A Viking Longship in ‘The Odyssey’? It’s a Case of History Meets Hollywood

The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)
The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)
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A Viking Longship in ‘The Odyssey’? It’s a Case of History Meets Hollywood

The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)
The Draken Harald Harfagre, the ship used in the movie "The Odyssey", is docked outside Oslo Opera in the Norwegian capital on August 14, 2026. (AFP)

The eras of "The Odyssey" and the Vikings happened about 2,000 years apart -- so how did a Viking longship end up with a starring role in this year's blockbuster movie?

Look to director Christopher Nolan, and his obsession with bringing spectacle to life with real props, real scenes.

But also credit a team of Norwegian shipwrights and sailors who built a vessel that speaks to both history and Hollywood.

With its tar-soaked rigging, creaking oak deck and 50 spruce oars, Draken Harald Harfagre is the largest modern replica of a Viking ship.

It mattered little that it had to drop its Scandinavian roots for Greek mythology -- the anachronism blended into the service of Nolan's brand of realism.

For the film, though, Draken had to be stripped of the dragon figurehead at its bow -- typical of the Viking era, from the 8th to 11th centuries -- as it sailed for the cameras in Greek, Italian and Scottish waters.

"We found a Viking ship that had been built exactly according to those ancient specifications. And it was very much the whole shape and the rig that we needed to do a Bronze Age ship," Nolan told US television last month.

"We took the crew, and we put their crew all in our costumes. They became part of the movie crew, as it were. And Odysseus' guys, the actors, joined in with them, and they figured out how to raise the sail, how to rig it, how to row, all of this stuff."

For months, the longship's crew of seasoned sailors rubbed shoulders with Hollywood star Matt Damon, who plays Odysseus on-screen, and a host of professional actors.

- 'Doing the real thing' -

"There was one day where one of the actors who was sitting in front of me got seasick and threw up over the rail. It blew back on me," recalled sailor Trammell Hudson.

"I thought that would be my big scene, because the IMAX camera was very focused on him and me in the background dodging the debris. But I didn't see that particular scene in the film," he told AFP when the Draken and its crew made a recent visit to Oslo.

Based on Homer's epic, Nolan's film retraces the hero Odysseus in a perilous journey to his home on the island of Ithaca after the Trojan War in the 12th century BCE.

Rather than recreating a ship with computer-generated images, Nolan wanted a real one, capable of sailing on the open sea with flesh-and-blood men aboard.

"Most of the scenes would be completely different if it wasn't for us being there, doing the real thing with the real ship and the real crew in the real ocean and real weather," said Emanuel Persson, expedition director for Draken.

"I think the viewers can actually feel the genuine materials. I don't know if you can really smell the tar, but you can tell it's really genuine handicraft instead of being a digital creation," he said.

- All hands on deck -

On board, everyone played their part.

"Matt Damon was very nice and very good. Never complained. Every one of the actors was out for a long time and it was very cold and sometimes rough," recalled the longship captain, Bjorn Ahlander.

"No complaints, nothing, never. So that was fantastic to see."

With such a mixed crew on board, it wasn't always easy to row in perfect sync.

"It's very important that the hundred rowers coordinate because the oars are quite long and they will tangle with each other," Trammell Hudson stressed.

He recalled being thrown "a meter-and-a-half into the air", along with his rowing partner, when the blade of their oar hit a wave head-on.

The sweet memories from the shoot are in sharp contrast to those from neighboring Sweden.

Like Penelope waiting for Odysseus, the owners of another Viking ship used in the film had their patience tested: after the ship incurred damage during a shoot, they had to wait a year for compensation.



Paramount Wins Warner Bros Takeover After Settling States, Union Lawsuits

The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)
The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)
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Paramount Wins Warner Bros Takeover After Settling States, Union Lawsuits

The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)
The Paramount logo is shown on one of the studio's structures at the Paramount studio lot in Hollywood, Los Angeles, California, US, February 26, 2026. (Reuters)

Paramount Skydance emerged victorious on Monday from a legal battle over its $110 billion acquisition of Warner Bros Discovery after settling with a California-led group of US states and a Hollywood writers union, paving the way for one of the largest media mergers in history.

The settlement marks a major win for Paramount CEO David Ellison, who battled the states for months to finalize a deal that would dramatically concentrate power across Hollywood's film, TV, streaming and news businesses.

Paramount agreed to abide by temporary film quotas and a news oversight committee, avoiding a forced sale of cable assets such as CNN or any of its lucrative film franchises.

The settlement delighted Warner Bros shareholders, but drew criticism from opponents of the merger who say it will hurt Hollywood jobs. Shares ‌of Paramount pared ‌back earlier gains on Monday, while Warner Bros Discovery surged more than 10%.

The Writers ‌Guild ⁠of America settled ⁠its parallel case against Paramount, while saying it still believes the deal will damage the industry. The states' settlement forced the union to "contend with the reality of forging ahead alone, with no backing from government enforcers" in a complex case that would have cost millions of dollars.

California Attorney General Rob Bonta called the settlement "a strong antitrust outcome."

"More production, more choice, and guardrails that keep this industry competitive. I don't think these two companies should merge, but that's not something that we are focused on with our resolution here," he said at a press conference in Los Angeles.

Paramount ⁠promised in the state settlement to bring more film production to the US — ‌spending at least $300 million more each year in domestic production — and adhere ‌to US theatrical release quotas for five years.

The company will produce 30 movies in each of the first two years ‌of the deal, and 32 movies in each of the following three years, Bonta said. Each year, ‌at least four of those films must be independent films and at least 20% must be blockbusters. If it falls below that threshold, it will pay $30 million per film, most of it into funds to support workers.

Paramount also promised not to raise rates on theater operators for three years.

Under the settlement terms, Paramount will establish a news editorial independence board to ensure independence ‌at the CBS and CNN networks.

Reuters first reported on Friday that Paramount and the states could settle as soon as the weekend.

Ellison thanked the states and ⁠California Governor Gavin Newsom for ⁠his support throughout the process.

"Our goal has always been to build a stronger Hollywood — one with more stories told, greater choice for consumers and stronger competition," he said in a statement.

While Trump administration regulators cleared the deal, a coalition of 12 state attorneys general, led by California's Bonta, sued in July to block the merger, arguing it would reduce competition and create a media behemoth with the power to raise prices in movies and television.

The Writers Guild also sued to stop the deal, arguing it would decrease pay and worsen working conditions for film and TV writers.

The companies said earlier this year the merger will mean $6 billion in savings, through moves including cost cuts that would likely affect jobs across Hollywood as well as in the CNN and CBS newsrooms. The combined company is expected to hold $80 billion in debt.

The settlement helps Paramount avoid a $7 million-a-day "ticking fee" it would have owed Warner shareholders for each day the deal does not close past September 30.

Antitrust regulators in other jurisdictions globally, including the European Union and Britain, have already cleared the deal.


'Resident Evil' Tops Box Office with Franchise Best Debut of $60 Million

Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files
Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files
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'Resident Evil' Tops Box Office with Franchise Best Debut of $60 Million

Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files
Cast member Milla Jovovich speaks during a panel for "Resident Evil: Retribution" during the Comic Con International convention in San Diego, California July 13, 2012. REUTERS/Mario Anzuoni/Files

Zach Cregger’s “Resident Evil” gave the North American box office a shot in the arm in its first weekend in theaters. The Sony Pictures release earned $60 million in ticket sales from 3,684 locations in the US and Canada, according to studio estimates Sunday.

That’s a best for the video game inspired franchise, of which there have been seven prior movies dating back to 2002, and for the filmmaker behind “Weapons” and “Barbarian.”

It’s also more than most of the previous films made in their entire domestic runs. The only exception is “Resident Evil: Afterlife,” which was released in 2010 and netted out with $60.1 million, not accounting for inflation.

Cregger’s “Resident Evil” stars Austin Abrams (who also played a pivotal role in “Weapons”) as a medical courier whose last job of the night finds him battling infected creatures in Raccoon City. Reviews were overwhelmingly positive; it currently boasts a 95% on Rotten Tomatoes.

The audience was primarily male (66%) and under 35 (75%), according to PostTrak exit polls, and gave it a B+ CinemaScore. Cregger’s previous films have defied a lot of box office logic when it comes to horror movies, whose earnings tend to be front-loaded and drop sharply after the first weekend.

“Barbarian” grossed over $46 million on a budget under $5 million. “Weapons” made $270 million on a $38 million budget.

“Zach Cregger is a household name in the world of horror,” said Paul Dergarabedian, the head of marketplace trends for Rentrak. “There are certain directors who become the star of the movie.”

“Resident Evil” cost a reported $75 million to produce, which does not include marketing and promotion expenses. Internationally, it earned $48.3 million, bringing its global launch to $108.3 million.

“Zach Cregger plus big franchise equals big bucks,” The Associated Press quoted Dergarabedian as saying. “And he made it feel fresh and new.”

According to Rentrak, horror movies this year, including hits like “Obsession” and “Backrooms,” have generated over $1.1 billion at the domestic box office.

Second place went to “Practical Magic 2,” which fell about 59% from its lackluster opening weekend with $12.2 million from 4,163 theaters in North America. An additional $7 million from international showings brings its running global total to $76.8 million.

“Spider-Man: Brand New Day” landed in third place with $6.5 million in its eighth weekend, pushing its domestic total to $944.5 million. “The Odyssey,” in its 10th weekend in theaters, added another $4.9 million to take fourth place. “Coyote vs. Acme” rounded out the top five with $4.5 million.

One notable limited release was “The History of Concrete,” a documentary from comedian John Wilson, which earned $90,000 from one screen (the IFC Center in New York). The only film to make more in a single weekend at that venue was “Parasite,” which made $119,407.


For Palestinian Aid Groups, Macklemore’s $1M Pledge Brings Relief and Attention to Ongoing Suffering

A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)
A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)
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For Palestinian Aid Groups, Macklemore’s $1M Pledge Brings Relief and Attention to Ongoing Suffering

A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)
A mural by Palestinian artists depicts US rapper Macklemore on the ruins of homes in Gaza City, 19 September 2026. (EPA)

For the Palestinian relief nonprofits behind a $1 million pledge from rapper Macklemore, the Grammy winner's latest contributions offer more than just money.

Macklemore committed to donate his net earnings from Ed Sheeran's Loop Tour after he was dropped for making pro-Palestinian comments onstage at New Jersey's MetLife Stadium. The goal, he wrote in a Wednesday post on social media, was to “bring the conversation back to where it belongs” — the Palestinian people — after a 48-hour period that saw four supporting acts quit in solidarity and confusion over who held responsibility for the decision.

The six donation recipients included Medical Aid for Palestinians, Palestine Children’s Relief Fund and the UN agency for Palestinian refugees, UNRWA. In addition to the funding windfall, their leaders welcomed the renewed public awareness of the perilous living conditions faced by the Palestinian people they treat regularly.

“Even if you don’t see bombs falling every night, the rubble is still there,” said Alicia Phillips Mandaville, the acting CEO of Anera, another beneficiary. “And the traumatized children are still traumatized.”

Attention on continued pleas for help

Tareq Hailat, the director of strategic engagement at Palestine Children's Relief Fund, said his phone rings “all the time” with calls from people in Gaza “bleeding and asking for help.”

“There’s this notion that there’s a ceasefire. But it’s not true. There are children dying every single day. There’s our team that is constantly in danger on the ground every single day. There’s people we have to feed," he said. "So to have this attention on it is incredible.”

Israeli operations have killed more than 1,000 Palestinians since a fragile ceasefire took effect last October. Hundreds of thousands of Palestinians struggle to get healthcare in the West Bank. Palestinians say water shortages persist. The world’s leading authority on food insecurity warned in July that most Gaza families still weren't getting nearly enough to eat even as Israel allowed more aid.

The Palestinian Children's Relief Fund medically evacuates children who can’t get the care they need because of crumbling healthcare infrastructure and flies outside physicians in to treat others inside Gaza.

The nonprofit will put its share of Macklemore's gift into an unrestricted fund, according to Hailat. The donation allows leaders to more fluidly direct money based on the evolving circumstances inside Gaza.

Anera — a humanitarian aid group working in Palestine, Lebanon and Jordan — noted its donation also came with no requirements for how to use the money. Mandaville said that flexibility is important when “the way people live” and “the rules we work inside" change on a monthly basis.

“If there’s flooding again this year like there was last year, we can deal with that. If there is an acute hunger crisis again, like there has been in the past, we can meet that,” she said. “We can buy more blankets because people want their grandparents to be warm at night.”

Macklemore has long supported Palestinians

This week's gift wasn't the first time Macklemore has donated to some of the recipients.

The rapper has long advocated for the plight of Palestinians. He previously pledged the proceeds and streaming royalties from his protest anthems “Hind's Hall” and “Hind's Hall 2" to UNRWA.

More than $509,000 in support has come through those royalties, according to UNRWA USA CEO Mara Kronenfeld.

“He has been contributing to saving probably hundreds of thousands of lives in Gaza through his contributions already," she said.

This latest donation is already catalyzing more gifts. Ms. Rachel, a YouTube star and music teacher, announced Thursday that she would donate $1 million to the Palestinian Children’s Relief Fund and called on others to match the gift.

New England Patriots owner Robert Kraft — whose Kraft Group also owns Gillette Stadium, where Sheeran is scheduled to perform later this month — said in a Wednesday Instagram post that he would match Sheeran's own $2 million donation for aid “in the region.” The post did not specify the gift’s recipients.

Macklemore has said his removal was the result of an effort led by Kraft. Kraft said in a statement Monday that the decision to cancel Macklemore was a result of the rapper’s recent comments “and a broader history of antisemitic rhetoric and imagery.” Macklemore has asserted that criticism of the Israeli government should not be conflated with antisemitism.

Others inspired to donate

Everyday donors appear to be joining efforts like Ms. Rachel's. Online progressive influencers have helped raise more than $72,000 more for the Palestinian Children’s Relief Fund.

Anera reported that the donations it received Wednesday through social media platforms were more than triple this month's daily average. The nonprofit has also gained more than 8,000 followers since Macklemore tagged its account in his post. Mandaville hopes that exposure will introduce new, younger audiences to the nonprofit's work.

“I would guess that our traditional donor does not know the lyrics to ‘Thrift Shop,’” she said, referencing Macklemore's breakout 2012 hit.

UNRWA USA's Kronenfeld said the spike reflects an existing trend. Her organization has gained 203,000 donors since October 2023, she said, allowing them to send more than $117 million.

“The contributions keep coming in because Americans care," she said. "It will increase that much more with Macklemore’s extremely humane gesture.”