Biologists in Slow and Steady Race to Help North America’s Largest and Rarest Tortoise Species

A US Fish and Wildlife Service employee holds Gertie, an endangered Bolson tortoise that has been a key part of the captive breeding program, at Ted Turner's Armendaris Ranch in Engle, N.M., on Friday, Sept. 22, 2023. (AP)
A US Fish and Wildlife Service employee holds Gertie, an endangered Bolson tortoise that has been a key part of the captive breeding program, at Ted Turner's Armendaris Ranch in Engle, N.M., on Friday, Sept. 22, 2023. (AP)
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Biologists in Slow and Steady Race to Help North America’s Largest and Rarest Tortoise Species

A US Fish and Wildlife Service employee holds Gertie, an endangered Bolson tortoise that has been a key part of the captive breeding program, at Ted Turner's Armendaris Ranch in Engle, N.M., on Friday, Sept. 22, 2023. (AP)
A US Fish and Wildlife Service employee holds Gertie, an endangered Bolson tortoise that has been a key part of the captive breeding program, at Ted Turner's Armendaris Ranch in Engle, N.M., on Friday, Sept. 22, 2023. (AP)

While the average lifespan of North America's largest and most rare tortoise species is unknown, biologists have said it could span upward of a century.

So saving the endangered species is a long game — one that got another nudge forward Friday as US wildlife officials finalized an agreement with Ted Turner's Endangered Species Fund that clears the way for the release of more Bolson tortoises on the media mogul's ranch in central New Mexico.

The “safe harbor agreement” will facilitate the release of captive tortoises on the Armendaris Ranch to establish a free-ranging population. US Fish and Wildlife Service Director Martha Williams said the agreement, which offers private landowners protections from regulations, can serve as a model as officials look for more innovative ways to work within the Endangered Species Act.

Dozens of people gathered for the release Friday of 20 more adult tortoises on the property, which is already home to 23 of them as well as dozens of juvenile ones. With the sun high in the sky and temperatures nearing 90 degrees (32 degrees Celsius), the release was held off until the evening to ensure their well-being.

The tortoises usually spend about 85% of the time in their earthen burrows, which in some cases can be about 21 yards (20 meters) long.

Shawn Sartorius, a field supervisor with the Fish and Wildlife Service, said the results of the breeding and restoration efforts for the slow-reproducing and long-lived animals will not be known in his lifetime.

“What we’re doing here is establishing a population here that can be handed off to the next generation,” Sartorius said.

It's a step toward one day releasing the tortoise more broadly in the Southwest as conservationists push the federal government to consider crafting a recovery plan for the species. The tortoise is just the latest example of a growing effort to find new homes for endangered species as climate change and other threats push them from their historic habitats.

Now found only in the grasslands of north-central Mexico, the tortoise once had a much larger range that included the southwestern United States. Fossil records also show it was once present in the southern Great Plains, including parts of Texas and Oklahoma.

The wild population in Mexico is thought to consist of fewer than 2,500 tortoises, and experts say threats to the animals are mounting as they are hunted for food and collected as pets. Their habitat also is shrinking as more desert grasslands are converted to farmland.

While it's been eons since the tortoises roamed wild in what is now New Mexico, Mike Phillips, director of the Turner Endangered Species Fund, said it's time for biologists to reconsider what ecological reference points should matter most when talking about the recovery of an imperiled species.

Climate change is reshuffling the ecological deck and changing the importance of historical conditions in the recovery equation, Phillips said. He pointed to the case of the tortoise, noting that suitable habitat is moving north again as conditions in the Southwestern US become drier and warmer.

Absent a willingness by wildlife managers to think more broadly, he said, species like the Bolson tortoise could have a bleak future.

“It would seem in a recovery context, historical range should be considered. Prehistoric range sometimes matters too,” he said in an interview. “But most importantly, future range — because recovery is all about righting a wrong, it's about improving conditions. The future is what is of great relevance to recovery.”

Sartorius, of the US Fish and Wildlife Service, agreed, saying managers can’t look narrowly at historic range and still keep animals like the tortoise on the planet.

The question that biologists have been trying to answer is whether the Armendaris Ranch makes for a good home.

So far, the ranch, spanning more than 560 square miles (1,450 square kilometers) is proving to be an ideal spot. The landscape is similar to that where the tortoises are found in Mexico, and work done on the ranch and at the Living Desert Zoo and Gardens in Carlsbad has resulted in more than 400 tortoises being hatched since 2006.

In all, the Turner Endangered Species Fund and its partners have been able to grow the population from 30 tortoises to about 800, said Chris Wiese, who leads the project at the Armendaris Ranch.

“The releases are the essential step to getting them back on the ground and letting them be wild tortoises,” she said. “To us, this is the pinnacle of what we do.”

The tortoises will be able to roam freely in the 16.5-acre (6.6-hectare) pen like they would in the wild. Wildlife officials will look in on them once a year.

Depending on weather conditions and forage availability, it can take a few years or more for a hatchling to reach just over 4 inches (110 millimeters) long. They can eventually grow to about 14.5 inches (370 millimeters).

The species was unknown to science until the late 1950s and has never been extensively studied.

“Each and every day we’re learning more and more about the Bolson tortoise's natural history,” Phillips said.

The goal is to build a robust captive population that can be used as a source for future releases into the wild. That work will include getting state and federal permits to release tortoises outside of the enclosures on Turner lands.

Tortoises in the pen are outfitted with transponders so they can be tracked. Those released Friday hit the ground crawling, wandering through clumps of grass and around desert scrub as the Fra Cristobal mountain range loomed in the distance.

It made for a perfect scene as one of the tortoises headed off toward the western edge of the pen, its shadow trailing behind. It was a moment that Wiese and her team have been working toward for years.

“We are not in the business of making pets,” she said. “We're in the business of making wild animals and that means you have to let them go.”



In Beirut, a Photographer's Frozen Moments Slow Down Time and Allow the Contemplation of Destruction

A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)
A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)
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In Beirut, a Photographer's Frozen Moments Slow Down Time and Allow the Contemplation of Destruction

A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)
A bomb dropped from an Israeli jet hits a building in Ghobeiri, Beirut, Lebanon, Tuesday, October 22, 2024. (AP Photo/ Bilal Hussein)

We watch video after video, consuming the world on our handheld devices in bites of two minutes, one minute, 30 seconds, 15. We turn to moving pictures — “film” — because it comes the closest to approximating the world that we see and experience. This is, after all, 2024, and video in our pocket — ours, others', everyone's — has become our birthright.
But sometimes — even in this era of live video always rolling, always recording, always capturing — sometimes the frozen moment can enter the eye like nothing else. And in the process, it can tell a larger story that echoes long after the moment was captured. That's what happened this past week in Beirut, through the camera lens of Associated Press photographer Bilal Hussein and the photographs he captured.
When Hussein set up his camera outside an evacuated Beirut apartment building Tuesday after Israel announced it would be targeted as part of military operations against Hezbollah, he had one goal in mind — only one. "All I thought of," he says, “was photographing the missile while it was coming down.”
He found a safe spot. He ensured a good angle. He wasn't stressed, he said; like many photographers who work in such environments, he had been in situations like this one before. He was ready.
When the attack came — a bomb, not a missile in the end — Hussein swung into action. And, unsurprisingly for a professional who has been doing this work for two decades, he did exactly what he set out to do.
Time slowed down
The sequence of images he made bursts with the explosive energy of its subject matter.
In one frame, the bomb hangs there, a weird and obtrusive interloper in the scene. It is not yet noticed by anyone around it, ready to bring its destruction to a building that, in moments, will no longer exist. The building's balconies, a split-second from nonexistence, are devoid of people as the bomb finds its mark.
These are the kind of moments that video, rolling at the speed of life or even in slow motion, cannot capture in the same way. A photo holds us in the scene, stops time, invites a viewer to take the most chaotic of events and break it down, looking around and noticing things in a strangely silent way that actual life could not.
In another frame, one that happened micro moments after the first, the building is in the process of exploding. Let's repeat that for effect, since even as recently as a couple generations ago photographs like this were rare: in the process of exploding.
Pieces of building are shooting out in all directions, in high velocity — in real life. But in the image they are frozen, outward bound, hanging in space awaiting the next seconds of their dissolution — just like the bomb that displaced them was doing milliseconds before. And in that, a contemplation of the destruction — and the people it was visited upon — becomes possible.
Tech gives us new prisms to see the world
The technology to grab so many images in the course of little more than one second — and do it in such clarity and high resolution — is barely a generation old.
So to see these “stills,” as journalists call them, come together to paint a picture of an event is a combination of artistry, intrepidity and technology — an exercise in freezing time, and in giving people the opportunity to contemplate for minutes, even hours, what took place in mere seconds. This holds true for positive things that the camera captures — and for visitations of violence like this one as well.
Photography is random access. We, the viewers of it, choose how to see it, process it, digest it. We go backward and forward in time, at will. We control the pace and the speed at which dizzying images hurtle at us. And in that process, something unusual for this era emerges: a bit of time to think.
That, among many other things, is the enduring power of the still image in a moving-picture world — and the power of what Bilal Hussein captured on that clear, sunny day in Beirut.