One Year After Louvre Heist, Where Are the Missing Jewels?

The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)
The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)
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One Year After Louvre Heist, Where Are the Missing Jewels?

The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)
The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)

One year after a stunning break-in at the Louvre Museum, the four main suspects are in jail awaiting trial, but police appear to have run out of leads to locate the stolen crown jewels.

Thieves disguised as workmen sliced their way into the museum with industrial disc-cutters on October 19 last year before making off with eight irreplaceable items worth an estimated $100 million.

They include a brooch and crown from Napoleon III's wife Eugenie. President Emmanuel Macron referred to the robbery as an attack on France's history.

Experts from law enforcement and private art theft agencies who spoke to AFP believe the best chance of recovering the treasures is if the thieves acted alone and stashed their loot somewhere in the Paris region.

"There was a short period of time where they may have hidden them in a wall or buried them," Christopher Marinello from Art Recovery International, a private agency, told AFP.

All four men were arrested within 10 days of the heist.

Sets of sumptuous jewelry are on display at the Louvre Museum on April 27, 2025, in Paris, France. (AP)

- Interrogation -

The last known sighting of the glittering 19th-century gems was on CCTV footage recorded in an underground lock-up in the gritty Aubervilliers suburb of northern Paris, where all the suspects live.

Extensive searches directed by the 100-strong investigation team have been carried out at their homes and families' homes, in cellars, garages and attics -- all to no avail.

If the jewels have been hidden or handed to a "fence" for safekeeping, there is still a chance that one of the suspects confesses in exchange for a more lenient sentence, said renowned Dutch private art detective Arthur Brand.

"The French police are very professional, they know how to interrogate, they know how to put pressure on (someone)," he told AFP.

"You only need one to talk, and in many cases, one talks."

A sapphire jewelry set worn by Queen Marie-Amélie and Queen Hortense. (AFP/Getty Images)

- Dismantling -

The more worrying scenario is that the gang was acting on orders from a ringleader or middleman with links to organized crime -- to whom they handed the jewels once they had finished their smash-and-grab.

"The power of organized crime is not only to bring the experience to commit a crime, but also to have people to take the objects and sell them," said Corrado Catesi, head of the stolen art unit at international police body Interpol.

In custody, two of the suspects have claimed a ringleader was part of their team, which is being treated with skepticism by investigators, a source close to the case told AFP recently.

The worst-case scenario is that the jewels were transported either out of France or to a local contact in the underground precious stones business.

"It's mainly diamonds, so they have to dismantle them, recut them and sell them. If they would go to one place, it would be Antwerp," said Brand, referring to the Belgian diamond hub.

Marinello lists Tel Aviv and India as other possible destinations.

Tobias Kormind, managing director of 77 Diamonds, Europe's largest online diamond jeweler, told AFP that "once recut, re-entering the legitimate supply chain to be bought by wholesalers or retailers is fairly straightforward".

"Unless a stone possessed ultra-distinctive internal inclusions, even top diamond laboratories like the GIA would struggle to flag a freshly polished diamond as stolen property," he said.

An emerald earrings and necklace set worn by Marie-Louise, the second wife of Napoleon Bonaparte. (Getty Images)

- 'Still a chance' -

But if the jewels fell into the hands of an organized crime group, there appears to be still some grounds for hope.

Brand referred to several cases where stolen jewels were recovered, notably after a raid on the TEFAF art fair in the Netherlands in 2022 or the break-in at the Gruenes Gewoelbe museum in Dresden, Germany, in 2019.

"Although we all think that most of the gold, silver and diamonds that get stolen, we never see them back, in some cases, we do," he explained.

"There is still a chance that we will see the Louvre jewels again and it might be that somebody talks before the court case."

The jewels remain listed as missing in Interpol's database of stolen artworks.

Analysis of investigations around the world reveals that objects "can take from three months to 40 years to be recovered", Catesi told AFP.



One Year After Louvre Heist, Where Are the Missing Jewels?

The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)
The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)
TT

One Year After Louvre Heist, Where Are the Missing Jewels?

The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)
The Empress Eugénie's crown is exhibited at the Louvre Museum on April 27, 2025, in Paris, France. (AP)

One year after a stunning break-in at the Louvre Museum, the four main suspects are in jail awaiting trial, but police appear to have run out of leads to locate the stolen crown jewels.

Thieves disguised as workmen sliced their way into the museum with industrial disc-cutters on October 19 last year before making off with eight irreplaceable items worth an estimated $100 million.

They include a brooch and crown from Napoleon III's wife Eugenie. President Emmanuel Macron referred to the robbery as an attack on France's history.

Experts from law enforcement and private art theft agencies who spoke to AFP believe the best chance of recovering the treasures is if the thieves acted alone and stashed their loot somewhere in the Paris region.

"There was a short period of time where they may have hidden them in a wall or buried them," Christopher Marinello from Art Recovery International, a private agency, told AFP.

All four men were arrested within 10 days of the heist.

Sets of sumptuous jewelry are on display at the Louvre Museum on April 27, 2025, in Paris, France. (AP)

- Interrogation -

The last known sighting of the glittering 19th-century gems was on CCTV footage recorded in an underground lock-up in the gritty Aubervilliers suburb of northern Paris, where all the suspects live.

Extensive searches directed by the 100-strong investigation team have been carried out at their homes and families' homes, in cellars, garages and attics -- all to no avail.

If the jewels have been hidden or handed to a "fence" for safekeeping, there is still a chance that one of the suspects confesses in exchange for a more lenient sentence, said renowned Dutch private art detective Arthur Brand.

"The French police are very professional, they know how to interrogate, they know how to put pressure on (someone)," he told AFP.

"You only need one to talk, and in many cases, one talks."

A sapphire jewelry set worn by Queen Marie-Amélie and Queen Hortense. (AFP/Getty Images)

- Dismantling -

The more worrying scenario is that the gang was acting on orders from a ringleader or middleman with links to organized crime -- to whom they handed the jewels once they had finished their smash-and-grab.

"The power of organized crime is not only to bring the experience to commit a crime, but also to have people to take the objects and sell them," said Corrado Catesi, head of the stolen art unit at international police body Interpol.

In custody, two of the suspects have claimed a ringleader was part of their team, which is being treated with skepticism by investigators, a source close to the case told AFP recently.

The worst-case scenario is that the jewels were transported either out of France or to a local contact in the underground precious stones business.

"It's mainly diamonds, so they have to dismantle them, recut them and sell them. If they would go to one place, it would be Antwerp," said Brand, referring to the Belgian diamond hub.

Marinello lists Tel Aviv and India as other possible destinations.

Tobias Kormind, managing director of 77 Diamonds, Europe's largest online diamond jeweler, told AFP that "once recut, re-entering the legitimate supply chain to be bought by wholesalers or retailers is fairly straightforward".

"Unless a stone possessed ultra-distinctive internal inclusions, even top diamond laboratories like the GIA would struggle to flag a freshly polished diamond as stolen property," he said.

An emerald earrings and necklace set worn by Marie-Louise, the second wife of Napoleon Bonaparte. (Getty Images)

- 'Still a chance' -

But if the jewels fell into the hands of an organized crime group, there appears to be still some grounds for hope.

Brand referred to several cases where stolen jewels were recovered, notably after a raid on the TEFAF art fair in the Netherlands in 2022 or the break-in at the Gruenes Gewoelbe museum in Dresden, Germany, in 2019.

"Although we all think that most of the gold, silver and diamonds that get stolen, we never see them back, in some cases, we do," he explained.

"There is still a chance that we will see the Louvre jewels again and it might be that somebody talks before the court case."

The jewels remain listed as missing in Interpol's database of stolen artworks.

Analysis of investigations around the world reveals that objects "can take from three months to 40 years to be recovered", Catesi told AFP.


International Day of Intangible Cultural Heritage Highlights Rich Cultural Legacy of Makkah

Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA
Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA
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International Day of Intangible Cultural Heritage Highlights Rich Cultural Legacy of Makkah

Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA
Traditional crafts and old professions also form an important part of the city’s cultural memory - SPA

The International Day of Intangible Cultural Heritage, observed annually on October 17, highlights the importance of preserving human heritage as an integral part of communities’ national identity and an opportunity to raise awareness of the need to protect it from disappearing amid the rapid transformations taking place around the world, SPA reported.

Makkah has a distinctive cultural and social character shaped by its religious and historical significance and its role as a gathering place for pilgrims, Umrah performers, and visitors from around the world. This has contributed to the diversity of its customs and social practices, as well as the emergence of distinctive styles of dress, food, hospitality, and folk arts that have become part of the city’s unique identity over time.

The values of generosity toward guests, warm hospitality, social solidarity, and community ties represent an integral part of the culture of Makkah’s residents. These values are reflected in social occasions, holidays, the holy month of Ramadan, and the Hajj and Umrah seasons through customs involving family gatherings, sharing food, welcoming guests, serving coffee and dates, and celebrating various occasions with neighbors and relatives.

Traditional Makkah cuisine is one of the most prominent expressions of this heritage, featuring a variety of popular dishes, sweets, and other foods. Their significance extends beyond their ingredients and preparation methods to include the stories, customs, and ways of serving and sharing them that reflect the city’s social life, according to SPA.

Traditional crafts and old professions also form an important part of the city’s cultural memory. These include crafts associated with pottery products and traditional household utensils. Documenting these skills is particularly important for preserving inherited knowledge and highlighting its value as part of Makkah’s history of work and production.

Celebrating intangible cultural heritage in Makkah carries significance beyond the city itself, given its place in the Islamic consciousness and its rich heritage, which reflects the interaction of human cultures across the ages. Preserving this legacy remains a shared responsibility requiring coordinated efforts by institutions, families, practitioners, and researchers to ensure the continuity of inherited practices and safeguard their cultural and social value.


Hira Cultural District Launches Interactive Experience Evoking World of Islamic Caravans

The event also includes stalls modeled on traditional Islamic caravan markets - SPA
The event also includes stalls modeled on traditional Islamic caravan markets - SPA
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Hira Cultural District Launches Interactive Experience Evoking World of Islamic Caravans

The event also includes stalls modeled on traditional Islamic caravan markets - SPA
The event also includes stalls modeled on traditional Islamic caravan markets - SPA

The Hira Cultural District in Makkah has launched an event along a heritage trail inspired by the world of Islamic caravans, evoking caravan journeys and the exchange of knowledge, values, and stories associated with them.

The event enriches the visitor experience and presents historical heritage in an interactive format combining education, entertainment, and shopping.

Running until the end of December 2026, the event gives visitors the chance to discover the human values, diverse knowledge, and inherited stories carried by caravans throughout the ages. The experience combines storytelling, interactive scenes, and commercial practices inspired by traditional markets, SPA reported.

The event features several experiences designed to engage visitors in the social and commercial life associated with caravans.

One highlight is the "storyteller's majlis," which presents historical tales and poetry with audience participation in an atmosphere that recreates traditional Arab gatherings and their role in passing news, stories, and poetry from one generation to the next.

The event also includes stalls modeled on traditional Islamic caravan markets, where visitors can take part in practical experiences involving weighing goods, bartering, and shopping. They can also watch performances and interactive scenes depicting daily life in old markets and the interactions among merchants, travelers, and craftspeople.

Through its diverse programs and events, the Hira Cultural District continues to strengthen its position as a cultural and tourism destination that enriches visitors' journeys in Makkah and deepens their connection with the area's history and civilizational heritage through content that combines authenticity with modern