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Blooming Hard: Taiwan's Persimmon Growers Struggle

Persimmons are popular in Taiwan but changing weather and an ageing population are posing a threat to the century-old industry. I-Hwa CHENG / AFP
Persimmons are popular in Taiwan but changing weather and an ageing population are posing a threat to the century-old industry. I-Hwa CHENG / AFP
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Blooming Hard: Taiwan's Persimmon Growers Struggle

Persimmons are popular in Taiwan but changing weather and an ageing population are posing a threat to the century-old industry. I-Hwa CHENG / AFP
Persimmons are popular in Taiwan but changing weather and an ageing population are posing a threat to the century-old industry. I-Hwa CHENG / AFP

Taiwanese persimmon farmer Lo Chih-neng stands on a ladder in his sprawling orchard using secateurs to cut the golden-yellow fruit still hanging from branches after enduring a tough season.
Persimmons are popular in Taiwan where people travel hours to buy bags and boxes of the sweet dried fruit to take home to their families or give away to friends.
But changing weather and an ageing population are posing a threat to the century-old industry, forcing some farmers to look at alternative ways to maximize returns -- or get out altogether, AFP said.
Lo's harvest was down by more than a third in 2024, Taiwan's hottest year on record, after some of his trees failed to bloom and two typhoons in October stripped many of their leaves and fruit.
"The yield has dropped by quite a lot, at least a third or more," Lo, 65, told AFP on his farm where persimmon trees carpet a valley in Dongshi district, in the central west of the island.
"The losses have been severe, and it's mostly due to the typhoons," said Lo, who expects to lose Nt$1 million ($30,000) from his takings on this year's crop.
Taiwan's Central Weather Administration said Tuesday that 2024 was the hottest year since records began 127 years ago, echoing unprecedented temperature highs felt around the world.
Climate hardship
Taiwan's annual persimmon harvest declined for the second year in a row in 2023 to around 59,000 tons.
It is expected to be more than 13 percent lower in 2024, figures from the Agriculture and Food Agency show.
The land area used for growing the fruit has shrunk to 4,700 hectares (11,600 acres) from more than 5,300 hectares a decade ago, and the number of persimmon farmers has also fallen, Su Tang-chao, director of the agency's fruit and flower division, told AFP.
"In recent years, we have observed changes in production areas and fluctuations in yield and quality due to broader environmental changes, such as climate change and global warming," Su said.
Fresh persimmons are harvested from September to December, with most of the fruit sent to Hsinchu county, south of Taipei, to be dried.
Nearly all of the fruit harvested every year is consumed in Taiwan.
Lo's harvest is put into plastic crates, loaded into the back of a truck and taken to Weiweijia persimmon orchard where Lu Li-chien's family has been growing and drying the fruit for more than a century.
Tourists flock to Lu's farm to pose for photos among outdoor circular racks of fruit that shrivel and darken as they dry in the sun and wind -- a traditional method used by Taiwan's ethnic Hakka community.
Normally, fresh persimmons arrive at the Weiweijia farm every day, but Lu said this year's harvest has been "extremely low" and deliveries have been every two days.
"Compared to previous years, we only have about 20 percent of the usual supply," Lu, 68, told AFP.
"When I ask the farmers about the cause, they said the trees are not blooming properly, the flowers aren't opening up as they should."
Lu blames "climate abnormalities", with the production problems worsened by ageing growers whose children have no interest in taking over the family orchard.
"We've never encountered such a situation," he said of the poor harvest.
To maximize earnings, Lu's workers collect persimmon peels and turn them into dye. There are also plans afoot to make skincare products.
Lo, who has a teenage daughter, said he hopes to pass his farm to his nephew in the next few years -- if he is up to the challenge.
"I told him, 'If you're afraid of hardship, you won't be able to do this'," Lo said. "It gets really hot sometimes, and other times, it's very cold."

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Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
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Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)

The world knew Jimmy Carter as a president and humanitarian, but he also was a woodworker, painter and poet, creating a body of artistic work that reflects deeply personal views of the global community — and himself.
His portfolio illuminates his closest relationships, his spartan sensibilities and his place in the evolution of American race relations. And it continues to improve the finances of The Carter Center, his enduring legacy, The Associated Press said.
Creating art provided “the rare opportunity for privacy” in his otherwise public life, Carter said. “These times of solitude are like being in another very pleasant world.”
‘One of the best gifts of my life' Mourners at Carter’s hometown funeral will see the altar cross he carved in maple and collection plates he turned on his lathe. Great-grandchildren in the front pews at Maranatha Baptist Church slept as infants in cradles he fashioned.
The former president measured himself a “fairly proficient” craftsman. Chris Bagby, an Atlanta woodworker whose shop Carter frequented, elevated that assessment to “rather accomplished.”
Carter gleaned the basics on his father’s farm, where the Great Depression meant being a jack-of-all-trades. He learned more in shop class and with Future Farmers of America. “I made a miniature of the White House,” he recalled, insisting it was not about his ambitions.
During his Navy years, Jimmy and Rosalynn Carter chose unfurnished military housing to stretch his $300 monthly wage, and he built their furniture himself in a shop on base.
As president, Carter nurtured woodworking rather than his golf game, spending hours in a wood shop at Camp David to make small presents for family and friends. And when he left the White House, West Wing aides and Cabinet members pooled money for a shopping spree at Sears, Roebuck & Co. so he could finally assemble a full-scale home woodshop.
“One of the best gifts of my life,” Carter said.
Working in their converted garage, he previewed decades of Habitat for Humanity work by refurbishing their one-story house in Plains. He also improved his fine woodworking skills, joining wood without nails or screws. He also bought Japanese carving tools, and fashioned a chess set later owned by a Saudi prince.
Not just any customer Carter frequented Atlanta’s Highland Woodworking, a shop replete with a library of how-to books and hard-to-find tools, and recruited the world’s preeminent handmade furniture maker, Tage Frid, as an instructor, Bagby said.
Still hanging near the store entrance is a picture of Frid, who died in 2004, teaching students including a smiling former president at the front of the class.
“He was like a regular customer,” Bagby said, other than the “Secret Service agents who came with him.”
Carter built four ladder-back chairs out of hickory in 1983, and Sotheby’s auctioned them for $21,000 each at the time, the first of many sales of Carter paintings and furniture that raised millions to benefit The Carter Center.
It was rarely about the money, though. Jill Stuckey, a longtime friend who would have the Carters over to her home in Plains, recalled seeing the former president carrying out one of her chairs.
“I said, ‘What are you doing?’” she recalled. “He said, ‘It’s broken. I’m going to take it home and fix it.’”
He was at her back door at 7:30 the next morning, holding her repaired chair.
Carter compared woodworking to the results of his labor as a Navy engineer, or as a boy on the farm: “I like to see what I have done, what I have made.”
‘No special talent,' but his paintings drive auctions Carter employed a folk-art style as a late-in-life amateur painter and claimed “no special talent,” but a 2020 Carter Center auction drew $340,000 for his painting titled “Cardinals," and his oil-on-canvas of an eagle sold for $225,000 in 2023, months after he entered hospice care.
Carter’s work hangs throughout the center’s campus. A room where he met with dignitaries is encircled with birds he painted after he and Rosalynn took on bird watching as a hobby.
Near the executive offices are a self-portrait and a painting of Rosalynn in their early post-presidential years, hanging across from a trio of Andy Warhol prints showing Carter in office.
Carter’s earliest years predominate, with boyhood farm scenes and portraits of influential figures like his father James Earl Carter Sr., whose death in 1953 led him to abandon a Navy career and eventually enter politics in Georgia.
Some of his subjects, including both of his parents, are looking away. Carter's likeness of his mother shows “Miss Lillian” as a 70-year-old Peace Corps volunteer in India. Jason Carter said the piece was particularly meaningful to his grandfather, who lost reelection at a relatively youthful 56.
“When he got out of the White House, she was standing there saying, ’Well, I turned 70 in the Peace Corps. What are you going to do?” Jason Carter said.
One Carter subject who meets his gaze is a young Rosalynn — they married when she was 18 and he was 21. He described her as “remarkably beautiful, almost painfully shy, obviously intelligent, and yet unrestrained in our discussions.”
Another who doesn’t look away is Rachel Clark, a Black sharecropper who had hosted the future president after they worked in the fields. “Except for my parents, Rachel Clark was the person closest to me,” Carter wrote of his childhood.
'Just a word of praise' Carter wrote more than 30 books — even a novel — but was most introspective in poetry.
On his first real recognition of Jim Crow segregation: “A silent line was drawn between friend and friend, race and race.”
On his Cold War submarine’s delicate dance with enemies: “We wanted them to understand ... to share our love of solitude ... the peace we yearned to keep.”
Rosalynn’s smile, he gushed, silenced the birds, “or may be I failed to hear their song.”
Perhaps Carter’s most revealing poem, “I Wanted to Share My Father’s World,” concerns the man who never got to see his namesake son’s achievements. He wrote that he despised Earl’s discipline, and swallowed hunger for “just a word of praise.”
Only when he brought his own sons to visit his dying father did he “put aside the past resentments of the boy” and see “the father who will never cease to be alive in me.”