," Oyin Isioye, a 25-year-old photographer, visiting the museum for the first time, told AFP. "I learned a lot of things... where the artefacts are from, what they represent."

- Repatriation calls -

In one corner of the gallery, three empty cases contain a sheet of paper bearing the inscription "British museum, how far??" (meaning "what's up?" in Nigerian Pidgin).

The installation sends a message to foreign museums that Nigeria is ready to pursue the repatriation of its looted artefacts.

Western museums, including those in Britain, the Netherlands and Germany, have in recent years returned several hundred artefacts, but countless more remain in galleries in Europe and America.

"This renovation shows that we can protect and preserve our objects ourselves, we do not need any other country to do it for us," said Adedeji.

The remodeling, funded by a private entity, also aimed at creating more display areas for the collection, the bulk of which are kept in storage.

More projects are in the works. Another gallery at the Lagos museum has been shut for renovation, along with other sites nationwide.

And Nigerian authorities are seeking partners to support future upgrades in preparation for more repatriated artefacts.