Tom Cruise Announces a Follow-up Film to ‘Days of Thunder’ to Hit Theaters in 2028

Tom Cruise attends the drivers meeting prior to the NASCAR Cup Series Coke Zero Sugar 400 at Daytona International Speedway on August 29, 2026 in Daytona Beach, Florida. (Getty Images/AFP)
Tom Cruise attends the drivers meeting prior to the NASCAR Cup Series Coke Zero Sugar 400 at Daytona International Speedway on August 29, 2026 in Daytona Beach, Florida. (Getty Images/AFP)
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Tom Cruise Announces a Follow-up Film to ‘Days of Thunder’ to Hit Theaters in 2028

Tom Cruise attends the drivers meeting prior to the NASCAR Cup Series Coke Zero Sugar 400 at Daytona International Speedway on August 29, 2026 in Daytona Beach, Florida. (Getty Images/AFP)
Tom Cruise attends the drivers meeting prior to the NASCAR Cup Series Coke Zero Sugar 400 at Daytona International Speedway on August 29, 2026 in Daytona Beach, Florida. (Getty Images/AFP)

Tom Cruise stood up from his chair in front of 40 race-car drivers, jumped over a row of potted plants and directly onto a stage.

It was his first of many stunts to come at Daytona International Speedway.

The 64-year-old Cruise announced Saturday he will reprise his role as NASCAR driver Cole Trickle in a follow-up to “Days of Thunder.” He waved the green flag on it hours before the Cup Series' regular-season finale at Daytona and then showed up for the pre-race drivers' meeting.

“It’s not just about racing,” Cruise told the packed room that included NASCAR executives, fans, corporate sponsors and military personnel. "It’s about the community and the people here. There’s something very special about racers and the whole community. It’s a culture, and I was very proud to be able to reflect that in the first ‘Days of Thunder,’ and I am honored to share it with the world. ...

“That’s basically what we’re going to really go for with this one. Give the audience that opportunity to understand what it is as a team, as a community, what it is for NASCAR, and the speed, the excitement and all that danger and stuff.”

Anne Hathaway will co-star as a team owner and engineer in the film scheduled to be released by Paramount Pictures on June 2, 2028.

Cruise will serve as a producer alongside Jerry Bruckheimer and Tommy Harper. Jonathan Levine is set to direct the script written by Will Staples. Bruckheimer, Harper and Staples joined Cruise at the drivers' meeting.

Cruise posed for pictures with anyone who asked and shook hands with military members before getting whisked away in a black SUV. He was expected to spend some time during the race on pit road — about as close to the action as possible without being behind the wheel.

The Hollywood Reporter reported in November 2024 that Cruise had talked to Paramount about a follow-up to his 1990 NASCAR racing film. The original was a critically panned summer blockbuster that was largely lampooned throughout the NASCAR industry for its exaggeration and overindulgence.

It has since become a cult favorite in NASCAR circles and is still quoted by race fans to this day.

“Rubbin’, son, is racin’” — the immortal line from crew chief Harry Hogge, played by Robert Duvall — still lives on today.

Riding high from his “Top Gun” fame and having grown up racing cars on the “back streets of Kentucky," Cruise had an idea for a movie based on fast cars and the characters who raced them. And so began the making of “Days of Thunder.”

Cole Trickle was loosely based on the late NASCAR driver Tim Richmond. Four-time Cup Series champion Jeff Gordon, now vice chairman at Hendrick Motorsports, openly lobbied for Cruise to bring a “Days of Thunder” sequel to life.

Gordon and Cruise have become friends over the years — Cruise showed up at a 2015 NASCAR banquet to honor the retiring Gordon — which could boost the prospect of Gordon and Hendrick Motorsports’ involvement in a sequel.

The movie introduced NASCAR to a wider audience that had very limited exposure to stock-car racing before that summer. There had been racing movies before — think “Thunder Road,” “The Last American Hero,” “Grand Prix,” “Stroker Ace,” or even “Smokey and the Bandit” — but none that had depicted NASCAR in such a mainstream style.

NASCAR has seen more swings and misses than checkered flags when it comes to its portrayal on the big or small screen since “Days of Thunder.” For every “Talladega Nights,” there are 10 more bombs such as comedian Kevin James’ ill-fated Netflix’s comedy series, “The Crew.”

Cruise is a safe bet to deliver a hit and to handle many of his own stunts. He did when in the original and still recalled a memorable one at Daytona.

“Last time I was at this track, actually, I was on the backstraight and I was shooting with two very heavy cameras traveling — I don’t know, 180 miles an hour — and suddenly the hood was off of the car,” Cruise said. "The sun is setting and I’m trying to get all my lines out before we lost the light.

“And, suddenly, the whole car was in flames. It turned from a barbecue to a bonfire on the backstraight. Couldn’t even get the crew to come in and help me just because radio (communications) didn’t work in the backstraight. I hear that’s still possible, correct? You guys didn’t fix that. Well, that’s good.”



Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
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Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)

Israa was 11 years ‌old and selling cigarettes with her father on a street corner in Türkiye when filmmakers Jack MacInnes and Itab Azzam met the Syrian refugee in 2015.

They were charmed by the bubbly young girl and wanted to tell her story as her family, who had fled war-ravaged Aleppo, journeyed across eight countries to settle in Germany.

"We were with them the whole time ... we slept with them ... in the street, in the rain. We were, like, in freezing conditions in Serbia and Croatia ... And ‌by the time ‌we arrived in Germany, it was like ‌we ⁠became like a ⁠family and we really bonded," Azzam told Reuters.

That was when the idea came about for "One in a Million," the couple's documentary filmed over 10 years following Israa to adulthood.

The intimate coming-of-age story shows Israa and her family crossing borders and adapting in Germany, where new-found freedoms jar with old traditions.

Viewers follow Israa ⁠into adolescence, marriage and motherhood as she seeks ‌to find herself amid fracturing ‌shifts at home. A married Israa eventually returns to visit Syria with her ‌husband after the 2024 overthrow of Bashar al-Assad.

“Migration ...(has) become ‌such a sort of political football that has so much to do with the way we feel about each other and the way we feel about our own country and has so little ‌to do with what it's actually like to be a refugee," MacInnes said.

"And what we ⁠hope is ⁠that you can watch this film and walk for an hour and a half in a refugee's shoes and understand the complexity of it."

"One in a Million", which opens in UK cinemas on Friday, premiered at January's Sundance Film Festival where it won the Audience Award.

“We... brought Israa out as a surprise, and the place just went wild," MacInnes said.

"It was so emotional for us to see this girl... who we'd met 11 years previously ... selling cigarettes on a street corner, being beaten up by police, no one gave a damn about her. And ... suddenly here she is getting her moment."


Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)
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Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)

The manager of US country music legend Dolly Parton dropped a civil lawsuit against the singer's nephew on Thursday, US media reported, after a row enveloped the late musician's estate.

The lawsuit filed in September by Parton's longtime manager Danny Nozell accused her nephew, Bryan Seaver, of attempting to extort money from the estate, which includes an amusement park, a hotel and a soon-to-be-opened museum.

Seaver, who broke the news of the singer's death at age 80 in an emotional video in August, had provided security for Parton for years but was abruptly fired, according to TMZ.

Court filings alleged that Seaver sent threats including a text message warning he would become "the hand of retribution for my entire family," The New York Times reported.

A judge had issued a temporary restraining order against Seaver as part of the proceedings, which were voluntarily dismissed Thursday in a Nashville court, multiple US media said.

Parton rose from grinding poverty to become a rhinestone-studded legend with hits like "Jolene" and "I Will Always Love You."

She also starred in multiple films and donated millions of dollars to charities as she built a vast business empire that includes her popular Dollywood theme park in Tennessee, cosmetics, pet apparel, baking mixes and even a truck stop.


South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
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South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)

Twelve South Korean industry groups warned on Wednesday that the country's television drama production base was at risk and called on the government to set up a 1 trillion won ($746 million) investment fund to support production of Korean dramas, known as K-dramas.

K-dramas have been hugely popular globally, ‌but the number produced ‌has fallen from 141 titles in 2022 ‌to ⁠about 115 in 2025, ⁠according to research by Korea IR Service.

Three domestic broadcast networks cut drama output from 91 titles in 2012 to 32 in 2023, and some channels have stopped airing weekday dramas altogether, the groups said.

Such an environment makes it difficult for "a new writer's second work, a supporting actor's first lead role and an assistant ⁠crew member's directing debut", said Song Byeong-joon, chairman ‌of the Korea Drama Production Association.

The ‌groups, which represent industry workers including TV drama producers, directors, writers, ‌actors, cinematographers and crew, attributed the decline in long-form drama production to ‌rising production costs, which they linked to competition with global streaming platforms such as Netflix, and broadcasters' reduced capacity to invest.

They also cited competition from short-form content and AI for audiences and production.

Pay for top-billed ‌stars was the main driver of production costs, Korea IR Service said in a 2025 report, ⁠with pay ⁠climbing as streaming services competed for audience-drawing talent.

Kim Yong-hee, a professor of business administration at Sun Moon University, said the difficulties the groups cited largely reflected the decline of terrestrial broadcasting rather than the sector as a whole.

Official data showed employment across the content industry edged up to 693,090 in 2025 from 688,122 a year earlier, according to the Korea Creative Content Agency.

Broadcasting employment, however, fell 2.3% in 2024, according to a government survey.

A Netflix Korea spokesperson was reached but did not have an immediate comment.

Netflix launched in South Korea in 2016 and in 2023 pledged to invest $2.5 billion in the market over four years.