From Armin Van Buuren to Mochakk, Electronic Music Dominates Coachella

A festivalgoer looks on during day two of weekend two at the 2026 Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio, California, USA, 18 April 2026. (EPA)
A festivalgoer looks on during day two of weekend two at the 2026 Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio, California, USA, 18 April 2026. (EPA)
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From Armin Van Buuren to Mochakk, Electronic Music Dominates Coachella

A festivalgoer looks on during day two of weekend two at the 2026 Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio, California, USA, 18 April 2026. (EPA)
A festivalgoer looks on during day two of weekend two at the 2026 Coachella Valley Music and Arts Festival at the Empire Polo Club in Indio, California, USA, 18 April 2026. (EPA)

From established stalwarts like Fatboy Slim to rising artists like Australia's Ninajirachi, this year's edition of the annual Coachella music festival dedicated nearly half of its lineup to electronic musicians.

The traditionally rock-centric festival in Indio, California -- headlined this year by singers Sabrina Carpenter, Justin Bieber and Karol G -- reflects the surge in popularity of electronic music in the aftermath of the Covid-19 pandemic.

"It's testament to the rise of electronic music, generally," Swedish DJ Adam Beyer told AFP.

"Much of it is so much more accessible. Also, there is a lot of electronic collaboration and influence in pop so it feels much more visible across the board now," he added.

Among the highlights of the festival's second weekend was the premiere of electronic musician Anyma's "ÆDEN" show on the festival's main stage, after the set was canceled the previous weekend due to high winds.

"I mean man, I love it, it's like... a rave after another, you know?" festival attendee John Good said as he left the Nine Inch Noize show, a joint act by industrial rock band Nine Inch Nails and German producer Boys Noize.

The second day of the festival featured a set by Beyer with trance legend Armin van Buuren, who popularized the subgenre for a global audience.

"The term is now so broad," van Buuren told AFP, referring to electronic music.

"It's no longer just 'house music,' but even tracks by Sabrina Carpenter have some sort of electronic drums in them. I guess electronic music has spread through and had an impact on all genres of music," he said.

Beyer and van Buuren agreed that the delineation between electronic and traditional genres has faded in recent years along with listening habits.

"This younger generation doesn't really approach music through strict genre labels anymore. It's more about mood, energy and context," van Buuren noted.

The 49-year-old Dutch DJ argued the festival setting was optimized for electronic acts.

"Festivals and large-scale shows have become more immersive and experience-driven, and electronic music is built exactly for this kind of setting," he said. "It's physical, emotional and repetitive in a way that works on this larger scale."

- 'Unpredictable' -

At the Sahara tent, Coachella's stage dedicated to electronic music, the lineup featured a variety of DJs from a range of subgenres.

Among them was Brazilian DJ Mochakk, who called his Coachella debut his "biggest gig to date."

The 26-year-old's influences include Brazilian genres like MPB and Tropicalia, as well as artists like Caetano Veloso and Chico Buarque.

"Music always goes in cycles," he told AFP.

"With electronic music I think it's this mix of old and new that people connect with.

"Also how open it is, you can blend so many genres in one set, keep switching energy, keep it unpredictable," he added.

"That keeps it exciting, and I think that's probably why it's been growing so much everywhere."

- Techno-flamenco -

Another electronic music act at Coachella this year was the duo MESTIZA, consisting of Spanish artists Pitty Bernad and Belah, who brought their cultural influences -- including flamenco dancers -- to the stage.

"Electric music has something very special, and that's why it's understood all over the world," Belah said.

The genre, she added, "has no borders."

"For a long time it was hard to find places where we could go to listen to electronic music," said Pitty, adding that "it has evolved in a dramatic way."

"Giving rise, for example, to this Coachella lineup," she said.



Eurovision Fever Hits Host City Vienna

The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP
The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP
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Eurovision Fever Hits Host City Vienna

The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP
The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP

Eurovision fever was set to hit Vienna on Sunday with events planned for thousands of fans in advance of the song contest's grand final on May 16, with the build-up once again facing calls for a boycott over Israel's participation.

The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest, with many side events scheduled in the run-up, AFP said.

On Sunday afternoon, it will roll out the carpet -- which at Eurovision is not red but turquoise -- to welcome a parade of the 35 delegations from participating countries, as part of a colorful opening ceremony set to begin at 1200 GMT.

On the agenda: the best - and worst - from seven decades of the music competition on a giant screen in front of the neo-Gothic city hall, in a square turned into a secured area reserved for fans.

Today, the contest reaches more than 170 million people on television and online around the world, and its content generates billions of views across digital platforms.

Finland is the heavy favorite this year, hoping to hit the jackpot with an entry pairing brooding singer Pete Parkkonen with radiant violinist Linda Lampenius.

Instruments are usually pre-recorded but organizers the European Broadcasting Union (EBU) have made an exception to allow Lampenius to play live, according to the Nordic country's media.

- Hundreds of police -

Spain, Ireland, Iceland, the Netherlands and Slovenia have decided to snub this year's edition in protest at Israel's participation.

They have criticized Israel over its bombardment of Gaza in retaliation for the October 7, 2023 attack by the Palestinian movement Hamas.

More than 1,000 artists or groups have also called for a boycott, including Peter Gabriel and Massive Attack.

Pro-Palestinian as well as pro-Israeli demonstrations are planned in Vienna with tight security helmed by several hundred police officers on duty every day until Saturday's finale.

Germany, France, Italy and Britain, which contribute the largest financial share, are guaranteed a place in the final.

Austria will also be on stage because local artist JJ won the previous edition. But this year, its contestant, Cosmo, is not expected to trouble the leaderboard.


The Cannes Film Festival Is About to Begin. Here Are the Key Films Making Their Debut

 This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
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The Cannes Film Festival Is About to Begin. Here Are the Key Films Making Their Debut

 This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)

For 12 days this week, the eyes of the movie world will be on the Cannes Film Festival.

The Cote d’Azur spectacular will play host — starting on Tuesday — to some of the most anticipated movies of the year in a constant parade of red carpets and megawatt premieres. This year, Hollywood studios are mostly on the sidelines. But for more than 78 years, Cannes has been an unparalleled showcase, and sun-dappled circus, for some of the best in cinema.

Last year that included Oscar nominees like “Sentimental Value,” “The Secret Agent” and “It Was Just an Accident.” This year is just as likely to produce a crop of contenders. In recent years, movies like “Parasite” and “Anora” have launched at Cannes and gone on to win best picture at the Academy Awards.

Presiding over the jury deciding the Palme this year is South Korean filmmaker Park Chan-wook. At the opening ceremony Tuesday, Cannes will also bestow an honorary Palme d’Or on Peter Jackson. Later, Barbra Streisand will get one, too.

So there will be much to keep an eye on at this year’s Cannes, including “The White Lotus.” The HBO series has come to the Croisette — the Mediterranean city's famous promenade — to shoot its fourth season.

On the screen, these are some of the movies that should stir Cannes.

‘Hope’ Na Hong-jin isn’t as well-known as some of his fellow Korean filmmakers, but he may be poised for a breakout moment this year. His latest is a long-gestating sci-fi thriller that Cannes artistic director Thierry Fremaux said “constantly changes genres.” The cast has both Korean and Hollywood stars, including Hwang Jung-min, Zo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell.

‘Paper Tiger’ Though not initially announced as part of the festival competition slate, James Gray’s latest Queens-set drama was subsequently added. And it instantly became one of the most anticipated and star-studded American films at the festival. Gray, the filmmaker of “Armageddon Time” and “The Immigrant,” tells a story about two brothers (Adam Driver, Miles Teller) who become mixed up with the Russian mafia. Scarlett Johansson co-stars.

‘Fjord’ The Romanian director Cristian Mungiu is a heavyweight of European cinema because of films like the 2007 Palme d’Or winner “4 Months, 3 Weeks and 2 Days” and 2022’s “R.M.N.” Sebastian Stan and Renate Reinsve star in his latest as a Romanian-Norwegian couple who move to the wife’s remote Norwegian hometown.

‘Fatherland’ Polish filmmaker Pawel Pawlikowski is best known for a pair of black-and-white, powerfully succinct period dramas: “Ida” and “Cold War.” His latest makes it three. It stars Hanns Zischler as the German author Thomas Mann on a road trip following World War II. Accompanying him is his daughter, played by Sandra Hüller.

‘All of a Sudden’ The Japanese auteur Ryusuke Hamaguchi makes his French-language debut. Hamaguchi’s 2021 opus “Drive My Car” made history as the first Japanese film nominated for best picture. His 2023 follow-up, “Evil Does Not Exist,” was also acclaimed. “All of a Sudden,” starring Virginie Efira and Tao Okamoto, is about a nursing home director and a terminally ill Japanese playwright.

‘Sheep in the Box’ Long revered for his delicate humanism, the Japanese filmmaker Hirokazu Kore-eda will unveil his latest. Kore-eda has already won the Palme d’Or, for 2018’s “Shoplifters.” But his three decades of moviemaking have made him a never-to-be-missed filmmaker of exquisite tenderness. The sci-fi “Sheep in the Box” is about a couple, grieving the loss of their son, who adopt an infant humanoid robot.

‘The Unknown’ The French filmmaker Arthur Harari three years ago co-wrote the Palme d’Or winner “Anatomy of a Fall” with his partner, Justine Triet. In “The Unknown,” Harari directs and cowrites a film about a photographer who, after photographing a woman at a party and then following her, wakes up in her body. Starring Léa Seydoux.

‘Minotaur’ The Russian filmmaker Andrey Zvyagintsev has been behind some powerfully potent dramas, including 2014’s “Leviathan” and 2017’s “Loveless” — both of which were Oscar nominated. After a near-death experience during the pandemic, Zvyagintsev returns to Cannes with a business executive in crisis in rural Russia.

’John Lennon: The Last Interview’ Steven Soderbergh ’s documentary about John Lennon’s final interview, granted at the Dakota in New York just before he was killed, drew headlines after Soderbergh acknowledged using artificial intelligence to illustrate some of Lennon’s more philosophical musings. But the film, playing in Cannes as a special screening, promises to lend unparalleled intimacy with the great Beatle.

‘Bitter Christmas’ Pedro Almodovar is among the most regular filmmakers in Cannes. This festival, he'll debut “Bitter Christmas,” a multilayered melodrama about filmmaking, grief and aging. After making his English-language debut with “The Room Next Door,” starring Tilda Swinton and Julianne Moore, Almodovar is back in his native Spain with one of his most personal films yet.


Türkiye Show Displays Photo Master Ara Guler’s Cannes Shots

A woman looks at a photo of Italian actress Sophia Loren taken by Turkish photojournalist Ara Guler during the Cannes Film Festival at the Ara Guler Museum in Istanbul, on May 7, 2026. (AFP)
A woman looks at a photo of Italian actress Sophia Loren taken by Turkish photojournalist Ara Guler during the Cannes Film Festival at the Ara Guler Museum in Istanbul, on May 7, 2026. (AFP)
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Türkiye Show Displays Photo Master Ara Guler’s Cannes Shots

A woman looks at a photo of Italian actress Sophia Loren taken by Turkish photojournalist Ara Guler during the Cannes Film Festival at the Ara Guler Museum in Istanbul, on May 7, 2026. (AFP)
A woman looks at a photo of Italian actress Sophia Loren taken by Turkish photojournalist Ara Guler during the Cannes Film Festival at the Ara Guler Museum in Istanbul, on May 7, 2026. (AFP)

One shot shows Sophia Loren lifting a champagne glass beneath the adoring gaze of fans. In another frame, Brigitte Bardot lies carefree in the countryside in a T-shirt and jeans.

Frozen in time yet alive with glamour and spontaneity, these moments are part of a new exhibition in Istanbul featuring previously unseen shots by Türkiye’s legendary Magnum photographer Ara Guler at the Cannes Film Festival.

Dubbed the "Eye of Istanbul" by fans, Guler was famed for his iconic black-and-white images that captured the soul of the Turkish city.

He also regularly covered the world's top film festival on the French Riviera between 1957 and 1967.

"Beyond the award ceremonies and red carpets, Ara Guler also captured what unfolded behind the scenes: lavish parties, intimate gatherings and even a luncheon held in honor of Sophia Loren," said Cagla Sarac, the art advisor for Dogus Group, a leading business group that founded the Ara Guler Museum.

"The result is a remarkably complete portrait of the festival, revealing not just its glamour, but the full human story surrounding it," she told AFP.

His Cannes festival shots are on display until October 11 at the museum in Istanbul, opened in 2018, two months before his death on his 90th birthday.

Next to the museum, a team of experts continues to work meticulously on his vast archives, preserving the legacy of Türkiye's photography master.

"There are countless remarkable photographs in his archive, and with every exhibition we hope to bring new frames to light," Sarac said.

- Passion for cinema -

Traces of Guler's lifelong devotion to cinema can even be found in his teenage diaries from the late 1940s and 1950s, according to Temel Yilmaz, conservator and archive researcher.

"In his high school diaries, we keep seeing the same line over and over again: 'I didn't go to school today,'" he said with a smile. "Because he had gone to the cinema instead".

In a wide-ranging career, he also photographed famous personalities including Salvador Dali, Alfred Hitchcock and Winston Churchill.

Born to an Armenian family in Istanbul, Guler attended an Armenian school there and began working as a photographer on Turkish newspaper Yeni Istanbul.

He got his first big international chance as a photographer in 1958 when US magazine Time-Life opened a Türkiye office.

He then met the likes of photographers Marc Riboud and Henri Cartier-Bresson who signed him up to join the celebrated photo agency Magnum.

- 'Genuine portraits' -

"He looked at everything through the lens of news value, always trying to document, always searching for a new story," recalled Alin Tasciyan, a film critic who has followed the Cannes Film Festival since 2002 and who knew Guler.

What stands out in his archive, Tasciyan told AFP, is his ability to see beyond the surface.

"When I look at the photographs, I see the moments Ara Guler captured -- sailors arriving on boats. He would walk through the streets and beaches of Cannes, observe what was happening."

For Guler, photography was about truth rather than spectacle, she said.

"He really photographed the spirit of the time, the spirit of the place. In this exhibition, I saw how much he could extract from a place I know so well," she said.

"I also saw his humor -- he was a very funny man. He would suddenly crack a joke at the most unexpected moment."