Yemen Introduced the World to Coffee. Now, Its Coffeehouse Culture Is Booming in the US

Franchisee Ahmad Badr serves a drink and treat sampler at Arwa Yemeni Coffee on April 6, 2026, in Sunnyvale, Calif. (AP)
Franchisee Ahmad Badr serves a drink and treat sampler at Arwa Yemeni Coffee on April 6, 2026, in Sunnyvale, Calif. (AP)
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Yemen Introduced the World to Coffee. Now, Its Coffeehouse Culture Is Booming in the US

Franchisee Ahmad Badr serves a drink and treat sampler at Arwa Yemeni Coffee on April 6, 2026, in Sunnyvale, Calif. (AP)
Franchisee Ahmad Badr serves a drink and treat sampler at Arwa Yemeni Coffee on April 6, 2026, in Sunnyvale, Calif. (AP)

Hundreds of years ago, Yemen helped introduce the world to coffee. Lately, the mountainous, war-ravaged country that borders Saudi Arabia and Oman is exporting something else: its coffee culture.

Yemeni coffeehouses are opening at a rapid pace across the US. The number of cafes run by six major chains that serve Yemeni-style drinks grew 50% last year to 136, according to Technomic, a restaurant industry consulting company. The count doesn’t include the many smaller chains and independent cafes serving coffees and teas imported from Yemen.

Yemeni coffeehouses are meeting the moment for several reasons. They stay open late — sometimes past 3 a.m., especially during Ramadan — and provide a place to socialize for the growing number of Americans who don’t drink alcohol. Last year, a Gallup poll found that just 54% US adults reported drinking alcohol, the lowest percentage in 90 years.

“Generally in the Middle East, our nightlife is coffee, right? People hang out at coffee shops, they play cards, they talk. We wanted to bring that here,” said Ahmad Badr, who owns an Arwa Yemeni Coffee franchise in Sunnyvale, California.

Another reason for the cafes’ popularity is the growing number of Americans of Arab descent. Between 2010 and 2024, the Arab American population in the US rose by 43%, compared to around 10% growth for the US population as a whole, according to the Arab American Institute.

While most Yemeni coffee shops are in places with high concentrations of Arab Americans, including Michigan, California and Texas, they’re also opening in locations as diverse as Alpharetta, Georgia; Overland Park, Kansas; and Portland, Maine.

Customers are seen inside Arwa Yemeni Coffee on April 6, 2026, in Sunnyvale, Calif. (AP)

A taste of home

Faris Almatrahi is the co-founder and owner of Texas-based Arwa Yemeni Coffee, a chain with 11 cafes across the US and 30 more in development. He said an ongoing civil war in Yemen that began in 2014 has prevented Yemeni Americans like himself from visiting their homeland, so he has tried to evoke Yemen in his cafes.

Arwa locations are painted in natural desert tones, with archways that mimic mosques and lampshades shaped like the hats worn by Yemen’s coffee farmers.

“One of the ways to actually visit without traveling there was to bring that experience to the US, and that was a huge passion for us when we opened our first location,” Almatrahi said. “It was extremely emotional for all of us due to the fact that it really transported us to Yemen."

But Almatrahi noted that most of his customers aren’t of Arab descent. In fact, Americans of all backgrounds are seeking out new global flavors and authentic experiences, according to market research company Datassential. Food trends are also spreading quickly through social media.

Menus vary, but Yemeni cafes generally serve specialties like Adeni tea, a spiced tea similar to chai, and qishr, a traditional drink made from the dried husks of coffee cherries. Familiar drinks like lattes might contain special spices or honey; at Arwa, lattes features the outline of a camel stenciled in spices.

Bakery cases might contain khaliat nahal, or Yemeni honeycomb bread, a cheese-filled pastry drizzled with honey, or basboosa, a cake soaked in sugar syrup and often flavored with lemon or rose water. Many Yemeni menus also mix in more typical US coffeeshop fare, like matcha lattes or berry refreshers.

Franchisee Samir Irani pours Adeni tea inside Arwa Yemeni Coffee on April 6, 2026, in Sunnyvale, Calif. (AP)

Choices for coffee lovers

Peter Giuliano, a researcher with the Specialty Coffee Association, a California-based nonprofit, said culturally specific cafes have been a key growth driver in the US coffee industry for the last few years. In addition to Yemeni cafes, he cited the Latin-style chain Tierra Mia in California and Nguyen Coffee Supply, a New York-based company that roasts Vietnamese beans.

A customer who visited Badr's shop in Sunnyvale for the first time said an internet search brought her there on a recent weekday. Cindy Donovan said she’s always on the hunt for good coffee and was excited by Yemeni coffees she tried.

“I think they're much more refined and mellow, and much more full of flavor than a regular cup of dark roast, for instance,” Donovan said. “The cardamom in the drinks is fantastic. Very, very flavorful, rich but not heavy.”

Most Yemeni coffee is sun-dried, which enhances its flavor and brings out undertones of chocolate and fruit, Almatrahi said. Yemeni cafes often mix coffee with special spice mixes – or hawaij – that may contain cardamon, ginger, cinnamon, cloves, coriander or nutmeg.

“Our coffee and teas are not just made through a fully automatic machine,” said Mohamed Nasser, the director of operations for Haraz Coffee House, a Dearborn, Michigan-based chain with 50 US outlets and another 50 in development. “We have to manually blend and mix our coffee and tea, boil it with water and evaporated milk, make sure that it comes out (with the) perfect taste, perfect color.”

Yemen's flavorful history

Coffee has a long history in Yemen. While the plant was likely discovered in Ethiopia, by the 1400s it was being cultivated in Yemen, where monks brewed it to stay awake during prayers, according to the National Coffee Association, a US trade group.

Yemen monopolized the coffee trade for around 200 years until Dutch merchants smuggled coffee seeds to Indonesia and began growing plants there.

Almatrahi said a revitalization of the Yemeni coffee industry over the last two decades, led by coffee companies, foundations and young entrepreneurs, helped make the current US boom possible.

Coffee is one of the most promising sectors for economic development in Yemen, where more than 80% of the population lives in poverty, according to the Food and Agriculture Organization of the United Nations.

“We are ambassadors for our culture and our people. So when we open these shops, we want to perform the outreach, to show the hospitality, to show what we have to offer,” Almatrahi said.



Saving Gaza's Past, One Artifact at a Time

Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)
Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)
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Saving Gaza's Past, One Artifact at a Time

Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)
Palestinian curators working to restore ancient artifacts amid the ruins of war-devastated Gaza. (AFP)

Armed with paintbrushes and wearing surgical gloves, volunteers inside a large tent in Gaza delicately brushed dust from a stone mosaic before placing it into storage, part of an effort to preserve cultural heritage hit by war.

More than 160 historic and cultural sites across the Palestinian territory have been damaged during the conflict between Israel and Hamas, according to the United Nations.

Many of these artifacts date back thousands of years.

"Several mosaic artworks have been lost or destroyed, either completely or partially," said Mohammed Abu Lahia, a Palestinian visual artist taking part in the preservation efforts in the south Gaza city of Khan Yunis.

"It is important that we work to revive this art, remind our children and our community, and send a message to the world that we are committed to our heritage and our Palestinian cause."

Beyond archaeological treasures, more recent cultural artifacts are also at risk of being damaged or buried beneath rubble from shelling and airstrikes.

More than 90 percent of Gaza's buildings have been damaged or destroyed during the conflict, according to the UN.

Over the centuries, Persians, Greeks, Romans, Byzantines and Ottomans all left their mark on Gaza, creating a rich historical landscape of churches, mosques, ports and artifacts, many of which have suffered damage during the conflict.

"This stone is a piece called a mortar, and it was used for grinding grains and herbs. It is approximately 5,000 years old," said Muhannad Abu Lahia, a cultural heritage guide with the Mayasem Association for Culture and Arts, the NGO leading the preservation efforts.

Behind him, artifacts already catalogued for safekeeping were stacked on wooden shelves inside weatherproof plastic containers.

- Preserving the past -

With Israel maintaining tight controls over goods entering the Gaza Strip -- restrictions that have at times contributed to severe shortages of food and other supplies -- volunteers have had to work without professional conservation equipment.

Instead, they gently removed dust from mosaics using ordinary paintbrushes and built a makeshift scanning station by mounting a camera above a box lined with black craft paper.

The improvised scanner allowed volunteers to digitize old photographs and paper documents, which were then uploaded to a computer for preservation.

Not everything entering storage is ancient.

Many items date from the 20th century, including the late Ottoman period, the British Mandate and the Egyptian administration. Their owners sought to save them from destruction or loss after being displaced.

"This is a paper archive containing maps of Khan Yunis and structural maps of the Khan Yunis area from the time of the British Mandate," said 29-year-old volunteer Taghreed Hajjari.

At one table, three women painstakingly rearranged hundreds of fragments to recreate a contemporary mosaic, using a printed copy of the original artwork as a guide and trimming excess stone with carpenter's pincers.

Many artifacts, however, remain beyond the so-called "Yellow Line", which separates territory under Hamas control from areas held by the Israeli forces.

Israel says it now controls more than 60 percent of the Gaza Strip, up from about half when the ceasefire took effect in October last year.

Volunteers say retrieving artifacts from Israeli-controlled areas remains extremely difficult.

Meanwhile, Hajjari said efforts continue to preserve everything still within reach, including documents that chronicle centuries of Gaza's history.

"We also have newspapers and documents here from the British Mandate and the Egyptian era until the arrival of the Palestinian Authority," she said.

"They were collected through visits and conversations with elderly residents.

"We documented their oral histories so they can serve as a reference for future generations."


Face-to-Face with Ancient Rome: Exhibition in Hungary Brings Forgotten Faces to Life

Roman-era skulls and their facial reconstructions are on display at the Aquincum Museum's exhibition titled "Once we were like you" which showcases characters and the fictional life stories of those who once lived in the bustling Roman settlement of Aquincum, in Budapest, Hungary, Tuesday, July 7, 2026. (AP)
Roman-era skulls and their facial reconstructions are on display at the Aquincum Museum's exhibition titled "Once we were like you" which showcases characters and the fictional life stories of those who once lived in the bustling Roman settlement of Aquincum, in Budapest, Hungary, Tuesday, July 7, 2026. (AP)
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Face-to-Face with Ancient Rome: Exhibition in Hungary Brings Forgotten Faces to Life

Roman-era skulls and their facial reconstructions are on display at the Aquincum Museum's exhibition titled "Once we were like you" which showcases characters and the fictional life stories of those who once lived in the bustling Roman settlement of Aquincum, in Budapest, Hungary, Tuesday, July 7, 2026. (AP)
Roman-era skulls and their facial reconstructions are on display at the Aquincum Museum's exhibition titled "Once we were like you" which showcases characters and the fictional life stories of those who once lived in the bustling Roman settlement of Aquincum, in Budapest, Hungary, Tuesday, July 7, 2026. (AP)

A blacksmith, a stable boy, a soldier, a slave: The faces and stories of these and other residents of an ancient Roman city in modern Hungary have been brought to life in remarkable fidelity for a new exhibition in Budapest.

The display, which runs until Oct. 31, showcases highly detailed facial reconstructions from over a dozen skulls found in the ancient city of Aquincum, once a bustling Roman settlement on the empire's Danube frontier.

Visitors to the Aquincum Museum come face-to-face with hyper-realistic models of Roman-era individuals, each crafted using DNA analysis and other techniques from fields such as archaeology and anthropology to determine how the people may have looked in life nearly 2,000 years ago.

“Our main goal was to bring a few of these individuals closer to the people of today,” said Loránt Vass, an archaeologist and the exhibition's co-curator.

The title of the exhibition, “Once we were like you,” attempts to answer questions about ordinary people in ancient societies: What did they look like? What were their names? What was their fate?

Experts with the Aquincum Museum used DNA analysis of unearthed bones to reveal skin, hair and eye color and whether the person may have had freckles.

The shape, density and other characteristics of the skull revealed details of the structure of the face as well as the person's age and whether they had sustained any injuries or suffered from disease.

Based on the findings, curators came up with names, trades and biographical stories to each of the reconstructed faces, giving them new life.

Péter Vámos, another of the exhibit’s co-curators, said the invented details were “based on authentic historical foundations” as well as information gathered from analysis of the skulls, which are displayed under the reconstructions.

“We don’t even know their names, unfortunately, but we tried to incorporate everything that anthropology and genetic studies could tell us about their life history,” he said.

One character, a construction worker they named Respectus, is described as having made his living in Aquincum plastering walls and splitting stone blocks. The exhibit says the work took its toll on his bones, and in a wine-fueled skirmish in a local tavern, his nose was broken and one of his teeth knocked out.

The story and social status of Respectus is typical of many Aquincum residents depicted. Vass said their studies showed that the bones of almost all individuals show a “fairly high degree” of inflammation.

“They were subjected to regular physical labor, and in many cases they were exposed to starvation for a certain period of time,” he said. “Based on this, it can be concluded that most of them belonged to the lower middle class, which is the least remembered segment of Roman society.”

Of the 16 reconstructions, six are silicon moldings that have been painted and meticulously adorned with true-to-life hair, clothing and jewelry.

Emese Gábor, who handcrafted the silicon reconstructions, said that while artificial intelligence also can be used to model ancient faces, “they just appear on a screen.”

“The advantage of this kind of reconstruction is that it can be displayed in a museum, it can be viewed from all angles and is totally life-size,” she said. “I stick to scientific methods and combine classical and modern scientific methods in this work.”

Another valuable piece of information that DNA can reveal is the ethnic origin of the person — quite illuminating in Aquincum's diverse settlement.

Analyses showed the presence of not only Roman citizens with origins in the heart of the empire in modern-day Italy, but also people from as far away as today's Scotland and Syria, as well as members of the nomadic Sarmatian tribes of the Eurasian steppes.

Also among Aquincum’s residents were Celts, who inhabited the region in the Iron Age before Roman settlement.

Vass said that during typical excavations of Roman-era skeletons, artifacts are examined, documented and stored, meaning “the bodies have no weight, no life, no soul.”

But by confronting visitors with their ancient predecessors, the museum hopes to forge a connection.

The exhibition's title “suggests that they were like we are today. They had the same occupations, the same problems,” Vass said.

“They may have had different life conditions, different social status, but people are people,” he said. “I don’t think that has changed much across history.”


AI-Powered Cultural Programs to Transform Saudi Arabia’s Creative Sector

The Ministry of Culture and the Cultural Development Fund signed a memorandum of understanding with SDAIA to explore joint AI programs serving the cultural sector. Photo: Ministry of Culture
The Ministry of Culture and the Cultural Development Fund signed a memorandum of understanding with SDAIA to explore joint AI programs serving the cultural sector. Photo: Ministry of Culture
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AI-Powered Cultural Programs to Transform Saudi Arabia’s Creative Sector

The Ministry of Culture and the Cultural Development Fund signed a memorandum of understanding with SDAIA to explore joint AI programs serving the cultural sector. Photo: Ministry of Culture
The Ministry of Culture and the Cultural Development Fund signed a memorandum of understanding with SDAIA to explore joint AI programs serving the cultural sector. Photo: Ministry of Culture

Saudi Arabia is preparing to launch a new generation of AI-powered cultural initiatives aimed at reshaping innovation, boosting the efficiency of creative institutions, and helping Saudi artists expand their presence at home and abroad.

On Monday, the Ministry of Culture and the Cultural Development Fund signed a trilateral memorandum of understanding with the Saudi Data and AI Authority (SDAIA) to explore joint AI programs serving the cultural sector, creators, and cultural enterprises.

The move reflects a broader national drive to accelerate the adoption of advanced technologies across the cultural economy as the Kingdom prepares to designate 2026 the Year of Artificial Intelligence.

Building an Enabling Ecosystem

Raed bin Khalil Al Eid, a cultural innovation adviser and founder of the Cultural Management Platform, said the agreement reflects growing recognition of AI’s role in the future of culture.

Although the initiative comes some time after the launch of the Year of AI, he said the delay should not prevent institutions and practitioners from benefiting from the programs expected to emerge.

What matters most, he added, is effective implementation that translates the memorandum into projects with tangible impact.

Al Eid cited a specialized study by the Cultural Management Platform that documented AI applications across all 16 cultural sectors officially recognized in Saudi Arabia, including heritage, museums, libraries, literature, publishing, translation, music, theater, film, architecture, fashion, and culinary arts.

The findings showed that AI has become an enabling technology applicable across the entire cultural ecosystem rather than a tool limited to a single discipline, broadening investment opportunities and making its adoption in Saudi Arabia increasingly practical.

He argued that the Ministry of Culture’s primary role at this stage is to create an enabling environment for AI by establishing policies, regulations, professional standards, and governance frameworks covering intellectual property, data, and ethics.

This, he said, would allow private companies, nonprofit organizations, and community initiatives to develop AI solutions with confidence.

Culture in the Year of AI

Al Eid said cultural innovation is no longer optional but essential as audiences, cultural consumption habits, generational interests, and regional priorities continue to evolve.

He emphasized that coupled with AI, cultural innovation can do more than improve efficiency: it can broaden culture’s reach, engage new audiences, and create more diverse, interactive, and sustainable cultural experiences.

Saudi Arabia’s cultural sector is already undergoing a rapid digital transformation, with further momentum expected as the Kingdom marks 2026 as the Year of Artificial Intelligence. The Ministry of Culture and its affiliated commissions have launched competitions and hackathons to attract innovators and encourage the development of AI applications across the cultural sector.

For Saudi artists and cultural professionals, the initiative is expected to open new opportunities to combine human creativity with advanced AI capabilities across a wide range of creative fields.