New App Hopes to Empower Artists against AI

Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
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New App Hopes to Empower Artists against AI

Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP
Artists have voiced increasing concern over the rapid growth of AI and its threats to creative livelihoods - AFP

In 2008, scriptwriter Ed Bennett-Coles said he experienced a career "death moment": he read an article about AI managing to write its first screenplay.

Nearly two decades later, he and friend Jamie Hartman, a songwriter, have developed a blockchain-based application they hope will empower writers, artists and others to own and protect their work.

"AI is coming in, swooping in and taking so many people's jobs," Hartman said. Their app, he said, responds "no... this is our work."

"This is human, and we decide what it's worth, because we own it."

The ever-growing threat of AI looms over intellectual property and livelihoods across creative industries.

Their app, ARK, aims to log ownership of ideas and work from initial brainchild to finished product: one could register a song demo, for example, simply by uploading the file, the creators explained to AFP.

Features including non-disclosure agreements, blockchain-based verification and biometric security measures mark the file as belonging to the artist who uploaded it.

Collaborators could then also register their own contributions throughout the creative process.

ARK "challenges the notion that the end product is the only thing worthy of value," said Bennett-Coles as his partner nodded in agreement.

The goal, Hartman said, is to maintain "a process of human ingenuity and creativity, ring-fencing it so that you can actually still earn a living off it."

- Checks and balances -

Due for a full launch in summer 2025, ARK has secured funding from the venture capital firm Claritas Capital and is also in strategic partnership with BMI, the performing rights organization.

And for Hartman and Bennett-Coles, its development has included a lot of existential soul-searching.

"I saw a quote yesterday which really sums it up: it's that growth for growth's sake is the philosophy of the cancer cell," said Bennett-Coles. "And that's AI."

"The sales justification is always quicker and faster, but like really we need to fall in love with process again."

He likened the difference between human-created art and AI content to a child accompanying his grandfather to the butcher, versus ordering a slab of meat from an online delivery service.

The familial time spent together -- the walk to and from the shop, the conversations in between running the errand -- are "as important as the actual purchase," he said.

In the same way, "the car trip that Jamie makes when he's heading to the studio might be as important to writing that song as what happens in the studio itself."

AI, they say, devalues that creative process, which they hope ARK can reassert.

It's "a check and a balance on behalf of the human being," Hartman said.

- 'Rise out of the ashes' -

The ARK creators said they decided the app must be blockchain-based -- with data stored on a digital ledger of sorts -- because it's decentralized.

"In order to give the creator autonomy and sovereignty over their IP and control over their destiny, it has to be decentralized," Bennett-Coles said.

App users will pay for ARK according to a tiered structure, they said, levels priced according to storage use needs.

They intend ARK to stand up in a court of law as a "recording on the blockchain" or a "smart contract," the scriptwriter explained, calling it "a consensus mechanism."

"Copyright is a pretty good principle -- as long as you can prove it, as long as you can stand behind it," Hartman added, but "the process of registering has been fairly archaic for a long time."

"Why not make progress in copyright, as far as how it's proven?" he added. "We believe we've hit upon something."

Both artists said their industries have been too slow to respond to the rapid proliferation of AI.

Much of the response, Bennett-Coles said, has to start with the artists having their own "death moments" similar to what he experienced years ago.

"From there, they can rise out of the ashes and decide what can be done," he said.

"How can we preserve and maintain what it is we love to do, and what's important to us?"



Anthropic Says Looking to Power European Tech with Hiring Push

As the AI race heats up, so does the race to find talent in the sector, which is currently dominated by US and Chinese companies. Fabrice COFFRINI / AFP/File
As the AI race heats up, so does the race to find talent in the sector, which is currently dominated by US and Chinese companies. Fabrice COFFRINI / AFP/File
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Anthropic Says Looking to Power European Tech with Hiring Push

As the AI race heats up, so does the race to find talent in the sector, which is currently dominated by US and Chinese companies. Fabrice COFFRINI / AFP/File
As the AI race heats up, so does the race to find talent in the sector, which is currently dominated by US and Chinese companies. Fabrice COFFRINI / AFP/File

American AI giant Anthropic aims to boost the European tech ecosystem as it expands on the continent, product chief Mike Krieger told AFP Thursday at the Vivatech trade fair in Paris.

The OpenAI competitor wants to be "the engine behind some of the largest startups of tomorrow... (and) many of them can and should come from Europe", Krieger said.

Tech industry and political leaders have often lamented Europe's failure to capitalize on its research and education strength to build heavyweight local companies -- with many young founders instead leaving to set up shop across the Atlantic.

Krieger's praise for the region's "really strong talent pipeline" chimed with an air of continental tech optimism at Vivatech.

French AI startup Mistral on Wednesday announced a multibillion-dollar tie-up to bring high-powered computing resources from chip behemoth Nvidia to the region.

The semiconductor firm will "increase the amount of AI computing capacity in Europe by a factor of 10" within two years, Nvidia boss Jensen Huang told an audience at the southern Paris convention center.

Among 100 planned continental hires, Anthropic is building up its technical and research strength in Europe, where it has offices in Dublin and non-EU capital London, Krieger said.

Beyond the startups he hopes to boost, many long-standing European companies "have a really strong appetite for transforming themselves with AI", he added, citing luxury giant LVMH, which had a large footprint at Vivatech.

'Safe by design'

Mistral -- founded only in 2023 and far smaller than American industry leaders like OpenAI and Anthropic -- is nevertheless "definitely in the conversation" in the industry, Krieger said.

The French firm recently followed in the footsteps of the US companies by releasing a so-called "reasoning" model able to take on more complex tasks.

"I talk to customers all the time that are maybe using (Anthropic's AI) Claude for some of the long-horizon agentic tasks, but then they've also fine-tuned Mistral for one of their data processing tasks, and I think they can co-exist in that way," Krieger said.

So-called "agentic" AI models -- including the most recent versions of Claude -- work as autonomous or semi-autonomous agents that are able to do work over longer horizons with less human supervision, including by interacting with tools like web browsers and email.

Capabilities displayed by the latest releases have raised fears among some researchers, such as University of Montreal professor and "AI godfather" Yoshua Bengio, that independently acting AI could soon pose a risk to humanity.

Bengio last week launched a non-profit, LawZero, to develop "safe-by-design" AI -- originally a key founding promise of OpenAI and Anthropic.

'Very specific genius'

"A huge part of why I joined Anthropic was because of how seriously they were taking that question" of AI safety, said Krieger, a Brazilian software engineer who co-founded Instagram, which he left in 2018.

Anthropic is still working on measures designed to restrict their AI models' potential to do harm, he added.

But it has yet to release details of its "level 4" AI safety protections foreseen for still more powerful models, after activating ASL (AI Safety Level) 3 to corral the capabilities of May's Claude Opus 4 release.

Developing ASL 4 is "an active part of the work of the company", Krieger said, without giving a potential release date.

With Claude 4 Opus, "we've deployed the mitigations kind of proactively... safe doesn't have to mean slow, but it does mean having to be thoughtful and proactive ahead of time" to make sure safety protections don't impair performance, he added.

Looking to upcoming releases from Anthropic, Krieger said the company's models were on track to match chief executive Dario Amodei's prediction that Anthropic would offer customers access to a "country of geniuses in a data center" by 2026 or 2027 -- within limits.

Anthropic's latest AI models are "genius-level at some very specific things", he said.

"In the coming year... it will continue to spike in particular aspects of things, and still need a lot of human-in-the-loop coordination," he forecast.