Spain Removes Remains of 11th Century Kings from Monastery as Wildfire Rages

This screen grab of a handout video taken and released by Spain's Military Emergencies Unit (UME) shows firefighters taking away a painting amid a wildfire threatening San Juan de la Pena Monastery in Penas de Riglos in the Spanish southwestern province of Aragon, on August 13, 2026. (Photo by Handout / UME / AFP)
This screen grab of a handout video taken and released by Spain's Military Emergencies Unit (UME) shows firefighters taking away a painting amid a wildfire threatening San Juan de la Pena Monastery in Penas de Riglos in the Spanish southwestern province of Aragon, on August 13, 2026. (Photo by Handout / UME / AFP)
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Spain Removes Remains of 11th Century Kings from Monastery as Wildfire Rages

This screen grab of a handout video taken and released by Spain's Military Emergencies Unit (UME) shows firefighters taking away a painting amid a wildfire threatening San Juan de la Pena Monastery in Penas de Riglos in the Spanish southwestern province of Aragon, on August 13, 2026. (Photo by Handout / UME / AFP)
This screen grab of a handout video taken and released by Spain's Military Emergencies Unit (UME) shows firefighters taking away a painting amid a wildfire threatening San Juan de la Pena Monastery in Penas de Riglos in the Spanish southwestern province of Aragon, on August 13, 2026. (Photo by Handout / UME / AFP)

Spanish authorities on Thursday removed the remains of three kings who ruled the Aragón region in the 11th century from a monastery threatened by a wildfire.

Their remains were taken to the provincial museum of Huesca, located 80 km (50 miles) south of the monastery, for their protection until conditions improve, said the northeastern region's vice-president Mar Vaquero.

After the wildfire that had been raging since Monday began moving toward the 10th century San Juan ⁠de la Peña ⁠monastery late on Thursday, concern that it could be engulfed by flames prompted authorities to launch a rescue operation, Vaquero told reporters.

An emergency military unit team managed to enter the monastery, located in a mountain range, and ⁠take ceremonial clothing belonging to an 18th century count buried there, before the proximity of the flames forced them to flee.

A Spanish firefighter and local officials carry boxes containing remains of the first kings of Aragon after their removal from a monastery that is being threatened by a wildfire in San Juan de la Pena, Spain, August 13, 2026. Spanish Military Emergency Unit/Handout via REUTERS

The team returned a second time, accompanied by police officers and heritage officials, and removed the remains of the first three kings of Aragón — who ruled between 1035 and 1104 — from a pantheon within the monastery, as well as some historical paintings.

Vaquero praised ⁠the bravery ⁠of the rescue team, Reuters reported.

The wildfire had intensified earlier on Thursday, fueled by higher temperatures and strong winds. It has burned more than 9,000 hectares and forced the evacuation of 16 towns, although the monastery remained unharmed on Friday morning.

In southern Spain, a much larger wildfire also worsened on Thursday. It has so far burned 31,000 hectares in the province of Huelva and forced the evacuation of around 700 people.



Saudi Ambassador Inaugurates Cultural Mission Headquarters in Cairo

Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)
Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)
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Saudi Ambassador Inaugurates Cultural Mission Headquarters in Cairo

Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)
Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri. (SPA)

Saudi Ambassador to Egypt Saleh Al-Husseini and Secretary-General of the Cultural Missions at the Ministry of Education Abdulaziz Al-Shehri has opened the Saudi Cultural Mission’s headquarters in Cairo, the Saudi Press Agency reported Thursday.

Al-Husseini toured the headquarters and was briefed on the mission’s operations, services, and programs that support students and strengthen cultural and academic ties between Saudi Arabia and Egypt, SPA said.


Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles

Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles
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Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles

Red Sea Fund Backs 30 Film Projects in First Two 2026 Funding Cycles

The Red Sea Fund, a program of the Red Sea Film Foundation, has announced 30 selected projects across its first two funding cycles of 2026, drawn from 916 submissions and continuing its year-round commitment to supporting distinctive filmmakers and stories from Saudi Arabia, the Arab world, Africa and Asia.

Cycle 1, dedicated to projects in post-production, received 220 submissions, the highest number for a post-production cycle since the inception of the fund, and one of its most competitive to date, with 13 projects ultimately selected, SPA reported.

Cycle 2, dedicated to projects in production, received 696 submissions, with 17 projects ultimately selected, spanning feature fiction, feature documentary and short fiction.

Five Saudi projects feature among the Cycle 2 selections: Remind Me to Forget by Lama Jamjoom, Green Corpse by Khaled Zidan, Maria’s Mansion by Raed Alsemari, Bait Bahar by Yaser Hammad and Microwave by Mishary Almazyaad.

Several of the Cycle 1 post-production titles have already premiered internationally. Ben’imana won the Caméra d’Or at the 2026 Cannes Film Festival, where it screened in Un Certain Regard alongside Strawberries. At the Toronto International Film Festival, Angh won the Platform Award, world premiering alongside Four Seasons in Java. Other films also screened in Venice and at the Locarno Film Festival.

CEO of the Red Sea Film Foundation Faisal Baltyuor said: “These two cycles reflect exactly what the Red Sea Fund is here to do: identify bold, distinctive projects and support filmmakers at critical stages of their journey. The international momentum already building around several Cycle 1 titles is a strong testament to the caliber of the work, and we are excited to see the Cycle 2 projects continue that journey."


AlUla Artist Residency Showcases Creative Excellence at International Design Awards

The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)
The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)
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AlUla Artist Residency Showcases Creative Excellence at International Design Awards

The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)
The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award. (SPA)

The AlUla Artist Residency Program has strengthened its presence on the international design scene, with several of its participants receiving awards at the fourth edition of the Design Award, organized by the Institut du Monde Arabe in Paris, the Saudi Press Agency said on Sunday.

Saudi architect and artist Aseel Alamoudi won the Emerging Talent Award for her project "Playformation: The Curve and The Dot," inspired by AlUla's rock formations and natural curves.

The Contemporary Craftsmanship Award was presented to Altin Studio, founded by Yasmine Sfar and Mehdi Kebaier, for their sculptural work "Our AlUla Trilogy" (2025), comprising three pieces titled "Wadi,Waha," and "Yusr." The pieces were crafted from palm wood and plant fibers. The project combines traditional crafts with contemporary design, drawing inspiration from AlUla's landscape and natural materials while evoking the palm cultures of Saudi Arabia and Tunisia.

The international awards won by the participants reflect the initiative's expanding reach and its creative output's growing presence on the global stage, as part of the cultural and artistic momentum taking place in AlUla through its diverse residency programs, exhibitions, events, and festivals.