Visual Arts Commission Marks Saudi National Day with Cultural Campaign

Visual Arts Commission logo
Visual Arts Commission logo
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Visual Arts Commission Marks Saudi National Day with Cultural Campaign

Visual Arts Commission logo
Visual Arts Commission logo

The Visual Arts Commission has launched a cultural campaign for Saudi National Day, evoking national memory, culture, and shared lived experiences through visual art.

Centered around the question "What is a homeland?", the initiative explores how art intersects with the details of everyday life, inviting community members to contribute their personal stories, reflections, and cherished memories to the national narrative.

By positioning art as a platform for self-expression and cultural reflection, the initiative highlights individual experiences that shape collective Saudi identity.

The campaign aligns with Saudi Vision 2030 objectives to support culture and the arts, expand their footprint in society, and reinforce national heritage within the Kingdom's evolving cultural and artistic landscape.



AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
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AlUla's Dadan Excavations Explore Ancient Civilizations in 2026–2027 Archaeology Season

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)
The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia. (SPA)

Archaeological excavations and research are continuing at Dadan in AlUla as part of the 2026–2027 archaeology season, launched by the Royal Commission for AlUla in AlUla and Khaybar.

The work aims to study historical sites and uncover evidence that sheds light on the development of ancient civilizations in northwestern Arabia.

Photographs taken by the Saudi Press Agency (SPA) have documented ongoing excavations at Dadan, focusing on funerary and residential areas as part of the second phase of the archaeological project. Building on five years of research, the work aims to trace the development of the ancient city and provide further insights into patterns of human settlement and daily life.

This season's work includes specialized archaeological studies and digital documentation of historical sites and findings.

Saudi specialists and university students are also participating in fieldwork and research, gaining practical experience and developing their skills in excavation, documentation, and archaeological analysis.

In Khaybar, research projects are exploring the relationship between people and the ancient oasis across different historical periods.

The projects involve studying ancient environments, sediment records, and natural resources, while other studies trace human activity in Khaybar from the Neolithic period through the Islamic eras.

The work is part of the Royal Commission for AlUla's efforts to support scientific research, preserve cultural heritage, and develop national expertise in archaeology and documentation. Together, these efforts aim to expand knowledge of the region's history and successive civilizations.


Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts
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Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

Saudi Visual Arts Commission Signs MoU with Cité Internationale des Arts in Paris to Strengthen Collaboration in Visual Arts

The Saudi Visual Arts Commission has signed a memorandum of understanding with Cité Internationale des arts in Paris to strengthen collaboration, exchange expertise in the visual arts, and explore areas of cooperation that support artists and practitioners and broaden their access to artistic, cultural, and professional exchange.

Areas of collaboration include developing visual arts-related initiatives and residency programs, exploring opportunities to involve local and international artists and talent in programs organized by both parties, and supporting Saudi artists and expanding their opportunities to connect with the global art scene, SPA reported.

The two parties will also collaborate on organizing joint initiatives and exhibitions, exchanging expertise and knowledge, and engaging experts and professionals in mentorship, professional guidance, and talent development initiatives.

The MoU forms part of the commission’s efforts to support the visual arts ecosystem in Saudi Arabia, strengthen international cultural exchange and collaboration, and expand opportunities for artists and cultural practitioners to engage and develop professionally, in line with the objectives of Saudi Vision 2030 to support the growth of the cultural sector, empower practitioners, and enhance the Kingdom’s cultural presence internationally.


Pompeii’s Grandest House Gets a $1.6 Million Restoration Funded by Private Sponsor

 In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
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Pompeii’s Grandest House Gets a $1.6 Million Restoration Funded by Private Sponsor

 In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)
In this undated handout photo provided on Tuesday, Oct. 20, 2026, by the Pompeii Archaeological Park, restorers work inside the House of Marcus Fabius Rufus in Pompeii, near Naples, Italy. (Silvia Vacca/ Pompeii Archaeological Park via AP)

An ancient residence believed to be the grandest in the Pompeii archaeological site is being restored with the entire 1.4 million euros ($1.6 million) cost being covered by a private sponsor, officials announced Tuesday.

The house of Marcus Fabius Rufus, modeled after Rome’s imperial palaces and buried in the eruption of Mt. Vesuvio that destroyed the ancient city in 79 A.D., has been inaccessible to the public since 1980. Originally built on Pompeii’s city walls, it features four floors connected by a maze of corridors and staircases.

Part of it is expected to open to guided groups by Christmas, officials for the Archeological Park of Pompeii said.

The renovation is being paid for by a German entrepreneur, Frank Hoefer, who contacted the archaeological park after reading superintendent Gabriel Zuchtriegel’s 2023 book: “Pompeii: The Enchanted City.”

“Restoring the spectacular residence of Marcus Fabius Rufus ... is a project I find exciting,” Hoefer said in a release. “I also have the impression that Pompeii is very open to innovative approaches to preservation and public access.”

Zuchtriegel said the goal is to expand such sponsorships.

“This does not mean that from tomorrow on if we had 50 such sponsors we would be able to abolish the entrance ticket, putting it at just a symbolic one-euro price, but it is a perspective towards which we have to work to develop the site,” Zuchtriegel said in a video statement.

Structural work was carried out on the house from 2021-2023, and current renovations are focused on the frescoes, including the famous Venus of Pompeii located in a chapel within the residence. The owner was believed to be a magistrate or a freedman of the imperial household.

Zuchtriegel said work was also being done to make the complex more accessible, and digital technology was being developed to help people grasp the “incredible labyrinth” that makes up the house.

“At times, you feel like you are in a 19th-century palace in Naples, yet this is a Roman house from 2,000 years ago,” Zuchtriegel said.