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‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
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‘Dune: Part Three’ Trailer Lands, a Day After Sneak Peek with Zendaya, Director Villeneuve

US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)
US actress Zendaya poses during a photocall prior to attend the Louis Vuitton Women's Ready to Wear Fall/Winter 2026-2027 collection fashion show as part of the Paris Women Fashion Week, in Paris, on March 10, 2026. (AFP)

Canadian filmmaker Denis ‌Villeneuve revealed he nearly took a break before completing "Dune: Part Three," the conclusion to his epic science-fiction trilogy, but changed his mind after he saw how audiences embraced the first two films.

“I felt an appetite for the third movie that I was not expecting,” said Villeneuve on Monday in Los Angeles at a preview event for the movie's trailer, which was released to the public on Tuesday.

The film, distributed by Warner Bros, arrives in theaters on December 18. It is based on "Dune Messiah," the second book in the "Dune" series of ‌novels written ‌by Frank Herbert, about the battle for control ‌of ⁠the fictional planet ⁠of Arrakis, a harsh desert locale that contains a valuable spice that can extend life.

The new trailer shows the main character, Paul Atreides, played by Timothée Chalamet, and Chani, played by Zendaya, years after the first two films as they ponder their future as parents. The first two films, released in 2021 and 2024, grossed a combined $1.1 billion ⁠worldwide and received numerous accolades, including several Academy ‌Awards.

Villeneuve describes the third film as ‌a departure from the first two, as Paul Atreides must also reckon ‌with the consequences of the power and influence that he holds.

The ‌director recalled how he kept waking up at night with visions of the final chapter. “I was supposed to do another movie in the meantime but the image kept coming back. And I said, ‘All right, let’s do ‌it.’”

In a surprise, Villeneuve brought out several cast members at the event, including Zendaya, Robert Pattinson, Anya Taylor-Joy ⁠and Javier ⁠Bardem.

Zendaya reflected on how she spent her entire 20s working on the "Dune" films. "They have such a special place in my heart," the Euphoria actor said.

Pattinson, known for his appearances in "The Batman" and the "Twilight" series of films, joins the cast as the antagonist, Scytale. “I absolutely adored these movies - I saw them multiple times in theaters,” he said.

“He’s a very unusual character in the book,” the actor added. “You can’t really tell whose side he’s on. He’s not a conventional bad guy - he might even be a good guy. Who knows?”

Villeneuve noted the final movie will take fans to new planets on sets that they have yet to see.

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Entertainment

BTS Light Stick Prices Surge Ahead of Comeback Concert

A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)
A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)
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BTS Light Stick Prices Surge Ahead of Comeback Concert

A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)
A view of the main stage for a free concert by K-pop group BTS at Gwanghwamun Square in Seoul, South Korea, 18 March 2026. (EPA)

Second-hand BTS light sticks were selling for up to six times the original price ahead of the K-pop megagroup's huge comeback concert this weekend, an online reseller showed Wednesday.

The world's biggest boy band reunites on Saturday for their first show in nearly four years, taking over central Seoul for a K-pop extravaganza beamed live around the globe.

K-pop fans are known for their concert light sticks, which have become symbols of devotion to their artists.

BTS's global fans, known as the ARMY, calls theirs the Army Bomb.

The original price of the latest official version is around 50,000 won ($33.67), but they are sold out.

Listings on Bunjang, a major platform for used goods, are priced at between 100,000 and 330,000 won per unit.

The concert on Saturday will see BTS take the stage on the doorstep of the famed Gyeongbokgung royal palace.

The area has also long been a site of political protests, including after former president Yoon Suk Yeol's failed 2024 martial law declaration, when K-pop fans took part with glowsticks -- a striking image that drew global attention.

Entertainment

Oscars TV Audience Shrinks 9% in US from Last Year

US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)
US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)
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Oscars TV Audience Shrinks 9% in US from Last Year

US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)
US filmmaker Paul Thomas Anderson accepts the Oscar for Best Writing (Adapted Screenplay) for "One Battle After Another" onstage during the 98th Annual Academy Awards at the Dolby Theater in Hollywood, California on March 15, 2026. (AFP)

The Academy Awards telecast attracted 17.9 million US viewers, a 9% decrease from the previous year and the lowest since 2022, according to Nielsen data released by broadcaster ABC on Tuesday.

The figure for Sunday's show reflected viewing ‌on ABC ‌and on the streaming service ‌Hulu. ⁠Both are owned ⁠by Walt Disney.

Hollywood handed the best picture prize to darkly comic thriller "One Battle After Another" during the more than three-hour-long ceremony. Comedian Conan ⁠O'Brien hosted for the ‌second year ‌in a row.

Viewership for awards shows has ‌been declining for years as TV ‌audiences have shifted to streaming and social media.

ABC said social impressions for the Oscars increased 42% this ‌year over 2025 to more than 184 million.

The ⁠highest-rated ⁠Academy Awards telecast aired in 1998, when megahit "Titanic" swept the honors. More than 57 million people tuned in that year.

In 2021 during the COVID-19 pandemic, Oscar ratings hit their low point with 10.5 million viewers. The Oscars ceremony will be moving from ABC to YouTube in 2029.

Entertainment

In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
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In Hollywood, AI's No Match for Creativity, Say Top Executives

US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP
US filmmaker Steven Spielberg says he has never used AI in his award-winning films, and he doesn't support AI if it takes work from creatives. Jean Baptiste Lacroix / AFP

Artificial intelligence is transforming Hollywood at a pace that has sent shockwaves through creative industries, but human creativity will always prevail, a leading executive at the cutting edge of that change told AFP.

The disruption was a dominant theme at this week's South by Southwest conference in Austin, Texas where veteran director Steven Spielberg made clear he was drawing a line in the sand.

"I've never used AI on any of my films yet. We have a writer's room. All the seats are occupied," Spielberg said. "I am not for AI if it replaces a creative individual."

Joshua Davies, chief innovation officer of Artlist -- an AI video platform that has most recently been positioning itself as a supplier of creative tools to filmmakers -- told AFP the technology would never eclipse the human creative.

If given the choice between something made using an AI told by a techie and a creative, "I know which one I would rather watch at the end," said Davies, who founded video editing software company FXhome before it was acquired by Artlist in 2021.

Davies acknowledged the industry's anxiety was not unfounded, with new video models having "struck fear in the hearts of everybody" -- not just over copyright and personality infringement, but over the fundamental question of how film and television production will look in a matter of years.

"If I was bringing out an Iron Man movie in 2027, 2028 -- would I be going to multiple visual effects houses, would I expect them to be utilizing AI? We're all kind of working out our way through that," he said.

Davies described the platform's AI video tools as a way to "fill in the bits that you can't shoot, or didn't shoot, or you don't have the budget to shoot," rather than a wholesale substitution for going out on location.

- 'Holy grail' -

Yet the timing is charged. Editors, visual effects artists and other Hollywood professions have watched the rapid advance of generative AI with alarm, fearing that tools capable of producing broadcast-quality footage at a fraction of traditional costs could hollow out entire job categories.

Major studios are actively evaluating how AI can be integrated into production pipelines, foreshadowing significant workforce changes across an industry that has already endured a bruising period following the covid pandemic and writers' and actors' strikes of 2023.

Artlist made headlines in February when it produced a Super Bowl LX spot in under five days using its own products, at a fraction of the multi-million-dollar cost typical of Big Game advertising.

Davies was keen to push back on the narrative that the ad represented the future of production without human involvement.

That wasn't what it was, he said. It was creatives "using the tool to get the very best out of it."

A self-described "techie guy," Davies said the platform's current obsession is on giving creators nuanced control over creating or editing footage -- something he described as the company's "holy grail."

Existing models, he said, handle simple static shots reasonably well but struggle with complex camera movements and consistent performance across multiple takes.

You can prompt an elaborate shot, but for now "you'll get something random" that you can't work with.

On cost, Davies cautioned against unrealistic expectations, suggesting AI would reduce production expenses significantly but not eliminate them.

Davies said his long-term hope was that AI would serve as a leveling force for independent filmmakers and content creators who currently lack the budgets to realize their ambitions.

"There are definitely YouTubers who make some of the best action work out there on no budget," he said.

"AI will level that playing field completely -- the story will be what matters."

He struck a cautiously optimistic note on the creative industry's direction, dismissing the most dystopian predictions.

"The idea that no one works at the end of it is the bit that doesn't hold any water with me," he said.

"There's been more and more of everything, not less and less -- and the cream rises to the top anyway, because the human element is what we crave."