'Jurassic Park' Star Sam Neill Dies Aged 78

FILE PHOTO: Sam Neill attends a premiere of the television series 'Apples Never Fall', in Los Angeles, California, US March 12, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Sam Neill attends a premiere of the television series 'Apples Never Fall', in Los Angeles, California, US March 12, 2024. REUTERS/Mario Anzuoni/File Photo
TT

'Jurassic Park' Star Sam Neill Dies Aged 78

FILE PHOTO: Sam Neill attends a premiere of the television series 'Apples Never Fall', in Los Angeles, California, US March 12, 2024. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Sam Neill attends a premiere of the television series 'Apples Never Fall', in Los Angeles, California, US March 12, 2024. REUTERS/Mario Anzuoni/File Photo

Sam Neill, a smoothly elegant and versatile actor whose career moved from art film to blockbuster as he dodged velociraptors in “Jurassic Park” to playing Holly Hunter’s husband in “The Piano,” has died. He was 78.

In 2023, Neill disclosed he had been diagnosed with angioimmunoblastic T-cell lymphoma, a rare type of non-Hodgkin lymphoma. Neill died on Monday in Sydney, according to a statement posted to the actor’s social media page.

His death was “sudden and unexpected,” the statement said, adding that he “remained cancer free” when he died. A cause of death wasn’t specified.

“Sam was surrounded by family and passed with the dignity that has characterized his whole life,” his family wrote.

Neil was one of a host of actors and directors who achieved international fame after an explosion of Australian films that began in the late 1970s, a list that includes Paul Hogan, Mel Gibson, Geoffrey Rush, Russell Crowe, Jane Campion, Peter Weir and Gillian Armstrong. His range was remarkable, playing opposite Helena Bonham Carter in the Alan Ayckbourn comedy “Sweet Revenge” to chopping off Hunter’s finger in “The Piano” to poking his own eyes out in the sci-fi horror “Event Horizon.”

In “Omen III: The Final Conflict,” he played Damien the Antichrist and he also played Cardinal Thomas Wolsey in “The Tudors.”

The actor first came to the attention of international audiences in Armstrong’s 1979 film “My Brilliant Career,” which also introduced Judy Davis. He later appeared in Phillip Noyce’s “Dead Calm,” a classy thriller set at sea and co-starring the then-relatively unknown Nicole Kidman.

Neill twice co-starred with Meryl Streep, in Australian director Fred Schepisi’s “Plenty” and — again for Schepisi — in “A Cry in the Dark,” a film about the sensationalized aftermath of a dingo killing a baby in the Australian Outback.

He earned an Emmy nomination for his performance in the title role of the 1998 mini-series “Merlin” and another as narrator of 2017’s “Wild New Zealand.”

But perhaps he achieved his highest level of fame in “Jurassic Park” playing paleontologist Alan Grant, who is summoned to an island off Costa Rica where a theme park has been built to house herds of cloned dinosaurs. He co-starred alongside Laura Dern, Jeff Goldblum and Richard Attenborough.

His character was thoughtful and reasonable, a scientist who warned the mastermind of the theme park before the chaos: “Dinosaurs and man, two species separated by 65 million years of evolution have just been suddenly thrown back into the mix together. How can we possibly have the slightest idea what to expect?”

Grant survived the harrowing events when the creatures get loose, but didn’t return for “The Lost World: Jurassic Park II” in 1997. He came back for the third episode in 2001 and “Jurassic World: Dominion” in 2022.

“It’s probably a little late to learn these things,” he told the Daily New of New York in 2001, “but I finally feel I’ve worked out how to be an action hero. I’m happier with Grant this time. He’s gnarly and grizzled, but he looks like he knows what he’s doing.”

Born in 1947 in Northern Ireland, Neill emigrated to New Zealand at the age of 7. His family settled in Dunedin on the South Island and he was sent to boarding school in Christchurch. After college, he took the lead in “Sleeping Dogs” in 1977, the first feature made in New Zealand in more than a decade.

Neill’s other film roles included playing a Soviet submarine officer who memorably dreams of a home in Montana in “The Hunt for Red October” and an investigator in director John Carpenter’s “In the Mouth of Madness.”

On the small screen, Neill played the malign Chester Campbell in TV’s “Peaky Blinders” and Thomas Jefferson in the four-hour CBS miniseries, “Sally Hemings: An American Tragedy.” On Apple TV+, he was on “Invasion,” playing Oklahoma Sheriff John Bell Tyson, a man late in his career searching for his purpose. In 2024 he starred opposite Annette Bening in the Peacock series “Apples Never Fall.”

His memoir “Did I Ever Tell You This?” came out in March 2023 and he was awarded a knighthood in recognition of his “outstanding contribution to film,” a title approved by the late Queen Elizabeth II.

“I can’t pretend that the last year hasn’t had its dark moments,” Neill told The Guardian in 2023, referring to his cancer diagnosis and treatment. “But those dark moments throw the light into sharp relief, you know, and have made me grateful for every day and immensely grateful for all my friends.”



‘Avatar: The Last Airbender’ Expands with New Prequel Series ‘Avatar Kuruk: Wave of Chaos’

Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
TT

‘Avatar: The Last Airbender’ Expands with New Prequel Series ‘Avatar Kuruk: Wave of Chaos’

Michael Dante DiMartino and Bryan Konietzko. (Getty Images)
Michael Dante DiMartino and Bryan Konietzko. (Getty Images)

The world of successful TV franchise "Avatar: The Last Airbender" is expanding once again, with a new prequel series that will follow the story of a rebellious teenager Avatar — a being who controls the elements.

Franchise co-creators Michael Dante DiMartino and Bryan Konietzko announced the animated TV series, titled "Avatar Kuruk: Wave of Chaos," on ‌Friday at ‌New York Comic Con, ‌with attendees ⁠getting a first ⁠look at Kuruk and his pet, Nikik.

Kuruk aims to stay "one step ahead of his angry teacher, rowdy pirates, and chaotic spirits, all while helping the world in his own unique ways," ⁠said a statement from Skydance.

The ‌series is set ‌to stream on Paramount+. No release date has ‌been announced.

The Asian-inspired "Avatar: The Last Airbender" ‌franchise follows a world divided into four elemental nations, where the Avatar alone can control water, fire, earth and air to maintain balance.

The ‌original TV series has spawned two sequels, "The Legend of Korra," and "Avatar: ⁠Seven ⁠Havens."

"Seven Havens" has been renewed for two additional seasons, the statement from Skydance said.

DiMartino and Konietzko were involved in developing a live-action adaptation of the original "Avatar" series for Netflix before parting ways with the streamer in 2020, citing "creative differences."

In 2021, they teamed with Nickelodeon to launch Avatar Studios, focused on expanding the universe of the original series through new films and television projects.


US Actor Keegan Allen Says He Was Victim of Armed Robbery

Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
TT

US Actor Keegan Allen Says He Was Victim of Armed Robbery

Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)
Keegan Allen attends the Los Angeles premiere of Netflix’s “The Umbrella Academy” held at ArcLight Hollywood on February 12, 2019 in Hollywood. (Getty Images)

American actor Keegan Allen said he was violently robbed outside a Los Angeles grocery store, an attack he recounted in a graphic video on social media posted overnight Thursday.

"Robbed at gunpoint and knifepoint by two young men that threatened to KILL me over my watch and would have! God said no tonight. My life for a watch," posted the actor who appeared in the hit television series "Pretty Little Liars."

His post included a video of himself, visibly shaken, describing the episode, blood streaming down his face.

The Los Angeles County Sheriff's Department said in a statement that they responded to an alleged armed robbery, without naming Allen.

"According to the victim, one suspect pointed a silver handgun at him while the second suspect brandished a knife. The suspects demanded the victim's watch and bracelet," read the statement.

Officers said the victim was struck in the face with a handgun, leaving a laceration on his forehead, before fleeing in a vehicle with the watch.

Allen's video post included grainy video from an apparent security camera, footage that showed two people wearing black who appeared to threaten the 37-year-old actor, who removes his watch before one of the hooded people pistol whips him.


'Mad Dream': New Showcase for African Film Opens in London

Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
TT

'Mad Dream': New Showcase for African Film Opens in London

Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP
Nigerian film director and media mogul Mo Abudu poses ahead of the opening the UK's first cinema dedicated exclusively to African and black films. Justin TALLIS / AFP

Nigerian producer and media mogul Mo Abudu has realized a "mad dream" by opening a unique cultural center in London complete with a cinema dedicated to African film and black culture.

Close to the Houses of Parliament and its Big Ben clock, a massive concrete facade conceals the venue, which opens to the public this weekend - the first of its kind in Britain and Europe.

A small sign reads "EbonyLife Place London".

While the name may mean little to many passers-by, film lovers will recognize the reference to EbonyLife, a leading African production company and a major player in Nollywood, Nigeria's film industry.

Mosunmola "Mo" Abudu, 62, heads a media empire that stretches far beyond Nigeria's borders.

In 2025, Forbes ranked her among the world's 100 most influential women.

"It's time to tell our own stories," she told AFP. "I want to showcase the best of who we are, celebrate who we are. Let them see us at our very best."

Abudu, who was born in London, is pursuing that ambition in the British capital through the cultural center, which she describes as both "literally a blank canvas" and "a bit of a mad dream".

"We have to make the journey because the thing is that we have consumed so much of the world. How much of the world has consumed us?" she asked.

She recalled that growing up in England: "I could never go anywhere during my youth and watch a black movie."

So she decided to act.

"I'm not waiting anymore for anyone to take a six-hour trip from London to understand what it is to watch a Nigerian film or to see Nigerian fashion and so on and so forth. It's right here in London."

- 'Open to everyone' -

The two-storey venue includes a bar, a lounge called "Fehinti" -- a Yoruba word meaning to lean back and rest -- a restaurant and a boutique showcasing designers from Africa and its diaspora. Paintings by artists from across the continent line the walls.

Its centerpiece, however, is the new cinema, fitted with red seats, wood paneling and soft lighting. It has been named "Amani", meaning peace and harmony in Swahili.

The project, financed almost entirely by Abudu's media group, mirrors the upscale lifestyle complex she launched in Lagos in 2019.

Abudu, who is widely credited with helping usher in the era of Nollywood blockbusters, said African creatives should stop asking others to make room for them and instead "take responsibility for creating our own spaces".

Describing the center as a "safe space", she said it would be a place where "you can shop our fashion, you can view our art, you can listen to our music, and we can tell our stories".

Access will be through a membership scheme, details of which have yet to be announced. Such systems are common in Britain, particularly among cultural institutions.

There will be no ethnic or nationality restrictions. "Membership is open to everyone," she insisted.

The cinema's program is still being finalized. But here too, the objective is clear.

"We will have films from all parts of Africa. Everything should be on the table. We would show movies that celebrate black actors, black storytelling; that is why we are here," Abudu said.

Will audiences be able to see films by Senegalese director Ousmane Sembene or by Algerian filmmaker Mohammed Lakhdar-Hamina, the only African director ever to win the Cannes Palme d'Or? Her answer was an emphatic "yes".

The center will also showcase its own productions and films with black actors, including the next in the "Black Panther" series. Opening week will feature Nigerian filmmakers including Nwani Orire and Ifeyinwa Arinze.

And after London?

"I would love to do the same thing in Paris, perhaps through a partnership. I'm always open to collaborating with others," Abudu said.