Saudi Astronauts Embark on Scientific Mission at ISS

The astronauts, aboard the Falcon 9 Rocket, head towards the International Space Station. (Saudi Space Authority)
The astronauts, aboard the Falcon 9 Rocket, head towards the International Space Station. (Saudi Space Authority)
TT
20

Saudi Astronauts Embark on Scientific Mission at ISS

The astronauts, aboard the Falcon 9 Rocket, head towards the International Space Station. (Saudi Space Authority)
The astronauts, aboard the Falcon 9 Rocket, head towards the International Space Station. (Saudi Space Authority)

The long-awaited moment has arrived for Saudi Arabia’s inaugural scientific expedition into space following a 16-hour journey since the triumphant launch of the Crew Dragon spacecraft.

The spacecraft is carrying Saudi Arabia and the Arab world's first female astronaut, Rayana Bernawi, and Saudi fighter pilot Ali Al-Qarni.

With the crew now united with their fellow astronauts on the orbiting laboratory, they are ready to embark upon their scientific, research, and humanitarian endeavors.

The Axiom Mission 2 (Ax-2) successfully reached the ISS, as revealed by live footage which captured the momentous occasion.

US astronauts Peggy Whitson and John Shoffner complete the four-member crew.

Bernawi and Al-Qarni expressed their joy upon successfully reaching the ISS and preparing to commence their scientific mission.

The two Saudi astronauts carry the hopes of their fellow Saudis and eagerly anticipate benefiting humanity through the outcomes of the experiments and scientific research they are set to conduct during this historic mission.

Surrounded by the jubilant ISS crew, Al-Qarni joyfully celebrated the successful arrival and integration into the team.

In an onboard Arabic speech, he expressed pride in representing Saudi Arabia, highlighting the Kingdom’s dedication to the aerospace industry.

“We have reached this milestone, poised to conduct scientific experiments that will yield beneficial outcomes for humanity,” said Al-Qarni.

For her part, Bernawi shared that she embodies the aspirations of all Saudis in this mission following 10 months of meticulous preparation and training.

“We are living a once-improbable dream, made possible by the support of Saudi leadership and the encouragement of Crown Prince Mohammed bin Salman,” she said.

“Through this mission, we represent all Saudis and Arabs, forging a path towards scientific discoveries that benefit humanity,” she added.



Götz Valien: The Last Dinosaur in the Movie Poster Industry

Götz Valien (Getty)
Götz Valien (Getty)
TT
20

Götz Valien: The Last Dinosaur in the Movie Poster Industry

Götz Valien (Getty)
Götz Valien (Getty)

In a digital age, Götz Valien is Berlin’s last movie poster artist, producing giant hand-painted film adverts.

For more than three decades, Austrian-born Valien, 65, earns a modest living producing film posters to hang at the city’s most beloved historic cinemas, a craft he says will probably die with him, at least in western Europe.

He adds a distinctive pop art flourish to each image coupled with the beauty of imperfection, part of the reason he has managed to extend his career well into the 21st century, according to an article published by The Guardian.

“Advertising is about drawing attention and I add the human touch, which is why it works,” he told the newspaper.

Valien’s work plays up the image’s essence: the imposing bow of a ship, the haunting eyes of a screen siren, a mysterious smile. He jokingly calls himself a Kinosaurier – a play on the German words for cinema and dinosaur.

His nearly-7x9-meter canvases long-graced the “film palaces” of the German capital, including the majestic Delphi in the west and the socialist modernist masterpiece Kino International on Karl Marx Allee in the east.

But the former’s adverts finally went digital in 2024, while the latter is closed for a years-long, top-to-bottom revamp. Dozens of independent cinemas among his clients have simply gone out of business.

The century-old Filmtheater am Friedrichshain (FaF) is the last movie theater in Berlin still employing Valien to tout its new releases, with his large-format posters covering its facade and interior walls around the ticket-and-popcorn counter.

Movie posters have existed as long as the nearly 130-year-old film industry.

But these days, few releases stay long enough in cinemas to justify bespoke art to advertise them, communications studies professor Patrick Rössler of the University of Erfurt, who has studied the history of film posters, told local media. And most independent cinemas don’t have the profit margins to afford them, even at what Valien calls his bargain-basement prices.