For Sandra Bullock and Nicole Kidman, ‘Practical Magic 2’ Heals Old Wounds

 US-Australian actress Nicole Kidman attends the US premiere of "Practical Magic 2" at Directors Village theater in Los Angeles, on August 31, 2026. (AFP)
US-Australian actress Nicole Kidman attends the US premiere of "Practical Magic 2" at Directors Village theater in Los Angeles, on August 31, 2026. (AFP)
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For Sandra Bullock and Nicole Kidman, ‘Practical Magic 2’ Heals Old Wounds

 US-Australian actress Nicole Kidman attends the US premiere of "Practical Magic 2" at Directors Village theater in Los Angeles, on August 31, 2026. (AFP)
US-Australian actress Nicole Kidman attends the US premiere of "Practical Magic 2" at Directors Village theater in Los Angeles, on August 31, 2026. (AFP)

Sandra Bullock and Nicole Kidman view “Practical Magic” very differently today than they did when they made it 28 years ago.

In 1998, the film received mixed reviews and had a modest box office performance. It has since become a cult favorite, embraced by a new generation who found the romantic comedy through social media clips.

The two Oscar winners are returning to their roles of witchy sisters Sally and Gillian Owens in “Practical Magic 2,” in theaters on Sept. 10, giving them a chance to reckon with the original’s rocky reception and its unlikely second life.

Both films trace their roots to Alice Hoffman’s novels: “Practical Magic,” published in 1995, inspired the original film, while her 2021 novel “The Book of Magic” expands the Owens family’s story and provides inspiration for the sequel.

Bullock recalls a promotional push for the original film that became memorable for the wrong reasons.

“I had so much trauma from the press junket from the first one because it was brutal,” Bullock recalls. “We were not well-received because we were ‘too much,’ ‘too witchy,’ ‘too many women,’ ‘too many tones.’ I’m like, ‘Have you lived a day in a life as a woman?’”

“We didn’t stumble, but it stumbled, but it didn’t really stumble. Maybe it needed to marinate a little bit. We were marinating,” said Bullock. “But here we are, and how lucky are we that we’re still here to be able to go reap the benefits and the rewards of our work?”

The movie eventually found the audience it had missed in theaters, and Bullock said she realized there had been a reappraisal about six years ago.

“I was still harboring so much shame,” she said. “I was like, ‘the things that were said, I’m sorry, we thought we were doing something nice.’ And turns out we did. It was just 28 and change years too early.”

For Kidman, the film’s resurgence became personal.

“People started just coming into my life who would go, 'You want to know what my favorite film of yours is? ‘Practical Magic.’ And suddenly I was like, ‘What? Wow, OK,’” she said.

When it came time to make the sequel, Bullock sat down with her children and their friends to watch the original.

“I wanted fresh eyes,” she said. “Because we were embarking on the new chapter, the new baby witches coming in. I wanted to understand it from a point of view I didn’t have. I wanted to see what they had to say.”

As producers, Bullock and Kidman also faced the practical realities of mounting a legacy sequel on a budget. Among the challenges was recreating one of the original film’s most recognizable elements: the Owens house.

The production rebuilt the house on a London back lot as a full structure, rather than the temporary exterior shell used for the original film.

“It was an incredibly tough fiscal time. We were hedging the dollar,” Bullock said. “We’re not a big superhero film, so you don’t get the luxury of a big price tag.”

Kidman added: “And we also knew the responsibility of bringing it in on a certain price because then you go, 'OK, we can breathe a bit,'” she said. “I think when a budget blows out, you’re like, ‘Oh my gosh, the stress.’ And we don’t need any more stress in our lives. It’s stressful enough.”

The sequel continues the story of the younger generation of Owens women, with Joey King and Maisie Williams playing Kylie and Antonia Owens, the daughters of Sally.

“I really appreciate that it’s like a passing of the baton. I think it’s beautiful,” King said. “It just felt like we were stepping into their world and doing this with them, and it’s a real gift and honor to be considered the people who are taking the batons.”

Producer Denise Di Novi, who also produced the original and cast King in her first leading role in 2010's “Ramona and Beezus,” said the new characters could carry the story forward.

“We would love to make a third one, and I think there’s so much more to do with Kylie and Antonia,” she said. “At the end of the movie, spoiler alert, but you kind of feel like the Sally and Gillian characters are kind of the elder aunts, you know, and Kylie and Antonia are the ones launching off into the world as witches.”

Williams is also hoping to expand on the younger Owens women’s story: “We’re so there for it. There’s so much more of ‘Book of Magic’ that we didn’t get to explore,” she said.



China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
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China's First AI Film Hits Cinemas, But Ticket Sales Lag

Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP
Nearly 100 people took more than two years to make the film. Hector RETAMAL / AFP

China's first fully AI-generated feature film opens in cinemas on Friday in what promises to be a tough box-office test for the country's booming tech industry as advance ticket sales lag.

More than 10,000 screenings of the sci-fi thriller "Sanxingdui: Future Past" are scheduled for Friday, according to ticketing platform Maoyan.

Public reception, however, has been less than enthusiastic, said AFP.

Presale revenue as of Friday morning stood at 80,000 yuan ($11,980), while total box-office takings were forecast to remain below 150,000 yuan, only a fraction of the reported production cost, according to Maoyan.

Ticket prices range from 20 to 90 yuan, bringing the number sold to a few thousand at most.

Jiang Defu, CEO of the production company Bona Film Group, acknowledged the lukewarm reception in a recent interview but said the film was pushing boundaries.

"We are the first to try it, the first to get a theatrical release permit, and the first to be tested by the audience," he told Chinese film industry outlet Yuli.

"I think that is not easy at all."

Nearly 100 people took more than two years to make the film, which cost more than 10 million yuan ($1.5 million), Bona said, although all the actors, their voices and the backdrops are AI-generated.

The film touches on the theme of humanity in a future shaped by AI.

But that was not enough to convince Iris Yang, who attended a free preview screening of the film on Thursday for acquaintances of the production team and industry workers.

Yang said she would not have paid for a ticket, given the movie's quality.

"If AI generation can match the theatrical experience of 'Avatar', I think I would be willing to pay for it," she said, referring to the US franchise known for the quality of its animation.

AI-generated video has gained popularity in the world's second-largest economy. On Douyin, the Chinese equivalent of TikTok, AI-generated short dramas garnered more than 200 billion views in September alone.

But "the audience won't automatically pay for the tickets just because it's an AI-generated film", independent AI director Zhang Jun told AFP.

Online, Chinese social media users also seemed unconvinced by the launch of AI movies in cinemas.

"If it's free to watch on streaming platforms, it could become legendary. But paying to watch? People are not going to accept it at this stage," one user on Weibo commented.

In Hollywood, the rise of AI has sparked concern among film workers about the prospect of job losses.

An AI-generated sci-fi feature called "Gods Don't Give Gifts" is scheduled for US release on December 4.

And a virtual Hollywood actor called Tilly Norwood, whose interviews have gone viral while fueling job fears, is also set to star in an upcoming movie called "Misaligned".


Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
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Spotify Adds 11 Mn Active Users in 3rd Quarter to Reach 788 Mn

FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo
FILE PHOTO: Small figurines are seen in front of displayed Spotify logo in this illustration taken February 11, 2022. REUTERS/Dado Ruvic/Ilustration/File Photo

Music streaming giant Spotify on Thursday said it had added 11 million monthly active users in the third quarter and had reached 788 million active users by the end of September, in line with the company's forecast.

The uptick represented an 11-percent growth in users compared to a year earlier, Spotify said in a statement, adding that paying subscribers had grown by nine percent compared to a year earlier, reaching 306 million, just above the company's forecasted 305 million.

"This was a quarter where we did what we said. We've built a strong business that keeps compounding," AFP quoted co-chief executive Alex Norstrom as saying in a statement.

Revenue for the third quarter came in at 4.97 billion euros ($5.6 billion), up 16 percent from a year earlier.

Operating income meanwhile rose 15 percent to 672 million euros.

Looking forward, the company said it expected to add 30 million additional active users to the platform by the end of the year to reach 818 million.

Spotify also said it expects to reach 316 paying subscribers.

In recent years, the company has started expanding from music, first investing heavily into podcasts and now offering audiobooks.

In early October, the streaming giant announced that it was expanding access to its audiobook service to more than 180 markets, up from the previous 22.

Amid growing concern across the music industry over AI-generated content overwhelming streaming catalogues, the company has recently taken steps to identify and label AI content.

Earlier this week it reported that it had taken "more than 50 million slop and spam tracks" out of recommendations -- meaning the songs would not be suggested to listeners -- this year.

In August it announced that it was launching a new "AI Persona" badge to identify content producers that are AI-generated and not real people.

In April, the company launched its "Verified by Spotify" badge, signaling that a profile has been reviewed and meets its authenticity standard.


UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
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UK Actor Noel Clarke Pleads Not Guilty to Six Offence Charges

Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall
Actor Noel Clarke poses for photographers at the British Academy Film Awards Nominees Party at Kensington Palace in London, Britain February 11, 2017. REUTERS/Neil Hall

British actor and filmmaker Noel Clarke appeared in a London court on Wednesday and pleaded not guilty to six charges, including two counts of sexual assault.

Clarke also denied three ‌counts of ‌voyeurism and ‌one ⁠count of exposing himself, ⁠with the allegations spanning 2007 to 2016, Reuters said.

The 50-year-old stood in the dock at Westminster Magistrates' Court ⁠and spoke only to ‌confirm ‌his name, date of birth ‌and address and ‌enter his not guilty pleas.

He was granted bail ahead of his next ‌appearance at Southwark Crown Court on November ⁠18.

Clarke ⁠is best known for writing and starring in "Kidulthood" (2006), which explored bullying, drug abuse and extreme violence among young people in London, and for a recurring role in sci-fi show "Doctor Who".