Arian Moayed Plays Creepy Men for Thoughtful Reasons

Arian Moayed. EPA
Arian Moayed. EPA
TT

Arian Moayed Plays Creepy Men for Thoughtful Reasons

Arian Moayed. EPA
Arian Moayed. EPA

By Laura Collins-Hughes

The actor Arian Moayed has an old passport photo that he usually keeps in his wallet: a black-and-white image of a small, darling boy with big dark eyes, wearing a whimsical sweater.

We had been talking for nearly 90 minutes when he mentioned it. I’d asked if he remembered anything from his earliest childhood, in Iran in the 1980s.

“The thing that I remember the most is fear,” he said. “The feeling of fear. Everywhere.”

Then he told me about the picture. It’s him at 5 or so, shortly before his family immigrated to the United States in 1986. He described the look on his face — “real angry” — and his memory of sitting for the photo: how his mother, her hijab slipping, kept urging him in vain to smile.

At 43, Moayed is a million miles from the fraught reality of that frightened child. He is widely known to fans of the HBO drama “Succession” for his recurring role as Stewy Hosseini, Kendall Roy’s old friend. And he is currently starring on Broadway as the ultra-controlling husband Torvald Helmer in “A Doll’s House,” opposite Jessica Chastain as Nora, the wife who walks out the door.

Still, Moayed likes to keep the photo close.

“I always want to remind myself that this is where it all came from,” he said.

It was late April when we spoke at the Hudson Theater, on West 44th Street in Manhattan, and the show’s six Tony Award nominations were yet to come — the one for him, for best featured actor in a play, his second. His first was for his Broadway debut, as a sweet Iraqi topiary artist turned wartime translator, opposite Robin Williams in “Bengal Tiger at the Baghdad Zoo” in 2011.

Moayed’s Torvald could not be more different. A lawyer tapped to run a bank, he micromanages his wife, monitoring what she eats and spends. At once chilling and comical, he speaks to Nora in a voice soft as a cat’s paw, muscles and claws hidden just beneath the fur. He does not take her seriously as an adult human being, ever, yet he seems totally unaware of his own fragile vanity. He is the kind of man it is dangerous to laugh at, because ridicule infuriates him.

It is an insidiously knowing portrayal of one of the great terrible husbands of the stage. But Moayed, who grew up in a suburb of Chicago and spent most of his career pigeonholed into Middle Eastern roles, hadn’t been sure he wanted to play Torvald at all.

“I had no relationship with ‘A Doll’s House,’” he said. “When I moved to the city in 2002, the only roles available for me were being an ensemble member in some sort of Shakespeare regional theater thing, or playing a terrorist. ‘A Doll’s House’ and Ibsen was like: Oh, that is a category of things that’s never going to happen for me.”

The British director Jamie Lloyd had other ideas. After seeing Moayed in “Bengal Tiger,” he noticed him over the years consistently giving standout performances — as the scheming Stewy in “Succession,” of course, but also in YouTube clips of the Off Broadway two-hander “Guards at the Taj” (Moayed won an Obie for that, in 2016), and in the film “Spider-Man: No Way Home,” as Peter Parker’s enemy Agent Cleary.

Gearing up to stage Amy Herzog’s “A Doll’s House” adaptation on Broadway, Lloyd spotted Moayed on a list of possible actors for a different role, but sensed that he was “more of a Torvald than anything.”

“My feeling was that he’s clearly someone who doesn’t mind being unlikable,” Lloyd said by phone. “Because he knows that there’s a reason for it. And he’s so compelling as these unlikable characters.”

The New York Times



Cafe in Libya Champions Recycling and Sustainability

The owner of the Lamma cafe in the Libyan capital Tripoli says he opened it to to promote sustainability in a country recovering from years of war - AFP
The owner of the Lamma cafe in the Libyan capital Tripoli says he opened it to to promote sustainability in a country recovering from years of war - AFP
TT

Cafe in Libya Champions Recycling and Sustainability

The owner of the Lamma cafe in the Libyan capital Tripoli says he opened it to to promote sustainability in a country recovering from years of war - AFP
The owner of the Lamma cafe in the Libyan capital Tripoli says he opened it to to promote sustainability in a country recovering from years of war - AFP

In Libya's capital, a cafe's sleek exterior gives little hint of the vibrant space inside, built entirely from recycled materials to promote sustainability in a country recovering from years of war.

Lamma, which means "gathering" or "hangout" in Arabic, has become a cultural hub for locals and other visitors, featuring an art gallery that showcases Libyan artists, and hosts events and workshops.

But its central mission, its owner said, is raising awareness of an eco-friendly lifestyle in Libya, where green initiatives are scarce as people grapple with the aftermath of a gruelling conflict.

"We use materials that were abandoned in the streets, such as rubber from tyres, wood from trees and construction waste" to build the cafe, said Louay Omran Burwais, an architect who designed and founded Lamma.

"The idea is to show people that what is thrown in the street and may seem ugly or useless is actually still valuable," he told AFP.

- 'New mindset' -

Behind the long, narrow door into Lamma, visitors are greeted with a kaleidoscope of colors and shapes.

The plant-covered walls contrast with a web of suspended metal scraps, alcoves and slide tunnels that children swoop down through.

"There are no places like this in Libya," said Roula Ajjawi, Lamma's art director. "We base everything on one aspect that we consider very important: recycling."

Families gather at Lamma on Thursdays, the start of the Libyan weekend, when the cafe holds art workshops for children.

Others borrow books from the venue's small library.

Burwais says his team hopes recycling and other eco-friendly practices, which remain rare, start up in Libya, which currently has no recycling facilities.

Visitors to Lamma will recognize familiar everyday objects repurposed throughout the space, Burwais said, but they will "start seeing them differently. We are here to foster a new mindset".

In Libya, the plastic, metal, and glass left from over a decade of civil war destruction are rarely, if ever, reused or recycled, Ajjawi said.

More often, they are abandoned in nature and on the streets, occasionally washed into the Mediterranean by rain and wind.

But with initiatives like Lamma, objects once destined for the landfill are transformed into works of art -- a concept now catching on with locals.

"I love this place," said Riyad Youssef, now a Lamma regular. "The food is great, the service is excellent, and I appreciate the commitment to reducing waste. Every idea here is amazing."