EU Warns Musk's X Spreading 'Illegal' Disinfo after Hamas Attack

An EU official said in a letter that concerns over X's moderation practices have heightened after the Hamas attack against Israel. JOEL SAGET / AFP
An EU official said in a letter that concerns over X's moderation practices have heightened after the Hamas attack against Israel. JOEL SAGET / AFP
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EU Warns Musk's X Spreading 'Illegal' Disinfo after Hamas Attack

An EU official said in a letter that concerns over X's moderation practices have heightened after the Hamas attack against Israel. JOEL SAGET / AFP
An EU official said in a letter that concerns over X's moderation practices have heightened after the Hamas attack against Israel. JOEL SAGET / AFP

The EU's digital chief Thierry Breton warned Elon Musk on Tuesday that his platform X, formerly Twitter, is spreading "illegal content and disinformation", in a letter seen by AFP.

The letter said concerns had heightened after the Hamas attack against Israel, and demanded Musk respond to the complaint within 24 hours and contact "relevant law enforcement authorities".

As the European Union's commissioner for industry and the digital economy, Breton is charged with regulating internet giants that trade within the bloc, and can launch legal action.

"Following the terrorist attacks carried out by Hamas against Israel, we have indications that your platform is being used to disseminate illegal content and disinformation in the EU," Breton wrote.

Breton reminded Musk that EU law sets tough rules on moderating content, "especially when it comes to violent and terrorist content that appears to circulate on your platform".

He asked that X respond to his complaint within 24 hours and also get in touch with Europol, the EU police coordinating agency.

"We will include your answer in our assessment file on your compliance with the DSA," Breton said, referring to the new EU Digital Services Act, which regulates online platforms.

"I remind you that following the opening of a potential investigation and a finding of non-compliance, penalties can be imposed," it said.

Musk, responding later on X to a user who had posted the letter, invited Breton to "please list the violations you allude to".

"Our policy is that everything is open source and transparent, an approach that I know the EU supports," Musk wrote.

Hate and violence

Brussels has previously complained that, among the large-scale internet platforms that fall under the DSA remit, Musk's Twitter now rebranded X spreads the biggest proportion of disinformation.

In August, when the new law came into effect, Musk replied to a post by Breton promising that the platform was "working hard" to comply, but there have been more warning signs.

While the rules were still voluntary, the firm pulled out of an oversight group, and Musk -- a self-styled "free speech absolutist" -- has been dismissive of criticism in his personal posts.

In September, the billionaire tech mogul boasted that he had cut half of its global team dedicated to monitoring and limiting disinformation and fraud around major elections.

Since Saturday's shock attack on Israeli communities by the Hamas group, web platforms have been swamped by posts containing fake or misrepresented reports and footage.

While the confirmed death toll in the renewed war has now passed 3,000 -- unconfirmed, exaggerated or false reports of atrocities have also proliferated.

Experts fear these moves have increased the risk of misinformation provoking real-world harm, amplifying hate and violence.



New App Hopes to Empower Artists against AI

Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
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New App Hopes to Empower Artists against AI

Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP

In 2008, scriptwriter Ed Bennett-Coles said he experienced a career "death moment": he read an article about AI managing to write its first screenplay.

Nearly two decades later, he and friend Jamie Hartman, a songwriter, have developed a blockchain-based application they hope will empower writers, artists and others to own and protect their work.

"AI is coming in, swooping in and taking so many people's jobs," Hartman said. Their app, he said, responds "no... this is our work."

"This is human, and we decide what it's worth, because we own it."

The ever-growing threat of AI looms over intellectual property and livelihoods across creative industries.

Their app, ARK, aims to log ownership of ideas and work from initial brainchild to finished product: one could register a song demo, for example, simply by uploading the file, the creators explained to AFP.

Features including non-disclosure agreements, blockchain-based verification and biometric security measures mark the file as belonging to the artist who uploaded it.

Collaborators could then also register their own contributions throughout the creative process.

ARK "challenges the notion that the end product is the only thing worthy of value," said Bennett-Coles as his partner nodded in agreement.

The goal, Hartman said, is to maintain "a process of human ingenuity and creativity, ring-fencing it so that you can actually still earn a living off it."

- Checks and balances -

Due for a full launch in summer 2025, ARK has secured funding from the venture capital firm Claritas Capital and is also in strategic partnership with BMI, the performing rights organization.

And for Hartman and Bennett-Coles, its development has included a lot of existential soul-searching.

"I saw a quote yesterday which really sums it up: it's that growth for growth's sake is the philosophy of the cancer cell," said Bennett-Coles. "And that's AI."

"The sales justification is always quicker and faster, but like really we need to fall in love with process again."

He likened the difference between human-created art and AI content to a child accompanying his grandfather to the butcher, versus ordering a slab of meat from an online delivery service.

The familial time spent together -- the walk to and from the shop, the conversations in between running the errand -- are "as important as the actual purchase," he said.

In the same way, "the car trip that Jamie makes when he's heading to the studio might be as important to writing that song as what happens in the studio itself."

AI, they say, devalues that creative process, which they hope ARK can reassert.

It's "a check and a balance on behalf of the human being," Hartman said.

- 'Rise out of the ashes' -

The ARK creators said they decided the app must be blockchain-based -- with data stored on a digital ledger of sorts -- because it's decentralized.

"In order to give the creator autonomy and sovereignty over their IP and control over their destiny, it has to be decentralized," Bennett-Coles said.

App users will pay for ARK according to a tiered structure, they said, levels priced according to storage use needs.

They intend ARK to stand up in a court of law as a "recording on the blockchain" or a "smart contract," the scriptwriter explained, calling it "a consensus mechanism."

"Copyright is a pretty good principle -- as long as you can prove it, as long as you can stand behind it," Hartman added, but "the process of registering has been fairly archaic for a long time."

"Why not make progress in copyright, as far as how it's proven?" he added. "We believe we've hit upon something."

Both artists said their industries have been too slow to respond to the rapid proliferation of AI.

Much of the response, Bennett-Coles said, has to start with the artists having their own "death moments" similar to what he experienced years ago.

"From there, they can rise out of the ashes and decide what can be done," he said.

"How can we preserve and maintain what it is we love to do, and what's important to us?"