Paul McCartney's Stolen Bass is Found and Returned to the Beatle after More than 50 Years

In this photo released by The Lost Bass Project/Nick Wass on Friday, Feb. 16, 2024, Nick Wass, an executive with Hoefner, inspects Paul McCartney bass. (The Lost Bass Project/Nick Wass via AP)
In this photo released by The Lost Bass Project/Nick Wass on Friday, Feb. 16, 2024, Nick Wass, an executive with Hoefner, inspects Paul McCartney bass. (The Lost Bass Project/Nick Wass via AP)
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Paul McCartney's Stolen Bass is Found and Returned to the Beatle after More than 50 Years

In this photo released by The Lost Bass Project/Nick Wass on Friday, Feb. 16, 2024, Nick Wass, an executive with Hoefner, inspects Paul McCartney bass. (The Lost Bass Project/Nick Wass via AP)
In this photo released by The Lost Bass Project/Nick Wass on Friday, Feb. 16, 2024, Nick Wass, an executive with Hoefner, inspects Paul McCartney bass. (The Lost Bass Project/Nick Wass via AP)

Paul McCartney no longer gently weeps for his original bass guitar, The Associated Press reported.
A five-year search by the manufacturer of the instrument that was aided by a husband-and-wife team of journalists helped reunite The Beatles star with the distinctive violin-shaped 1961 electric Höfner that went missing a half century ago and is estimated to be worth 10 million pounds ($12.6 million).
McCartney had asked Höfner to help find the missing instrument that helped launch Beatlemania across the universe, Scott Jones, a journalist who teamed up with Höfner executive Nick Wass to track it down, said Friday.
“Paul said to me, ‘Hey, because you’re from Höfner, couldn’t you help find my bass?’” Wass said. “And that’s what sparked this great hunt. Sitting there, seeing what the lost bass means to Paul, I was determined to solve the mystery.”
McCartney bought the bass for about 30 pounds ($37) in 1961 when The Beatles were developing their chops during a series of residencies in Hamburg, Germany. The instrument was played on the Beatles first two records and featured on hits such as “Love Me Do,” “Twist and Shout,” and “She Loves You.”
“Because I was left-handed, it looked less daft because it was symmetrical,” McCartney once said. "I got into that. And once I bought it, I fell in love with it.”
It was rumored to have been stolen around the time The Beatles were recording their final album, “Let it Be,” in 1969. But no one was sure when it went missing.
What began as a long and winding road for Wass to track down the bass picked up speed when Jones serendipitously joined the hunt after seeing McCartney headline the Glastonbury Festival in 2022. The stage lights at one point seemed to illuminate nothing but the sunburst pattern on his bass and Jones wondered if it was the same instrument McCartney had played in the early '60s.
When he later searched the internet he was stunned to find the original bass was missing and there was a search for it.
“I was staggered, I was amazed,” Jones said. “I think we live in a world where The Beatles could do almost anything and it would get a lot of attention.”

Jones and his wife, Naomi, both journalists and researchers, got in touch with Wass to spread the word more broadly.
After hitting a dead end following a lead about a roadie for The Who, they relaunched The Lost Bass Project in September and within 48 hours were inundated with 600 emails that contained the “little gems that led us to where we are today," Jones said.
One of those emails came from sound engineer Ian Horne, who had worked with McCartney’s band Wings, and was the first big breakthrough in the hunt. Horne said the bass had been swiped from the back of his van one night in the Notting Hill section of London in 1972.
The researchers published the new information on their website in October, adding that Horne said McCartney told him not to worry about the theft and that he continued working for him for another six years.
“But I’ve carried the guilt all my life,” Horne said.
After publishing that update, a bigger break came when they were contacted by a person who said their father had stolen the bass. The man didn't set out to steal McCartney's instrument and panicked when he realized what he had, Jones said.
The thief, who was not named, ended up selling it to Ron Guest, landlord of the Admiral Blake pub, for a few pounds and some beers.
As the Joneses were starting to look for relatives of Guest, word had already reached his family. His daughter-in-law contacted McCartney's studio.
Cathy Guest said that the old bass that had been in her attic for years looked like the one they were looking for.
It had been passed from Ron Guest to his oldest son, who died in a car wreck, and then to a younger son, Haydn Guest, who was married to Cathy and died in 2020.
The instrument was returned to McCartney in December and then it took about two months to authenticate it.
The project had planned to announce the news but were upstaged by Cathy Guest's son, Ruaidhri Guest, a 21-year-old film student who posted photos Tuesday of the guitar on X, formerly Twitter, and wrote: “I inherited this item which has been returned to Paul McCartney. Share the news.” He posted a message Friday saying the family had been inundated with interview requests and would tell its story eventually.
The estimated value of the instrument is based on the fact that a Gibson acoustic guitar Kurt Cobain played on MTV Unplugged sold for $6 million (4.7 million pounds), Jones said. But it held almost no value during the past half century.
“The thief couldn’t sell it,” Jones said. “Clearly, the Guest family never tried to sell it. It’s a red alert because the minute you come forward someone’s going to go, 'That’s Paul McCartney's guitar.'”



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”