King Charles Unveils His First Portrait Since Coronation

Artist Jonathan Yeo and Britain's King Charles III at the unveiling of artist Jonathan Yeo's portrait of the King, in the blue drawing room at Buckingham Palace, in London, Tuesday May 14, 2024. (AP)
Artist Jonathan Yeo and Britain's King Charles III at the unveiling of artist Jonathan Yeo's portrait of the King, in the blue drawing room at Buckingham Palace, in London, Tuesday May 14, 2024. (AP)
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King Charles Unveils His First Portrait Since Coronation

Artist Jonathan Yeo and Britain's King Charles III at the unveiling of artist Jonathan Yeo's portrait of the King, in the blue drawing room at Buckingham Palace, in London, Tuesday May 14, 2024. (AP)
Artist Jonathan Yeo and Britain's King Charles III at the unveiling of artist Jonathan Yeo's portrait of the King, in the blue drawing room at Buckingham Palace, in London, Tuesday May 14, 2024. (AP)

Britain's King Charles on Tuesday unveiled the first official portrait of himself since his coronation last May.

The portrait by artist Jonathan Yeo depicts Charles against a background of vivid red hues, wearing the uniform of the Welsh Guards military unit, with a butterfly just above his shoulder.

"Much like the butterfly I've painted hovering over his shoulder, this portrait has evolved as the subject's role in our public life has transformed," Yeo, 53, who has previously painted Charles' late father Prince Philip, said in a statement.

"My aim was also to make reference to the traditions of Royal portraiture but in a way that reflects a 21st Century Monarchy and, above all else, to communicate the subject's deep humanity."

The portrait unveiled at Buckingham Palace was commissioned in 2020 to celebrate the then Prince of Wales's 50 years as a member of the grant-giving body, The Drapers' Company, in 2022, the palace said.

Yeo's past subjects have included British broadcaster and naturalist David Attenborough, Oscar-winning actor Nicole Kidman and former Prime Minister Tony Blair.

The oil on canvas artwork, which measures about 8-1/2 by 6-1/2 feet, is expected to be displayed at Drapers' Hall in the City of London - the capital's financial district - from the end of August, the palace said.



'AI Simply Can't Replicate It': Japan Embraces Zine Trend

As the machine printed their work on newsprint paper, five technicians in uniform quickly flipped through the pages to check the quality. Yuichi YAMAZAKI / AFP
As the machine printed their work on newsprint paper, five technicians in uniform quickly flipped through the pages to check the quality. Yuichi YAMAZAKI / AFP
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'AI Simply Can't Replicate It': Japan Embraces Zine Trend

As the machine printed their work on newsprint paper, five technicians in uniform quickly flipped through the pages to check the quality. Yuichi YAMAZAKI / AFP
As the machine printed their work on newsprint paper, five technicians in uniform quickly flipped through the pages to check the quality. Yuichi YAMAZAKI / AFP

Through the noise of rushing papers and whirring belts at a print factory in Kyoto, two creators watch their photo essay come to life in broadsheet form -- part of an effort to win new audiences in the age of AI.

Despite the decline of the publishing industry, self-publication and handmade "zine" magazines are growing in popularity in Japan, reflecting the country's enduring love of paper in the digital era.

While speaking to AFP at the plant, his hands black with ink, one of the creators, Kazuma Obara said "I think (paper) is a medium that engages all five senses", unlike social media.

Obara and his creative partner Akihico Mori are among the latest artists to use a printing press offered by the Kyoto Shimbun newspaper, which is aiming to find alternative uses for its machines as subscriptions fall, AFP said.

As the machine printed their work on newsprint paper, five technicians in uniform quickly flipped through the pages to check the quality.

"I think print media is incredibly open. You can hand it to someone, you can read it together," 40-year-old photographer Obara said, calling mobile phones "very insular".

Mori, a 44-year-old writer, said people can "feel the creator's passion when they hold the work in their hands".

"I think that's what makes it so appealing, and AI simply can't replicate it."

- Rise of self-publishing -

The pair's work was later showcased at popular international photography festival Kyotographie that ended in May.

Yoshihiko Okazaki of Kyoto Shimbun Printing said the company's services have been used by artists ranging from teenagers to those in their 70s.

"Surprisingly, it resonates with younger people... I even hear comments like, 'it's interesting precisely because it's old'."

Japan has seen a rapid decline in print media, with book and magazine sales falling to just 40 percent of their 1996 pinnacle of 2.6 trillion yen ($16.3 billion).

Newspaper circulation peaked in 1997 at 53.76 million, but it dropped to more than half that in 2025, according to the Japan Newspaper Publishers & Editors Association.

Many authors and publishers around the world fear the trend will be accelerated by artificial intelligence and social media -- in the UK, a 2025 study showed that half of novelists believe AI is likely to replace their work.

However, like in other countries worldwide, do-it-yourself publication including zines -- which originated in the 1930s with sci-fi fans in the US -- is growing in Japan, especially among younger generations.

Public broadcaster NHK reported, citing one private research firm, the self-publishing market is estimated at 150 billion yen in the year ending March 2026, nearly double the figure four years ago.

- 'Something tangible' -

On one weekend in Tokyo, hundreds of visitors flocked to a zine fair showcasing a wide range of handmade magazines in different sizes and formats -- some incorporating abstract designs, photography or personal monologues.

"AI and social media are driven by algorithms that feed us nothing but what we want to see or what suits us best," said 22-year-old visitor Harumi Kikuchi.

"But the fact that many zine makers are here suggests there are many different worldviews."

Zine creator Watashi Kishino, who hand draws her daily life in black-and-white illustrations, said people can "make a lot of things with AI and digital technology".

"But I believe there's a charm in having something tangible to hold in your hands like this," Kishino said, showing her works.

Major bookstores are also embracing the trend as young people increasingly drift away from physical books.

Sanseido, a 145-year-old bookstore in Tokyo's book district Jimbocho, began putting zines on their shelves almost a year ago.

"We felt that zines could appeal to a different audience than traditional readers," Masato Sugiura, deputy head of the sales promotion unit, told AFP.

"Everyone is looking for something that really speaks to them. Readers are perhaps drawn more to zines, which are niche and cover a broader range of topics," he added.

Kishino remains hopeful that physical books and magazines will endure despite the digital age.

"There's warmth that only paper can offer," she said. "There's definitely people who are looking for that."


J&J Prostate Cancer Drug Reduces Risk of Cancer Spread and Death in Late-stage Study

A Johnson & Johnson banner is displayed on the front of the New York Stock Exchange (NYSE) in New York City, in New York City, US, December 5, 2023. REUTERS/Brendan McDermid
A Johnson & Johnson banner is displayed on the front of the New York Stock Exchange (NYSE) in New York City, in New York City, US, December 5, 2023. REUTERS/Brendan McDermid
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J&J Prostate Cancer Drug Reduces Risk of Cancer Spread and Death in Late-stage Study

A Johnson & Johnson banner is displayed on the front of the New York Stock Exchange (NYSE) in New York City, in New York City, US, December 5, 2023. REUTERS/Brendan McDermid
A Johnson & Johnson banner is displayed on the front of the New York Stock Exchange (NYSE) in New York City, in New York City, US, December 5, 2023. REUTERS/Brendan McDermid

Johnson & Johnson's prostate cancer drug Erleada used with hormone-blocking therapy six months before and after prostate surgery improved the chances of eliminating the cancer and reduced the risk of disease progression or death, according to data from a late-stage trial presented on Sunday.

The study, which followed patients for over five years, found that those who received the regimen were nine times more likely to have little to no detectable cancer in the prostate at the time of surgery compared with those given testosterone-blocking therapy alone.

The addition of Erleada also reduced the risk of the cancer spreading or death by 20%, the company said.

The data, presented at the American Society of Clinical Oncology meeting in Chicago, is likely to change how doctors approach treatment of men with high-risk localized or locally advanced prostate cancer. Currently, surgery to remove the prostate and radiation therapy are the standard of care for such patients, Reuters reported.

About 40% of the 330,000 people diagnosed with prostate cancer in the US are considered high-risk, J&J said.

The study also looked at a full year of treatment with Erleada and hormone therapy before and after surgery.

Among those patients, men who received the combination therapy on average went more than six years before requiring subsequent treatment, nearly double the time for the hormone therapy alone group. The longer therapy with Erleada also reduced the risk of recurrence and death by 29%.

Nearly half of patients who receive the current standard prostate-removal surgery and radiation see their cancer return and require additional treatment, J&J said.

'PARADIGM CHANGING'

Erleada, known chemically as apalutamide, belongs to a class of drugs called androgen receptor pathway inhibitors that block signals that drive prostate-cancer growth.

"No ARPIs are approved for localized high-risk prostate cancer with either surgery or radiation. So the (data) would be paradigm changing," said Dr. Mary-Ellen Taplin, the study's lead researcher from Dana-Farber Cancer Institute in Boston.

The trial enrolled more than 2,000 patients with high-risk localized or locally advanced prostate cancer who were candidates for prostate gland removal surgery.

At the time of surgery, 8.9% of patients who received the combination treatment had little to no detectable cancer, compared with 1% of those receiving hormone therapy alone.

"The patient benefit here is unequivocal," Mark Wildgust, J&J's medical affairs lead for oncology, said in an interview. "I think that the evidence is really showing that Erleada is adding something that we had not seen before."

Widely used ARPIs include Pfizer's Xtandi and Bayer's Nubeqa.

The safety profile of the Erleada combination treatment was consistent with previous studies, J&J said. Common side effects among patients who received the treatment include hot flushes, urinary incontinence and erectile dysfunction.

Erleada won US approval in 2018 and is currently used in combination with hormone therapy that suppresses production of testosterone, which drives prostate-cancer growth.

The company said it plans to work with regulators to get the combination therapy approved globally for earlier stages of prostate cancer.


Venice’s Growing Flamingo Population Finds Refuge in Recovering Wetlands

FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo
FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo
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Venice’s Growing Flamingo Population Finds Refuge in Recovering Wetlands

FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo
FILE PHOTO: A general view of the Grand Canal, in Venice, Italy, June 23, 2025. REUTERS/Yara Nardi/File Photo

Perhaps nothing better illustrates the flamingo’s status as a newcomer to the Venetian Lagoon than the fact that the local dialect has no word for them.

But the pale pink birds — called “fenicotteri” in Italian — are now flocking to Venice in record numbers, as ecological efforts to restore damaged wetlands could help expand their habitat and possibly induce them to nest in the lagoon, The Associated Press reported.

Flamingos — which most famously nest in Spain and France — started showing up in the vast Venetian Lagoon in the early 2000s, mostly in fishing valleys and mudflats in the lagoon’s furthest reaches, with only rare sightings in the canaled historic center of Venice that is most frequented by global tourists.

Venice Lagoon becomes an unlikely flamingo haven Environmentalists say their arrival in Venice as the European flamingo’s range expands is a sign of the lagoon’s health and suitability as a feeding ground.

Last year, the number of wintering flamingos in Venice peaked at a record of nearly 24,000. That is 8,000 more than the previous year, numbers “that position the Venetian Lagoon as one of the most important wintering spots in its entire habitat range,” said ornithologist Alessandro Sartori.

Sartori surveys the lagoon weekly by boat for signs of nesting, which would indicate a self-sustaining Venetian colony. So far there are no fresh signs after two nesting attempts, in 2008 and 2013, in northern lagoon fishing valleys suffered serious setbacks, including violent hail that killed dozens of birds.

More than 90% of the birds counted in last year’s census were in the northern lagoon, which contains a large area of natural salt marsh. The flamingos are also attracted by the traditional fishing valleys, semi-natural embanked wetlands that provide abundant food but can also bring them into conflict with human activity.

Venice seeks to recover its lost marsh A project to reconstruct salt marshes in the more isolated southern lagoon — past the historic center and the industrial port — raises prospects that flamingo numbers will increase there as well by offering a new habitat in an area of the lagoon where wetland erosion has been especially severe. It could also draw the birds away from competing human uses in the north.

The Venetian Lagoon, covering an expanse of 550 square kilometers (more than 200 square miles), was originally nearly half salt marsh. Today the area of salt marsh — or “barene” in the Venetian dialect — is just about 7%, about half of it reconstructed, said Jane da Mosto, the executive director of We Are Here Venice, the local partner in the EU’s 23.6 million euro ($27.5 million), 5-year WaterLANDS project to restore wetlands across Europe.

The damage is especially stark in the central and southern lagoon, due to the combination of natural erosion and the dredging of shipping channels to access the Marghera industrial port in the 1960s.

“And since then, there’s been much more widespread erosion and loss of sediments from the lagoon to the point that Venice is now on a trajectory to becoming a marine bay,” said da Mosto. The wetlands reconstruction project “is specifically to show that it’s possible to address this trend and change the course of history.”

Rebuilding the salt marshes increases the lagoon’s ability to capture carbon dioxide, a greenhouse gas and driver of climate change, and mitigates the effects of rising sea levels. But da Mosto said much larger areas would need to be restored to produce meaningful climate benefits. The goal of the EU project is to make salt marsh reconstruction scalable.

Flamingos can also benefit as biodiversity increases.

Da Mosto’s team is researching ways to increase biodiversity on the reconstructed marshes, including planting species that can help reduce erosion and make the wetlands more resilient.

The mudflat where they are working contains signs of flamingo activity, chiefly stray pink feathers. On a recent day, a flock of some 30 were perched in the distance — scattering when a pair of squawking oystercatchers alerted them to visitors.

Already, Sartori believes that the reconstruction has begun to draw more flamingos to the area. Over the last three years, he has seen their numbers in the southern lagoon grow from just a handful to as many as 300 to 400 in certain periods.

“The hope is that they can find — as they have found in other parts of the Mediterranean — right here on these barene, places where they can nest,” Sartori said.

Venice’s pink newcomers could draw a different kind of visitor The flamingos' presence in the lagoon underlines the importance of the Venetian ecosystem and offers a new way for visitors to interpret the canaled city and outer islands through their ecological — and not just historical and artistic — significance.

Still, visitors to Venice who hope to casually spy flamingos will probably be disappointed, and AP reporters recently had to travel by boat for an hour to spot any. The flamingos inhabit shallow, difficult-to-access reaches of the lagoon where navigating safely requires close attention to tides and channels.

Even at a distance, the birds are easily disturbed and quick to take flight.

Sartori predicts flamingo spotting — already a possibility from the shores of the small lagoon islands of Murano and Burano but rare in the historic center — could become more common as their numbers continue to grow.

“Obviously this should always be done with respect for the animals, keeping a safe distance and not interfering with their daily lives,” he said.