First Red Sea Fashion Week Starts on Ummahat Islands

The event aims to establish Saudi fashion's presence in relevant international forums and position the Kingdom's fashion as a major contributor across various sectors of the fashion industry globally. SPA
The event aims to establish Saudi fashion's presence in relevant international forums and position the Kingdom's fashion as a major contributor across various sectors of the fashion industry globally. SPA
TT

First Red Sea Fashion Week Starts on Ummahat Islands

The event aims to establish Saudi fashion's presence in relevant international forums and position the Kingdom's fashion as a major contributor across various sectors of the fashion industry globally. SPA
The event aims to establish Saudi fashion's presence in relevant international forums and position the Kingdom's fashion as a major contributor across various sectors of the fashion industry globally. SPA

The first Red Sea Fashion Week (RSFW) kicked Thursday from Ummahat Islands, promising three days of style and glamour at the St. Regis Red Sea Resort.
The RSFW, organized by the Saudi Fashion Commission, is a cultural and economic milestone for the fashion industry in the Kingdom, representing a prominent initiative that integrates Saudi fashion into the global market, SPA reported.
The event aims to establish Saudi fashion's presence in relevant international forums and position the Kingdom's fashion as a major contributor across various sectors of the fashion industry globally. It recognizes the significant impact of fashion as a contributor to national economies.
Fashion Commission chief executive Burak Cakmak expressed the goal of the RSFW to create a platform that fosters cultural exchange and celebrates creativity. He added that the cultural event highlights the commission's steadfast commitment to driving the fashion industry forward in the Kingdom.
He further emphasized the commission's dedication to creating an appealing environment where talented individuals, both male and female, from the nation can connect with experienced international figures and reputable entities in the industry.
With a meticulously planned schedule, the RSFW features an impressive lineup of Saudi and global brands that can adorn the nation’s platforms, showrooms, and forums at the local, regional and global levels, Cakmak said.
The Fashion Commission's strategies and plans revolve around nurturing local talents and integrating them into the global fashion scene, Cakmak said, aligning with the objectives of Saudi Vision 2030 to enrich the cultural fabric of the Kingdom.
Cakmak stressed the commission's eagerness to keep up with these objectives that also expand local economic horizons, with culture playing a vital role in the national product and contributing to the overall development of the country's economy.



Ancient Egyptian Coffin Given New Life in Britain

Staff at Swansea University welcome back the artifact. Photo: Swansea University
Staff at Swansea University welcome back the artifact. Photo: Swansea University
TT

Ancient Egyptian Coffin Given New Life in Britain

Staff at Swansea University welcome back the artifact. Photo: Swansea University
Staff at Swansea University welcome back the artifact. Photo: Swansea University

An ancient Egyptian coffin was given a new life after it has been returned to Swansea University's Egypt Center in Wales.

The artifact, believed to date from about 650 BC, is now back at the university after thousands of hours of conservation work at Cardiff University, where it was painstakingly cleaned, reconstructed and consolidated to prevent it from deteriorating further, according to BBC.

The coffin, originally made for a man called Ankhpakhered in the Greek city of Thebes, was transported back under the watchful eye of the center’s curator Dr. Ken Griffin.

Staff described the finished project as “beyond our wildest dreams.”

“The coffin was gifted to us by Aberystwyth University in 1997 but details about its history are sketchy,” Griffin said.

He added: “It actually ended up being used as a storage box at one time, with other Egyptian objects placed in it for safekeeping.”

The university’s Phil Parkes explained that the wooden coffin was covered in textile and then had a thin layer of decorated plaster over the top.

He said: “Much of that textile had become detached over time and was just hanging loose.”

Parkes added that the separate wooden head was detached and there were a couple of large pieces of wood missing, the side of the base had fallen off and it was in a very sorry condition overall.