Taylor Swift Sued for Trademark Infringement Over ‘Life of a Showgirl’

 Taylor Swift arrives at the IHeartRadio Music Awards on Thursday, March 26, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Taylor Swift arrives at the IHeartRadio Music Awards on Thursday, March 26, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
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Taylor Swift Sued for Trademark Infringement Over ‘Life of a Showgirl’

 Taylor Swift arrives at the IHeartRadio Music Awards on Thursday, March 26, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Taylor Swift arrives at the IHeartRadio Music Awards on Thursday, March 26, 2026, at the Dolby Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

Pop megastar ‌Taylor Swift was sued by a Las Vegas performer on Monday who said Swift's latest hit album "The Life of a Showgirl" violates her trademark rights. Maren Wade said in the complaint that marketing for Swift's album threatened to "drown out" her long-running "Confessions of a Showgirl" stage show and asked the court to block Swift from creating confusion with her album title.

Spokespeople for Swift and her label Universal Music Group, also a defendant, ‌did not ‌immediately respond to a request for comment.

Wade's ‌attorney ⁠Jaymie Parkkinen said ⁠they "have great respect for Swift's talent and success, but trademark law exists to ensure that creators at all levels can protect what they've built."

"The Life of a Showgirl," Swift's 12th album, was released in October and shattered Spotify streaming records on its way to becoming ⁠the biggest-selling album of 2025.

Wade said ‌in the complaint that ‌she began writing her "Confessions of a Showgirl" column for ‌Las Vegas Weekly in 2014.

She said she has ‌since toured a stage show with the same name featuring "candid and often humorous accounts of the challenges and absurdities of a career in the entertainment industry, from getting stuck ‌inside a giant birthday cake to impersonating a Madonna impersonator."

The US Patent and Trademark ⁠Office rejected ⁠Swift's application last year for a federal "Life of a Showgirl" trademark covering "musical performances and live entertainment services," citing potential confusion with Wade's pre-existing "Confessions of a Showgirl" trademark.

Wade said in the complaint that Swift's continued use of the "Life of a Showgirl" name "drowns out" her trademark "until consumers begin to assume that the original is the imitation."

"What Plaintiff had built over twelve years, Defendants threatened to swallow in weeks," Wade said.

Wade requested a court order blocking Swift's use of her "Showgirl" brand and unspecified monetary damages.



Celine Dion Announces Comeback Following Health Struggle

Celine Dion first disclosed in December 2022 that she had been diagnosed with Stiff Person Syndrome. POOL/AFP/File
Celine Dion first disclosed in December 2022 that she had been diagnosed with Stiff Person Syndrome. POOL/AFP/File
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Celine Dion Announces Comeback Following Health Struggle

Celine Dion first disclosed in December 2022 that she had been diagnosed with Stiff Person Syndrome. POOL/AFP/File
Celine Dion first disclosed in December 2022 that she had been diagnosed with Stiff Person Syndrome. POOL/AFP/File

Megastar singer Celine Dion on Monday announced her return to performing after a lengthy break prompted by a rare health condition, calling the comeback news revealed on her birthday "the best gift".

Addressing fans in a video released on social media, the 58-year-old Canadian said her condition had improved and she would perform a series of shows in Paris beginning in September.

"This year, I'm getting the best birthday gift of my life. I'm getting the chance to see you, to perform for you once again," she said.

Dion will also release a new single, her entourage confirmed to AFP, by one of her best-known composers, Jean-Jacques Goldman, who was behind the album "D'eux" that made her famous.

She is expected to perform the new song at the Paris shows -- an event that comes more than six years since she was forced to step away from the stage.

Her "Courage World Tour," launched in late 2019 was cancelled a few months after it began because of the Covid-19 pandemic, then due to the singer's health problems.

- 'Feeling good' -

"I want to let you know that I'm doing great, managing my health, feeling good," she said in her post on Monday.

Dion first disclosed in December 2022 that she had been diagnosed with Stiff Person Syndrome, an incurable autoimmune disorder.

The Quebec-born star was forced to cancel the remainder of her shows indefinitely.

Treatment can help alleviate symptoms of the condition that can cause stiff muscles in the torso, arms and legs.

The 2024 documentary "I Am: Celine Dion" provided an intimate look at the charismatic performer's career and the severity of her pain from the condition, including suffering a seizure.

Despite the diagnosis, Dion vowed she would fight her way back to the stage.

"I'm not dead," the singer told AFP in 2024 on the red carpet ahead of the premiere of the documentary.

Later that year Dion sang from the Eiffel Tower for the Paris 2024 Olympic Games opening ceremony, while athletes sailed down the river in pouring rain.

The Eiffel Tower was again lit up Monday for Dion, as crowds gathered to watch a light show with written messages on the side of the tower saying "Paris, I'm ready," followed by her cover of Edith Piaf's "L'hymne a l'amour" (Hymn to Love).

- Singing again -

Dion was launched onto the global stage in 1988 representing Switzerland at the Eurovision Song Contest in Dublin.

Then aged 20, she sang "Ne partez pas sans moi" (Don't Leave Without Me), which won her the prize.

The following year, Dion opened the TV extravaganza for host Switzerland with her winning French-language song.

She then premiered the single "Where Does My Heart Beat Now" -- heralding her career switch into English, which set her on the path to global chart domination.

She has sold more than 260 million albums during a career spanning decades, and has won five Grammys -- two for "My Heart Will Go On", the hit song from the 1997 epic "Titanic".

On Monday, Dion told fans that she has continued to feel their support despite her years off stage.

"Even in my most difficult times, you were there for me. You've helped me in ways that I can't even describe, and I'm truly so fortunate to have your support," she said, describing that she was now "singing again, even doing a little bit of dancing".

Dion is set to perform 10 shows over five weeks at the Paris La Defense Arena beginning on September 12.


‘Project Hail Mary’ Flies to $54.5 Million Second Weekend, Horror Reaches a Saturation Point

Ryan Gosling arrives for the premiere of “Project Hail Mary” at the Lincoln Center in New York City, US, March 18, 2026. (Reuters)
Ryan Gosling arrives for the premiere of “Project Hail Mary” at the Lincoln Center in New York City, US, March 18, 2026. (Reuters)
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‘Project Hail Mary’ Flies to $54.5 Million Second Weekend, Horror Reaches a Saturation Point

Ryan Gosling arrives for the premiere of “Project Hail Mary” at the Lincoln Center in New York City, US, March 18, 2026. (Reuters)
Ryan Gosling arrives for the premiere of “Project Hail Mary” at the Lincoln Center in New York City, US, March 18, 2026. (Reuters)

“Project Hail Mary” stayed aloft in its second weekend, holding strongly with $54.5 million, according to studio estimates Sunday, and adding to the long-term prospects of the year’s biggest hit thus far.

The Phil Lord and Chris Miller sci-fi adventure, starring Ryan Gosling, dipped only 32% after notching the best non-franchise opening weekend since 2023’s “Oppenheimer.” Amazon MGM’s yet, “Project Hail Mary” has grossed $300.8 million worldwide in two weeks.

“Project Hail Mary,” which cost nearly $200 million to produce, didn’t face any significant new competition and kept premium format screens largely to itself. Potentially the weekend's most watched movie, the KPop documentary “BTS: The Return,” went straight to streaming on Netflix.

But “Project Hail Mary” is on an enviable trajectory. Its second weekend hold was even better than that of “Oppenheimer,” which collected $46.7 million in its follow-up frame.

Meanwhile, the weekend’s top new release, “They Will Kill You,” debuted with a disappointing $5 million for Warner Bros. The gory R-rated horror film stars Zazie Beetz as a woman who applies to be a maid at an apartment complex where she’s to become a sacrificial offering.

While the result was far from catastrophic for a movie with a modest $20 million budget, it did suggest that theaters may have become oversaturated in horror. David A. Gross, who runs the movie consulting firm FranchiseRe, noted that there has been a new horror film released every weekend for the last 14 weekends.

That included last week’s “Ready or Not 2: Here I Come” ($16.3 million domestically so far) and a second horror-comedy that also debuted this weekend. IFC’s “Forbidden Fruits,” about a coven of witches who work at a Texas mall, debuted with $1.2 million in sales.

Despite the glut, Gross is forecasting horror films will account for about $2.1 billion in North American ticket revenue in 2026, down from $2.75 million last year. While horror remains popular with audiences and relatively cheap to produce, the genre may be approaching overkill.

Meanwhile, family movies continue to thrive. The Pixar original “Hoppers” remained in second place with $12.2 million in its fourth weekend. The Walt Disney Co. release has accumulated $297.6 million globally.

Next weekend, though, it will face stiff competition in Universal Pictures’ “The Super Mario Galaxy Movie.” It’s expected to have the biggest opening of 2026.


Disney Opens World of Frozen in Paris as New CEO Showcases the Empire That Made Him

 The new theme World of Frozen is pictured during its inauguration at Disneyland Paris in Marne-la-Vallee, east of Paris, Saturday, March 28. 2026. (AP)
The new theme World of Frozen is pictured during its inauguration at Disneyland Paris in Marne-la-Vallee, east of Paris, Saturday, March 28. 2026. (AP)
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Disney Opens World of Frozen in Paris as New CEO Showcases the Empire That Made Him

 The new theme World of Frozen is pictured during its inauguration at Disneyland Paris in Marne-la-Vallee, east of Paris, Saturday, March 28. 2026. (AP)
The new theme World of Frozen is pictured during its inauguration at Disneyland Paris in Marne-la-Vallee, east of Paris, Saturday, March 28. 2026. (AP)

A 118-foot mountain of ice rose over the suburban Paris countryside this weekend as Disney opened its Arendelle kingdom to the world — Elsa’s palace glowing at the summit, a “Frozen” Nordic fishing village below, and the company’s new CEO standing before a crowd of celebrities.

World of Frozen, an immersive land themed to the blockbuster animated franchise, opened Sunday as the centerpiece of a 2 billion euro ($2.18 billion) transformation at Disneyland Paris.

The transformation renames one of the two theme parks at the Disneyland Paris complex from Walt Disney Studios Park to Disney Adventure World. The inauguration drew Penélope Cruz, Naomi Campbell and Teyana Taylor.

It is the largest expansion in the 34-year history of Disneyland Paris, and one node in a roughly $60 billion global buildout of Disney’s parks, resorts and cruise lines.

It is also the first major international stage for Josh D’Amaro, who took over as Disney’s chief executive on March 18 — just 11 days before the French gates opened — after nearly three decades in the company’s theme parks division.

The parks-and-experiences business generated about 57% of the company’s $17.5 billion in segment operating income last year, the force that observers say propelled D’Amaro from parks chief to the corner office.

An Associated Press journalist accompanied D’Amaro on the “Frozen” ride Saturday night.

The carriage splashed through water to childlike cheers from riders and laughter from the new chief executive as they glided past singing Elsa in the dark. Some stepped off lightly wet.

“The Walt Disney Company was built on one man’s dream, and for more than 100 years we’ve shared that dream with the world,” D’Amaro told the inauguration crowd.

“Storytelling is fundamental to everything that we do, whether that’s on screen or stage, in our theme parks, on our cruise ships, or even at home.”

He called the opening “a transformational moment” and paid tribute to the creative team behind the land, including “Frozen” writer-director Jennifer Lee — all now at work on “Frozen 3.”

On Friday, D’Amaro had stood alongside Emmanuel Macron at the resort.

The French president used the visit to claim the park as a national economic asset, calling Disneyland Paris “the leading tourist destination in Europe” and describing it as “a genuine ecosystem of success.”

Macron said the latest expansion would create 1,000 additional direct jobs.

“Since the beginning, that’s 13 billion euros invested on this territory,” Macron said.

Disneyland Paris says the resort now employs more than 20,000 people, supports 70,000 direct, indirect and induced jobs, and has recorded more than 445 million visits since 1992 — accounting for 6.1% of France’s national tourism revenue.

Macron’s presence underscored a remarkable reversal.

When the park opened as Euro Disney in 1992, French intellectuals derided it as a “cultural Chernobyl.” Now a French president was standing in front of cameras calling it an engine of national prosperity.

It is no coincidence that “Frozen” and “Tangled” — the two stories anchoring Disney’s new lineup at its sole European resort — both trace their roots to European folklore.

“Frozen” draws loosely from “The Snow Queen”; the new Tangled family ride recalls the Brothers Grimm’s Rapunzel.

“Frozen, of course, has its roots in European storytelling,” said Michel den Dulk of Walt Disney Imagineering.

“It’s very loosely based on Hans Christian Andersen. So to have a northern European, charming wooden little village here in Disneyland Paris, where you can see your favorite Frozen characters — it just made sense.”

The land recreates Arendelle around a lagoon, its timber buildings painted in muted Scandinavian pastels, facades adorned with rosemaling, a traditional Norwegian decorative art.

At the center is Frozen Ever After, a boat ride featuring state-of-the-art animatronics and immersive projection effects.

Guests can meet Anna and Elsa inside Arendelle Castle, have a conversation with a responsive baby troll named Mossy who talks back, and watch a lagoon celebration called the Snow Flower Festival — featuring an original song.

A next-generation robotic Olaf roams the land.

Beyond World of Frozen, the rebranded park brings a vast new lake called Adventure Bay, a Tangled family ride, 15 new dining locations — including the posh Regal View Restaurant — and a nighttime spectacular called Disney Cascade of Lights featuring more than 380 drones.

A Lion King land, already under construction, will follow.

More than 90% of the second park’s offerings will have been redesigned since it opened in 2002, and Disney says the footprint will roughly double once the full transformation is complete.

Disney's streaming has swung from deep losses to profitability, but the parks remain the company’s most dependable earnings engine — and D’Amaro is the man who ran them.

“We continue to dream bigger and bring stories to life in brand new ways,” D’Amaro told the crowd.

Pyrotechnics lit up Arendelle Village.

The ice palace on the mountain turned blue.

And 34 years after Euro Disney became a punchline, a brand-new kingdom opened in the fields east of Paris — for the first time in forever.