Cute but Calamitous: Australia Labors under Rabbit Numbers

With an annual seven litters of an average five offspring for each, and sexual maturuity from just 3-4 months, rabbit numbers spread quickly. (AFP)
With an annual seven litters of an average five offspring for each, and sexual maturuity from just 3-4 months, rabbit numbers spread quickly. (AFP)
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Cute but Calamitous: Australia Labors under Rabbit Numbers

With an annual seven litters of an average five offspring for each, and sexual maturuity from just 3-4 months, rabbit numbers spread quickly. (AFP)
With an annual seven litters of an average five offspring for each, and sexual maturuity from just 3-4 months, rabbit numbers spread quickly. (AFP)

With their outsized ears and fluffy fur, rabbits are often seen as cute and harmless. Yet the creature is behind one of the globe's most harmful biological invasions, ravaging Australia, whose efforts to limit the problem have tended only to make things worse.

Back in 1859, a mere 24 European breeding rabbits, scientific name Oryctolagus cuniculus, disembarked from England, brought over by Thomas Austin, who enjoyed hunting parties on his Victoria estate.

But 150 years on, and according to a 2022 study by PNAS, a peer reviewed journal of the US National Academy of Sciences, some 200 million rabbit colonizers now roam the land of the kangaroo, devouring vegetation as they go, laying waste to native plant species, causing habitat degradation and threatening the survival of numerous native species.

With as many as seven annual litters -- each with an average of five offspring who reach sexual maturity from the age of 3-4 months -- the rabbit is able to spread its presence very quickly.

From its early years Down Under, the creature benefited from the general absence of predators and its facility to adapt to its new climate.

That enabled it to spread out by some 110 kilometers (65 miles) a year. Within 70 years, it had occupied around 70 percent of Australia's land mass.

That made it "the fastest known invasion by a mammal anywhere in the world," according to a report by Australia's national science agency CSIRO.

Counting the cost

The rabbit may look small and placid -- yet it is voracious in the extreme. Herbs, bulbs, seeds, shrubs -- its appetite extends to all kinds of herbaceous plant. This contributes to desertification of the outback, deprives other species of food and also eats away at crops.

The agricultural and horticultural damage wrought by the critters comes in at some 200 million Australian dollars ($130 million) each year, according to the Western Australian ministry for agriculture and food.

As such, for more than a century now, the authorities have been doing all they can to try to limit the damage.

Intensive hunting, traps, bulldozers to destroy burrows, poison or even explosives -- everything has been tried. But the rabbit has resisted and its numbers have progressed.

In 1901, Australia decided to construct an 1,800 kilometer-long (1,118 miles) barrier in a bid to stop the furry creatures proliferating to the country's western agricultural lands.

Yet by the time construction was completed, rabbits had already reached the other side. An extension followed, then another, taking the fence to beyond 3,000 km of barriers and fences. All in vain.

Australia tried plan B -- introducing predators, such as the fox.

The “cure” proved to be worse than the disease. It turned out the fox preferred to target easier prey such as small marsupials endemic to the country and already threatened with extinction.

Classic cases

In the 1950s, science was recruited to come to the rescue.

The myxomatosis virus, a disease which causes fatal tumors in rabbits, was introduced into the country. To begin with, success looked to have been achieved, the rabbit population going from 600 million down to 100 million. But it managed to adapt and ended up developing resistance to a virus, which gradually became ineffective.

Australia tried a new angle of attack some years later: the Spanish flea, supposed to spread disease among rabbits.

Again, the plan failed. Worse still, the parasite infected other species.

In 1995, a new attempt at eradication followed, via a hemorrhagic fever virus, which ended up worrying the scientific community amid fears it might mutate.

Very effective against rabbits, this highly contagious pathogen can further spread quickly to other countries via mosquitoes. Two years later, it arrived in New Zealand, likewise also laboring under a rabbit invasion.

If Australia thought that might have been a price worth paying, there would soon be disabused.

The stoat, introduced as a predator to the rabbit left deprived as the population dropped, fell back on targeting the kiwi, a bird endemic to the island which became threatened in turn.

Both Australia and New Zealand represent classic cases in terms of what not to do regarding the introduction and management of invasive species, says Elaine Murphy, principal scientist at New Zealand's Department of Conservation and an expert on introduced mammals and the threats to diversity they pose.

While rabbit numbers look to have stabilized under the 300 million mark, the Australian government says it is maintaining research into means of permanently stemming the propagation problem.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”